RogerEbert.com
@ebertvoices.bsky.social
The voices of RogerEbert.com
“Films like DIE MY LOVE & IF I HAD LEGS I’D KICK YOU say something big & loud:ours is a difficult world for mothers,” writes @alishamgl.bsky.social.
The Archaic Mother’s Embrace: How "If I Had Legs I'd Kick You" and "Die My Love" Reframe the Monstrous | Features | Roger Ebert
How two harrowing tales of motherhood from last year fit into a long lineage of stories about the poisonous rot of patriarchy.
www.rogerebert.com
January 27, 2026 at 6:31 PM
“Films like DIE MY LOVE & IF I HAD LEGS I’D KICK YOU say something big & loud:ours is a difficult world for mothers,” writes @alishamgl.bsky.social.
"We sometimes find ourselves working only on the bigger ideas, on politics, but I want to write about what I know and what’s around me.”
@isaacfeldberg.bsky.social spoke w/ Hlynur Pálmason & Julius Krebs Damsbo about THE LOVE THAT REMAINS & being shaped by one’s surroundings.
@isaacfeldberg.bsky.social spoke w/ Hlynur Pálmason & Julius Krebs Damsbo about THE LOVE THAT REMAINS & being shaped by one’s surroundings.
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on "The Love That Remains" | Interviews | Roger Ebert
The film's director and editor sit down to discuss their long-standing collaboration, time as a cinematic medium, and being shaped by one’s surroundings.
www.rogerebert.com
January 27, 2026 at 6:03 PM
"We sometimes find ourselves working only on the bigger ideas, on politics, but I want to write about what I know and what’s around me.”
@isaacfeldberg.bsky.social spoke w/ Hlynur Pálmason & Julius Krebs Damsbo about THE LOVE THAT REMAINS & being shaped by one’s surroundings.
@isaacfeldberg.bsky.social spoke w/ Hlynur Pálmason & Julius Krebs Damsbo about THE LOVE THAT REMAINS & being shaped by one’s surroundings.
"It is a truth universally acknowledged that if you are a teen, you are probably going through it,” writes @oldfilmsflicker.bsky.social, connecting the Sundance films BIG GIRLS DON’T CRY, HOLD ONTO ME, & TELL ME EVERYTHING.
Sundance 2026: Big Girls Don't Cry, Hold Onto Me, Tell Me Everything | Festivals & Awards | Roger Ebert
On three films about teens going through it from the World Dramatic program at Sundance.
www.rogerebert.com
January 27, 2026 at 5:02 PM
"It is a truth universally acknowledged that if you are a teen, you are probably going through it,” writes @oldfilmsflicker.bsky.social, connecting the Sundance films BIG GIRLS DON’T CRY, HOLD ONTO ME, & TELL ME EVERYTHING.
In his latest dispatch, @briantallerico.bsky.social reviews UNION COUNTY, THE MUSICAL, & JOSEPHINE, which he calls "the best film of Sundance so far.”
Sundance 2026: Josephine, Union County, The Musical | Festivals & Awards | Roger Ebert
On three films from the U.S. Dramatic Competition program of Sundance 2026, including one of the best of the fest, and one of the worst.
www.rogerebert.com
January 27, 2026 at 4:30 PM
In his latest dispatch, @briantallerico.bsky.social reviews UNION COUNTY, THE MUSICAL, & JOSEPHINE, which he calls "the best film of Sundance so far.”
"In this dispatch are three works from the US Documentary competition that, to varying degrees, attempt to match a purposeful style to their important subject,” writes @812filmreviews.com about JOYBUBBLES, SOUL PATROL, WHO KILLED ALEX ODEH?
Sundance 2026: Joybubbles, Soul Patrol, Who Killed Alex Odeh? | Festivals & Awards | Roger Ebert
All five of the current nominees for Best Documentary premiered at Sundance this year. Will one of these join that group next year?
www.rogerebert.com
January 27, 2026 at 4:01 PM
"In this dispatch are three works from the US Documentary competition that, to varying degrees, attempt to match a purposeful style to their important subject,” writes @812filmreviews.com about JOYBUBBLES, SOUL PATROL, WHO KILLED ALEX ODEH?
“At other points, you start watching the films you know you won’t shut up about for the rest of the year,” writes @812filmreviews.com about ONCE UPON A TIME IN HARLEM, WICKER, & THE GALLERIST.
