Caridad Svich
@csvich.bsky.social
3.1K followers 5.6K following 6.8K posts
Writer for Performance. 2024 Guggenheim Fellow. Plays: Red Bike, 12 Ophelias, Iphigenia Crash Land Falls.... Film: Fugitive Dreams. Artistic Director of New Play Development at Lortel Theater/NY. Editor at Contemporary Theatre Review/UK. Views mine.
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csvich.bsky.social
digital theatre (audio, streaming, broadcast, hybrid) makes theatre widely accessible to so many people, and yet most theatre says nah
csvich.bsky.social
there are some in NYC as well as out
csvich.bsky.social
Oscar winning performances by actors in films that barely anyone saw
csvich.bsky.social
dear theatre, even now
csvich.bsky.social
i had to read the sentence twice
csvich.bsky.social
reading a critic who says Caryl Churchill's plays have nothing to do with politics...
csvich.bsky.social
in the end times, time is short. give it to the new plays. let the living writers enjoy it before its all over
csvich.bsky.social
maybe one day one of the new plays will be seen
csvich.bsky.social
Nobel Prize for Caryl Churchill when oh when
csvich.bsky.social
dear theatre, feeling structure
Reposted by Caridad Svich
robertamock.bsky.social
You can read 'Caryl Churchill's Eco-Socialist Feminism' by Elaine Aston (published by Cambridge University Press) for free online until 22 October:

www.cambridge.org/core/element...
Cover of Cambridge Elements title: Caryl Churchill's Eco-Socialist Feminism by Elaine Aston
csvich.bsky.social
second this. the superb Justin.
csvich.bsky.social
omfg. its like when the Top Girls revival was on Broadway under James McDonald's direction and the MTC audience didnt understand the structure of the play and kept saying it needed to be linear 🤦‍♀️
csvich.bsky.social
"think too what happens when some plays written in the US are called "too European to produce"
csvich.bsky.social
many theatres practicing radical inclusion somehow always "forget" about disability