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bertdijkhuis.bsky.social
@bertdijkhuis.bsky.social
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bertdijkhuis.bsky.social
bertdijkhuis.bsky.social @bertdijkhuis.bsky.social · 11h
Ik sta hier in, dus koop hem vooral! Ook verkrijgbaar bij de lokale tak van de grote rivier: www.amazon.nl/-/en/dp/B0G5...

Alle opbrengsten gaan naar het Cartoon Museum in Londen.
bertdijkhuis.bsky.social
Ik sta hier in, dus koop hem vooral! Ook verkrijgbaar bij de lokale tak van de grote rivier: www.amazon.nl/-/en/dp/B0G5...

Alle opbrengsten gaan naar het Cartoon Museum in Londen.
December 10, 2025 at 11:11 AM
bertdijkhuis.bsky.social
Vrolijk pasen!
Easter bunny hanging from wires in a room with a laser security system, trying to steal a Faberge egg from a glass display case.
April 20, 2025 at 8:37 AM
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gralefrit.bsky.social
The long-term problem isn’t that machines can make art (they can’t really) but that a lot of people don’t really like art, or care if the art they’re given is any fucking good.

We should be looking at legislating for a better public. Or designing a really good automatic one.
April 19, 2025 at 8:24 AM
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degoedeleander.bsky.social
Always choose a real artist over a worthless AI image, please. Help keep an artist sane (well, somewhat sane anyway) Bandwagon sold seprately!
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#noaistarterpack #starterpacknoai #realartist #realart #noAI
April 16, 2025 at 2:20 PM
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michaellegge.bsky.social
Listen to @impq.bsky.social! New episodes every Monday! And mini-episodes every Thursday!!! #ironmaiden
March 31, 2025 at 2:05 PM
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oisinmcgann.bsky.social
One of the most common arguments you hear from fans of generative ‘AI’ is that it’s not plagiarizing people’s work, it’s just learning like a human learns. So I’m going to break down why that’s just not true, and why it can never be true, with the existing systems. 1/
February 26, 2025 at 6:58 PM
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schweizercomics.bsky.social
Hey, friends! Here are some thoughts on using planes in your compositions.
Text: "Planes" are a depiction of anything that exists in a drawing at a FiXED spatial distance from the viewer, with each grouping of subjects at a shared distance overlapping the next in order to suggest the spatial relationship of each element in the drawing to the others. This image has three planes: (Image of a drawing with a scorpion on a rock, a cowboy sitting on a rock, and a mountain in the background). Each plane in an image signifies a different degree of distance, with the foreground SHARiNG the viewer’s spatial plane, and the background being the farthest from it. There’s clear distance between each plane; no plane “touches” another. Text: why is overlapping the planes necessary? (image: a cowboy apparently close to the viewer, one a ways back, and then a saloon behind him). Unless one plane directly overlaps another, there’s no sure clarity that they are, in fact, suggestive of different distances. (image: the cowboy appearing to be closest is shown to be a giant, swinging the apparently midground cowboy by the head into the two-story saloon that's only about as tall as a person). it’s also important to suggest scale in each plane using subjects whose size the audience is likely to know. when that isn’t possible, try repeating the element-of-unspecified-scale (a) from one plane in another and have it (B) interact there with a subject whose scale is clear. (image: a small round cactus in the foreground, and farther off a cowboy sitting on a similar cactus) Text: A perspective grid composition (A) suggests depth by progressive recession in space, while planar composition (B) suggests it with staggered recession in space. (image: a receding grid and a series of staggered planar elements) The principles of overlapping planar composition can be used with a perspective grid, especially if there are elements with right angles (like buildings). Rough your panel with plane elements in place first... ...then make/place a grid that fits your layout... ...then utilize the grid to make the receding angles match. (image: a wanted man hiding against a wall while a cowgirl crossed the street, looking around). One of the most useful* aspects of a foreground element is to create a sense of immersion for your audience. by putting it on essentially the same plane as the audience itself, the audience becomes a part of the story, seemingly able to touch the foreground, to lean around it for a better view. (image: the wanted man is now decidedly a foreground element). *it also means less time spent drawing all of the detail in the midground or background planes without ever aesthetically shortchanging your audience.
February 25, 2025 at 5:03 PM
bertdijkhuis.bsky.social
Fijne feestdagen en alvast een gelukkig nieuwjaar!
Some cartoon characters are riding Santa's sleigh down a hill while Santa is angrily waving after them.
December 24, 2024 at 3:42 PM