Sundance 2026: Once Upon a Time in Harlem, Wicker, The Gallerist | Festivals & Awards | Roger Ebert
On three films from the Premieres section at Sundance 2026, including one of the best of the entire fest.
www.rogerebert.com
January 27, 2026 at 3:30 PM
“At other points, you start watching the films you know you won’t shut up about for the rest of the year,” writes @812filmreviews.com about ONCE UPON A TIME IN HARLEM, WICKER, & THE GALLERIST.
"3 of the most anticipated movies of Sundance 2026 dropped over the first few days of the fest. They’re all worth a look, to varying degrees,” writes @briantallerico.bsky.social about THE SHITHEADS, HISTORY OF CONCRETE, & THE INVITE.
Sundance 2026: The Shitheads, The History of Concrete, The Invite | Festivals & Awards | Roger Ebert
The last Sundance seems heavy on comedies this year. Here are some thoughts on two, along with a documentary that might be the funniest movie of the trio.
www.rogerebert.com
January 27, 2026 at 3:02 PM
"3 of the most anticipated movies of Sundance 2026 dropped over the first few days of the fest. They’re all worth a look, to varying degrees,” writes @briantallerico.bsky.social about THE SHITHEADS, HISTORY OF CONCRETE, & THE INVITE.
"The three films in this dispatch are so uniquely wild in their premises and varied execution that it was difficult not to have my eyes locked on the screen,” writes @812filmreviews.com about LEVITICUS, BUDDY, & MUM I’M ALIEN PREGNANT.
Sundance 2026: Leviticus, Buddy, Mum I'm Alien Pregnant | Festivals & Awards | Roger Ebert
On three films from the Sundance Midnight Madness program.
www.rogerebert.com
January 27, 2026 at 2:30 PM
"The three films in this dispatch are so uniquely wild in their premises and varied execution that it was difficult not to have my eyes locked on the screen,” writes @812filmreviews.com about LEVITICUS, BUDDY, & MUM I’M ALIEN PREGNANT.
In her 1st dispatch out of Sundance, @oldfilmsflicker reviews BIRDS OF WAR, ONE IN A MILLION, & SILENCED.
Sundance 2026: Birds of War, One in a Million, Silenced | Festivals & Awards | Roger Ebert
On three film from the World Documentary program at Sundance this year.
www.rogerebert.com
January 27, 2026 at 2:02 PM
In her 1st dispatch out of Sundance, @oldfilmsflicker reviews BIRDS OF WAR, ONE IN A MILLION, & SILENCED.
Reposted by RogerEbert.com
My first #Sundance2026 dispatch for @ebertvoices.bsky.social features three midnight movies: LEVITICUS, BUDDY, and MUM I'M ALIEN PREGNANT.
Sundance 2026: Leviticus, Buddy, Mum I'm Alien Pregnant | Festivals & Awards | Roger Ebert
On three films from the Sundance Midnight Madness program.
www.rogerebert.com
January 25, 2026 at 8:14 PM
My first #Sundance2026 dispatch for @ebertvoices.bsky.social features three midnight movies: LEVITICUS, BUDDY, and MUM I'M ALIEN PREGNANT.
Reposted by RogerEbert.com
First off ONCE UPON A TIME IN HARLEM is amazing. It’s probably the best film at #Sundance2026
For @ebertvoices.bsky.social I wrote about that film, THE GALLERIST, and WICKER.
For @ebertvoices.bsky.social I wrote about that film, THE GALLERIST, and WICKER.
Sundance 2026: Once Upon a Time in Harlem, Wicker, The Gallerist | Festivals & Awards | Roger Ebert
On three films from the Premieres section at Sundance 2026, including one of the best of the entire fest.
www.rogerebert.com
January 26, 2026 at 4:26 AM
First off ONCE UPON A TIME IN HARLEM is amazing. It’s probably the best film at #Sundance2026
For @ebertvoices.bsky.social I wrote about that film, THE GALLERIST, and WICKER.
For @ebertvoices.bsky.social I wrote about that film, THE GALLERIST, and WICKER.
Reposted by RogerEbert.com
"Seek it out on the biggest screen possible" -- @ebertvoices.bsky.social
Academy Award nominee for Best Animated Feature, ARCO opens this Friday January 30th at the Music Box!
