Dave Kehr
@davekehr.bsky.social
2.8K followers 600 following 43 posts
Longtime film critic -- Chicago Reader, Chicago Tribune, New York Times -- now a curator in the Department of Film of the Museum of Modern Art, New York. Opinions are my own.
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davekehr.bsky.social
Playing daily at MoMA through Feb. 12. The most formally accomplished film you are likely to see this year.
newyorker.com
Rob Tregenza’s new film, “The Fishing Place,” offers a clear-eyed look at the evils of the Nazi occupation during the Second World War and the danger of tyrannical fascism overwhelming democratic routine.
“The Fishing Place” Puts History Into the Present Tense
With a style as daring as his narrative sense, Rob Tregenza dramatizes the moral dilemmas of Norwegians under Nazi occupation.
www.newyorker.com
Reposted by Dave Kehr
dwhdaily.bsky.social
Rob Tregenza has worked with Godard, Béla Tarr, Alex Cox … His new film, THE FISHING PLACE, sees its North American premiere tonight @ MoMA — www.criterion.com/current/post...
A still from Rob Tregenza’s The Fishing Place (2024)
Reposted by Dave Kehr
davidlambertart.bsky.social
Whenever someone writing about Westerns uses some variation on the phrase, "the white hats vs the black hats," I stop reading. This has never been standard in the genre, even in the serials & B-Westerns.

If you said that shit in front of John Ford, he'd throw your ass out of his movie screening:
davekehr.bsky.social
Released at the height of the 1918 pandemic, Chaplin's SHOULDER ARMS still broke box office records. Here's the Strand boasting that "New Yorkers took their lives in their hands" to pack the theater "all week." New @MoMAFilm resto plays 7pm Thurs.
davekehr.bsky.social
Still a good movie, though! I'm glad people are making the effort to show 20th century cinema in no matter what form.
davekehr.bsky.social
Was it letterboxed? The real shortcoming of 16mm is that practically everything was cropped to 1.33.
davekehr.bsky.social
The sad, simple truth is that the studios don't care about revival screenings -- it's a microscopic part of their business -- and they seldom make theatrical grade material available. It's all about making files for streaming these days.
davekehr.bsky.social
That's another debate! It's probably a battered survivor of the 1970s boom in non-theatrical distribution (which is what fueled my college film society). You might be better off with a blu-ray.
davekehr.bsky.social
Not weird at all, Norm. It's very rare, if not unheard of, for a studio to pay for a new 35mm print these days. Most of them won't even make DCPs.
Reposted by Dave Kehr
davidlambertart.bsky.social
On this day, it's important to remember that the Oscar statue was likely modeled after Mexican-Kickapoo filmmaker & actor Emilio Fernandez (aka, Gen. Mapache in The Wild Bunch)
davekehr.bsky.social
Last chance for TSAP's sleeper of the year, today at 4:30.
davekehr.bsky.social
David Schwartz on a real sleeper in this year's @MoMAFilm preservation festival, the unclassifiable ROSAURA AT 10 O'CLOCK. Mario Soffici’s 1958 film begins as a folksy comedy and ends on the far side of noir. 6:30 Mon/4:30 Fri. www.screenslate.com/articles/ros...
Rosaura at 10 O’Clock
Released the same year as Vertigo (1958), and similarly driven by sexual obsession, psychological delusion, narrative game-playing, and dream logic, the great Argentine director Mario Soffici’s late-c...
www.screenslate.com
davekehr.bsky.social
Interesting take here from Eric.
ericdienstfrey.bsky.social
I also recommend Experiment in Terror, an early Blake Edwards film noir that influenced Lynch stylistically. (You can trace a lot of Lynch's musical aesthetic and slapstick humor to Edwards). Not to mention the fact that the film takes places in a town called Twin Peaks. 3/x
davekehr.bsky.social
A Fox trade ad from 1929, looking back on their last full year of silent films: FOUR SONS and MOTHER MACREE by John Ford, STREET ANGEL and 7th HEAVEN by Frank Borzage, RED DANCE and IN OLD ARIZONA by Raoul Walsh, AIR CIRCUS and FAZIL by Howard Hawks, and FOUR DEVILS by F.W. Murnau. Not too shoddy.
davekehr.bsky.social
Hoping they'll make some DCPs, and this isn't just a streaming proposition.
shoutstudios.bsky.social
We're so excited to share that we've acquired the Golden Princess library!

Crown jewels include Woo’s action masterpieces “Hard Boiled,” “The Killer,” the complete “Better Tomorrow” trilogy, “Bullet in the Head,” and “Once a Thief.”

variety.com/2025/film/as... via @variety.bsky.social
John Woo, Chow Yun-fat Classics Among 156-Film Golden Princess Library Acquired by Shout! Studios (EXCLUSIVE)
Shout! Studios acquires 156 Hong Kong action classics from Golden Princess, including John Woo, Chow Yun-Fat hits like 'Hard Boiled' and 'The Killer.'
variety.com
davekehr.bsky.social
David Schwartz on a real sleeper in this year's @MoMAFilm preservation festival, the unclassifiable ROSAURA AT 10 O'CLOCK. Mario Soffici’s 1958 film begins as a folksy comedy and ends on the far side of noir. 6:30 Mon/4:30 Fri. www.screenslate.com/articles/ros...
Rosaura at 10 O’Clock
Released the same year as Vertigo (1958), and similarly driven by sexual obsession, psychological delusion, narrative game-playing, and dream logic, the great Argentine director Mario Soffici’s late-c...
www.screenslate.com
davekehr.bsky.social
Thanks to Katarina Docalovich for this fine account of Alberto Cavalcanti's rare Brazilian comedy A REAL WOMAN, which screens today and Thurs., Jan 16 in TSAP, @MoMAFilm's annual preservation festival.
www.screenslate.com/articles/rea...