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#invaderzim #gir #zimfanart #throwbackthursday #digitalart
#invaderzim #gir #zimfanart #throwbackthursday #digitalart
Both Huemer's animation and others are identified in this package of animator breakdown videos on Patreon here, for sale at $5: www.patreon.com/posts/animat...
Both Huemer's animation and others are identified in this package of animator breakdown videos on Patreon here, for sale at $5: www.patreon.com/posts/animat...
Cartoon: "Hot Cross Bunny" (1948, Robert McKimson)
We end now with a true masterpiece released 70 years ago: ONE FROGGY EVENING (’55). In it, a mysterious frog emerges from a box found inside the cornerstone of a demolished building—he sings and dances, but only in the presence of the workman who discovered him.
We end now with a true masterpiece released 70 years ago: ONE FROGGY EVENING (’55). In it, a mysterious frog emerges from a box found inside the cornerstone of a demolished building—he sings and dances, but only in the presence of the workman who discovered him.
One last Tune left to go!!
In MEXICAN BOARDERS (’62), directed by Friz Freleng and Hawley Pratt, Speedy’s cousin, Slowpoke Rodriguez, arrives to stay and keeps Speedy busy rescuing him from Sylvester’s grasp.
One last Tune left to go!!
In MEXICAN BOARDERS (’62), directed by Friz Freleng and Hawley Pratt, Speedy’s cousin, Slowpoke Rodriguez, arrives to stay and keeps Speedy busy rescuing him from Sylvester’s grasp.
LOUVRE COME BACK TO ME (’62), directed by Chuck Jones and Maurice Noble, was the last of Pepe le Pew’s cartoons—this time, he takes the chase into the Musée du Louvre, with a romantic rival in the mix.
LOUVRE COME BACK TO ME (’62), directed by Chuck Jones and Maurice Noble, was the last of Pepe le Pew’s cartoons—this time, he takes the chase into the Musée du Louvre, with a romantic rival in the mix.
www.youtube.com/watch?v=Ygx5...
www.youtube.com/watch?v=Ygx5...
In Friz Freleng's HONEY’S MONEY (’62), a reworking of 1950’s HIS BITTER HALF, Sam marries a wealthy widow for a life of ease and plenty, but also inherits her oversized kid, Wentworth, in the bargain.
In Friz Freleng's HONEY’S MONEY (’62), a reworking of 1950’s HIS BITTER HALF, Sam marries a wealthy widow for a life of ease and plenty, but also inherits her oversized kid, Wentworth, in the bargain.
In THE ABOMINABLE SNOW RABBIT (’61), directed by Chuck Jones and Maurice Noble, Bugs and Daffy inadvertently find themselves in the Himalayan mountains, where they encounter the Abominable Snowman.
In THE ABOMINABLE SNOW RABBIT (’61), directed by Chuck Jones and Maurice Noble, Bugs and Daffy inadvertently find themselves in the Himalayan mountains, where they encounter the Abominable Snowman.
In Chuck Jones’ Oscar-nominated cartoon HIGH NOTE (’60), hundreds of living musical notes congregate to assemble the sheet music for Johann Strauss’s “Blue Danube” waltz, except for one who has gone out drinking.
In Chuck Jones’ Oscar-nominated cartoon HIGH NOTE (’60), hundreds of living musical notes congregate to assemble the sheet music for Johann Strauss’s “Blue Danube” waltz, except for one who has gone out drinking.
Merry Christmas, one and all! In Friz Freleng’s GIFT WRAPPED (’52), Santa brings Granny a Tweety bird for the holiday, and Sylvester—disappointed with being gifted a rubber mouse—wants to have the bird to himself. Opening narration by Daws Butler.
Merry Christmas, one and all! In Friz Freleng’s GIFT WRAPPED (’52), Santa brings Granny a Tweety bird for the holiday, and Sylvester—disappointed with being gifted a rubber mouse—wants to have the bird to himself. Opening narration by Daws Butler.