Get Tickets Now: musicboxtheatre.com/films-and-ev...
Academy Award nominee for Best Animated Feature, ARCO opens this Friday January 30th at the Music Box!
Get Tickets Now: musicboxtheatre.com/films-and-ev...
January 26, 2026 at 3:21 PM
"Seek it out on the biggest screen possible" -- @ebertvoices.bsky.social
Academy Award nominee for Best Animated Feature, ARCO opens this Friday January 30th at the Music Box!
Get Tickets Now: musicboxtheatre.com/films-and-ev...
Academy Award nominee for Best Animated Feature, ARCO opens this Friday January 30th at the Music Box!
Get Tickets Now: musicboxtheatre.com/films-and-ev...
Reposted by RogerEbert.com
“There are performances in both to admire,” writes @briantallerico.bsky.social about CAROUSEL and HOT WATER, two Dramatic Competition films out of Sundance.
Sundance 2026: Carousel, Hot Water | Festivals & Awards | Roger Ebert
Our first two reviews of films in the Dramatic Competition program of Sundance.
www.rogerebert.com
January 25, 2026 at 7:56 PM
“There are performances in both to admire,” writes @briantallerico.bsky.social about CAROUSEL and HOT WATER, two Dramatic Competition films out of Sundance.
In his 1st dispatch from Sundance, @briantallerico.bsky.social reviews the anticipated premieres of I WANT YOUR SEX, THE INCOMER, & PARALYZED BY HOPE: THE MARIA BAMFORD STORY:
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story | Festivals & Awards | Roger Ebert
The last Sundance in Park City is off to a good start with a truly horny film from one of its favorite sons.
www.rogerebert.com
January 25, 2026 at 7:48 PM
In his 1st dispatch from Sundance, @briantallerico.bsky.social reviews the anticipated premieres of I WANT YOUR SEX, THE INCOMER, & PARALYZED BY HOPE: THE MARIA BAMFORD STORY:
“It's amusing to watch Charli skewer her own public persona, celebrity culture, and its corporate packaging, poking fun at money-driven executives and how other creative forces can affect the way we see our favorite performers,” writes @mcastimovies.bsky.social movies about THE MOMENT.
The Moment movie review & film summary (2026) | Roger Ebert
It doesn’t always work, but Charli xcx, as ever, throws a wild party.
www.rogerebert.com
January 25, 2026 at 7:26 PM
“It's amusing to watch Charli skewer her own public persona, celebrity culture, and its corporate packaging, poking fun at money-driven executives and how other creative forces can affect the way we see our favorite performers,” writes @mcastimovies.bsky.social movies about THE MOMENT.
“It’s very much worth seeing for anyone who loves horror—especially the atmospheric and gory, dread-based type, rather than the kind that is single-mindedly obsessed with staging jump-scares,” writes @mattzollerseitz.bsky.social about MOTHER OF FLIES.
Mother of Flies review: Adams family gets up to gory witchery
A labor of love by the Adams Family, a filmmaking collective, quite generous with its gore.
www.rogerebert.com
January 23, 2026 at 8:04 PM
“It’s very much worth seeing for anyone who loves horror—especially the atmospheric and gory, dread-based type, rather than the kind that is single-mindedly obsessed with staging jump-scares,” writes @mattzollerseitz.bsky.social about MOTHER OF FLIES.
"For a movie that should be about high stakes, all-or-nothing risks, there was almost no heat until the last quarter of the movie,” critiques @mcastimovies.bsky.social about CLIKA.
Clika movie review: JayDee raps to riches drama has no bars
“Clika” lacks the electricity and the excitement of watching a performer bring the house down.
www.rogerebert.com
January 23, 2026 at 5:00 PM
"For a movie that should be about high stakes, all-or-nothing risks, there was almost no heat until the last quarter of the movie,” critiques @mcastimovies.bsky.social about CLIKA.
"With so much competition out there, it feels increasingly difficult to preach patience with a show that has so little personality,” writes @briantallerico.bsky.social about FX’s MEMORY OF A KILLER.
