Author Charles Wiegand
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charleswiegand.bsky.social
Author Charles Wiegand
@charleswiegand.bsky.social
1K followers 380 following 970 posts
Charles wrote "Heartbeats Across Borders" and many short stories, some have been published in many different journals/anthologies as well has his own two collections - "Daydreaming" and "Uncharted Realities". All three of his books are available on Amazon
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My novel - "Heartbeats Across Borders" www.amazon.com/dp/B0D76PKHTG
My collection of short stories -"Daydreaming" www.amazon.com/dp/B0CNG22W76
My second collection of short stories - Uncharted Realities www.amazon.com/dp/B0D9ZSHXDR
For more info visit: author.wiegand.org
#writerslift #books #reading
Lasting happiness comes from what runs deeper: values, trust, and genuine connection. Build on those, and love has the strength to endure.
Superficial love fades as quickly as the surface it’s built on. Superficial things bring only superficial love. When we anchor our hearts to shallow things, the happiness they bring us is fragile, vanishing the moment those things shift or disappear. Temporal things bring us only temporal love.
"Love built on the surface fades with the surface.”
—Charles Wiegand (1959- )
From his upcoming book “Ritmo y Pasión”

#writerslift #life #authors #love #art #coffee #diary #write #books #amwriting #quotes #charleswiegand
Visibility, not piracy, is the lifeline every author needs, because a story can’t make an impact until it’s actually read.
the greatest danger to writers isn’t theft, it’s being ignored.

And in today’s publishing flood, where millions of new titles hit the market every year, that danger is bigger than ever. Craft, talent, and heart mean nothing if readers never discover your work.
Piracy may spook authors with the idea of lost sales, but the real monster under the bed is obscurity. If no one even knows your book exists, it doesn’t matter whether it’s pirated or protected; it’s unread, untouched, and invisible. Tim O’Reilly nailed it years ago:
"Obscurity is a far greater threat to authors and creative artists than piracy."
--Tim O'Reilly (1954- )
From a blog post in December 2002 titled “Piracy is progressive taxation...”

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declaration suggests that maintaining grace under pressure is not passive; it’s active authorship of the self. Just as a writer chooses voice over reaction, Washington chooses dignity over degradation.
For writers (and anyone living with intention), the quote offers a craft lesson, too: our responses matter. What you allow others to do to your soul, your anger, your bitterness, shapes your narrative. Washington’s
need not become your response. His statement emerges from his own journey as a formerly enslaved man, educator, and public figure navigating a racially hostile society, and it resonates as a refusal to let hatred define his identity.
freedom: no one has the right to compel you to hate, and by refusing that compulsion, you preserve your soul’s dignity. In the face of oppression and prejudice, Washington stakes a claim not only for survival but for moral agency; hate may be a tool of the oppressor, but it
The actual quote from Booker T. Washington is this: "I would permit no man, no matter what his colour might be, to narrow and degrade my soul by making me hate him." That quote and the above paraphrased version common on the internet assert a powerful principle of personal
"I shall allow no man to belittle my soul by making me hate him." (Paraphrased)
--Booker T. Washington (1856-1915)
From “Up from Slavery” (1901) in chapter 11

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words when a short one will do, adverbs mirroring verbs, passive voice obscuring the actor, these are “weeds” to be removed. The goal is writing that is simple, direct, and human. The writer’s voice, not stylistic ornament, should carry the piece. In sum: clutter out, clarity in.
true. Clear thinking begets clear writing, and if your sentences are heavy with filler words, then you haven’t fully understood what you’re trying to say.

He follows this diagnosis with a prescription: ruthlessly prune your prose. Every word must pull its weight; long
suffers from what he calls “clutter”: needless words, inflated constructions, jargon, and complicated phrasing that don’t add meaning but distract or confuse the reader. He contends that writers too often think complexity and big words make them sound important, yet the opposite is
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In this part (in most editions - chapter 2) of "On Writing Well: The Classic Guide to Writing Nonfiction," Zinsser argues that much of contemporary American prose
“Clutter is the disease of American writing. We are a society strangling in unnecessary words, circular constructions, pompous frills, and meaningless jargon.”
― William Zinsser (1922-2015 )
From “On Writing Well” 1976, Chapter 2
it was a crucial step toward maintaining political integrity and intellectual freedom.
By following rules of simplicity and conciseness, like cutting out extra words, a writer could resist the "contagion" of poor communication that he felt was spreading through public discourse. For Orwell, the fight for clear and honest prose wasn't just about style;
He argued that this bad writing wasn't just lazy; it was a serious political problem, as convoluted language was often used by politicians to hide the truth and make dishonest acts sound respectable.

The greater context is that Orwell saw a direct link between clear language and clear thinking.
George Orwell's famous advice, “If it is possible to cut a word out, always cut it out,” is the third of his six rules for good writing. The essay itself is a sharp critique of the decline of the English language, which Orwell believed was being polluted by vagueness, clichés, and pretension.
“If it is possible to cut a word out, always cut it out.”
— George Orwell (1903-1950)
From "Politics and the English Language” 1946

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“stupid” people than about celebrating the value of reading for pleasure and the depth that novels bring. In doing so, the quote becomes a rallying cry for readers and writers alike: join the conversation of the novel, and you’re in the company of the thoughtful.
But the quote also signals Austen’s broader view of reading and culture: if you can’t find pleasure in a “good novel,” Austen implies, you’re missing a key human experience, the imaginative, emotional, empathic engagement that fiction delivers. It’s less about insulting