FOX’s “Memory of a Killer” Can’t Remember Why It Exists | TV/Streaming | Roger Ebert
FOX is launching a new thriller after the NFC Championship Game on Sunday. It's forgettable.
www.rogerebert.com
January 23, 2026 at 4:45 PM
"With so much competition out there, it feels increasingly difficult to preach patience with a show that has so little personality,” writes @briantallerico.bsky.social about FX’s MEMORY OF A KILLER.
"The hair-raising narrative content notwithstanding, the movie doesn’t create much emotional traction,” writes @glennkenny.bsky.social about THE BIG FAKE.
The Big Fake movie review & film summary (2026) | Roger Ebert
The hair-raising narrative content notwithstanding, the movie doesn’t create much emotional traction.
www.rogerebert.com
January 23, 2026 at 4:18 PM
"The hair-raising narrative content notwithstanding, the movie doesn’t create much emotional traction,” writes @glennkenny.bsky.social about THE BIG FAKE.
"A lot of thrillers are exciting but empty. IN COLD LIGHT is thrilling but very full in unexpected and complicated ways,” writes @sheilakathleen.bsky.social.
In Cold Light movie review & film summary (2026) | Roger Ebert
The film rarely lets up, but it is interested in character and environment, in mood and emotion, not just plot.
www.rogerebert.com
January 23, 2026 at 4:15 PM
"A lot of thrillers are exciting but empty. IN COLD LIGHT is thrilling but very full in unexpected and complicated ways,” writes @sheilakathleen.bsky.social.
"The film’s strengths lie squarely with Foy, whose performance is restrained where it should be and revelatory at some moments you don’t expect,” writes @isaacfeldberg.bsky.social about H IS FOR HAWK.
H is for Hawk movie review & film summary (2026) | Roger Ebert
The film’s strengths lie squarely with Foy, whose performance is restrained where it should be and revelatory at some moments you don't expect.
www.rogerebert.com
January 23, 2026 at 3:45 PM
"The film’s strengths lie squarely with Foy, whose performance is restrained where it should be and revelatory at some moments you don’t expect,” writes @isaacfeldberg.bsky.social about H IS FOR HAWK.
"Still, it’s hard to knock a sequel too much for landing exactly where its creators seem to have aimed for, especially when most of its shared references still have their background-Jumbotron-video-at-OzzFest-charms,” writes @simonsaybrams.bsky.social about RETURN TO SILENT HILL.
Return to Silent Hill movie review (2026) | Roger Ebert
Gans' sequel delivers more of the same, so it likely won’t impress anyone who doesn’t already enjoy getting lost in the fog.
www.rogerebert.com
January 23, 2026 at 3:14 PM
"Still, it’s hard to knock a sequel too much for landing exactly where its creators seem to have aimed for, especially when most of its shared references still have their background-Jumbotron-video-at-OzzFest-charms,” writes @simonsaybrams.bsky.social about RETURN TO SILENT HILL.
TRAIN DREAMS has received 4 Oscar nominations, including Best Picture and Original Song. Read @briantallerico.bsky.social's review, where he writes that it’s “a meditation on the beauty of everyone and everything, how we are connected to both the earth and those who walked it before us."
Train Dreams movie review & film summary (2025) | Roger Ebert
Bentley and co-writer Greg Kwedar (“Sing Sing”) tell a story of an ordinary life in an extraordinary way.
www.rogerebert.com
January 22, 2026 at 10:00 PM
TRAIN DREAMS has received 4 Oscar nominations, including Best Picture and Original Song. Read @briantallerico.bsky.social's review, where he writes that it’s “a meditation on the beauty of everyone and everything, how we are connected to both the earth and those who walked it before us."
SENTIMENTAL VALUE has received 9 Oscar nominations, including Best Film Editing & Actress in Supporting Role. Read @briantallerico.bsky.social review who writes that it "sneaks up on you like great fiction, blending theme and character in a way that allows it to live in your mind after you see it.”
Sentimental Value movie review (2025) | Roger Ebert
It’s a movie that sneaks up on you like great fiction, blending theme and character in a way that allows it to live in your mind after you see it, rolling around what it means to both the people in…
www.rogerebert.com
January 22, 2026 at 9:00 PM
SENTIMENTAL VALUE has received 9 Oscar nominations, including Best Film Editing & Actress in Supporting Role. Read @briantallerico.bsky.social review who writes that it "sneaks up on you like great fiction, blending theme and character in a way that allows it to live in your mind after you see it.”