Filipe Furtado
@filipefurtado.bsky.social
3.7K followers 490 following 1.8K posts
Vejo muitos filmes e as vezes escrevo sobre eles também. https://anotacoescinefilo.com https://boxd.it/1nDt
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Reposted by Filipe Furtado
helioflores.bsky.social
Como era de se esperar, a ausência do Frei Caneca ferrou com o evento. É uma média de 20 sessões A MENOS por dia que a Mostra vai ter este ano.
filipefurtado.bsky.social
Meio fascinado que o Park Chan-wook é um dos filmes mais hypados que ficaram para a Mostra e das três sessões, uma é no Sato e outra na Cultura Artistica.
filipefurtado.bsky.social
É um teatro. Imagino que não seja pensado para cinema.
filipefurtado.bsky.social
Meio fascinado que o Park Chan-wook é um dos filmes mais hypados que ficaram para a Mostra e das três sessões, uma é no Sato e outra na Cultura Artistica.
filipefurtado.bsky.social
Pow esse ano ele fez um só imagino que por conta da paternidade.
filipefurtado.bsky.social
Ken Jacobs era uma dessas figuras que eu meio que assumia estaria eternamente conosco.
Reposted by Filipe Furtado
naptime.theolive.garden
love when it’s the radical left, not private equity, to blame
notice taped to a shuttered storefront

claire's
NOTICE OF STORE CLOSURE
To Our Valued Customers,
This Claire's location has been permanently closed. The decision reflects both external pressures & internal restructuring. In recent months, repeated attacks of ridicule by radical left agitators have gone beyond mere criticism, escalating into a deliberate effort to destabilize our company - conduct we recognize as Domestic Economic Terrorism.
At the same time, our transition under new private equity ownership required difficult financial choices. Protecting the stability of shareholders was prioritized, & this store - along with its local workforce - was deemed expendable in service of that obligation.
Despite these challenges, Claire's remains committed to our identity as a traditional American company rooted in values of family & community.
We will not be silenced by those who attempt to undermine that mission, & we continue to move forward with confidence in our future.
Here at Claire's, we look forward to working with the current administration to reinvigorate our brand presence across the United States, ensuring that we remain a part of American life for generations to come.
We invite you to continue supporting Claire's by shopping online at www.claires.com
Thank you for your attention to this matter.
Claire's Stores, Inc.
2400 West Central Road, Hoffman Estates, IL 60192| Claire's Stores, Inc. |CBI Distributing Corp.
filipefurtado.bsky.social
O do ano passado foi dureza.
filipefurtado.bsky.social
No Code é o meu disco favorito deles hehe
filipefurtado.bsky.social
Infelizmente impossível fazer isso com a critica de cinema.
lucassnova.bsky.social
o secretariado da ufpe soltou uma nota de repúdio contra o cinema da ufpe pq passaram secretary e falaram q o filme sexualiza a classe acho q o prox passo lógico eh fazerem uma mostra sexualizando as outras profissões pra ngm ficar de fora
Reposted by Filipe Furtado
Reposted by Filipe Furtado
charlinhoxavier.bsky.social
Brazilian Portuguese
worstgirleva.bsky.social
you can make anything stronger by adding the brazilian prefix. jiu-jitsu? brazilian jiu jitsu is stronger. wax shave? brazilian wax shave is more effective. butt lift? brazilian butt lift is hotter. hatsune miku? you already know
filipefurtado.bsky.social
A Mostra começou a divulgar os filmes da sua parte histórica e deixo a dica do Crônica dos Anos de Fogo, do argelino Mohammed Lakhdar-Hamina. Foi o primeiro filme africano a ganhar um grande festival europeu e o diretor faleceu no começo do ano. Não costuma circular por aqui.
Reposted by Filipe Furtado
willowcatelyn.bsky.social
It's been a little while since I've written a theoretical piece about Transness in cinema, or about transness in general. This one is about ghost stories, phantoms, and feeling embodied through disembodiment. It would be revealing to to screen FRAGMENT OF SEEKING in front of I SAW THE TV GLOW.
I’ve been wondering if queer people feel an intrinsic pull towards ghost stories after witnessing Jane Schoenbrun’s haunted, and unnervingly familiar I Saw the TV Glow. (2024) I have questioned my own cinephilia in the wake of the all the ways it ruptured how I processed my relationship with art, and I came to a breakthrough that I never feel more embodied by cinema than when a character is disturbed by their own feeling of disembodiment. For I Saw the TV Glow’s Owen, and his wandering eye pinned to the television set, it gives him an excuse to ignore himself, but the film is telling us over and over again that he is haunted by his very existence, and everything seems strange as a result. I wrote in a journal of mine after seeing the movie for the first time that “Val Lewton lives in the aching, tormented heart of a little boy who is haunted by himself.”. The most appropriate film to pair with I Saw the TV Glow is likely Lewton’s The Curse of the Cat People (1944), and that hymn for strange children is a sister film in my canon to Terence Davies’s first installment of his trilogy of life, which chronicles abusive fathers and guardian angels. I have dreamed about all of these movies, and sometimes the memory of my dreams has gotten tangled up in the facts of what was filmed. This has given me a strange layering of real and unreal alongside my perception as a viewer, and admirer of these films. What they ultimately have in common is an awareness at a young age of being separate from the status quo, and how that can create a subconscious feeling of being disembodied while one is in the pursuit of, or rejection of, an identity. The social repression of queer people is cauterized in cinema by tales of phantoms, and the provocative, sometimes troubling answers therein are nonetheless relevant in coding and feel.
Reposted by Filipe Furtado
danielpilon.bsky.social
Achei que permaneceram países demais até
elpais.com
🔴 ÚLTIMA HORA | La mayoría de los países abandonan la Asamblea General de la ONU a la llegada de Netanyahu social.elpais.com/njzv3
filipefurtado.bsky.social
Acontece essa semana no CCSP o Festival de Cinema Independente de Sao Paulo. Programação bem legal, incluindo uma retrospectiva do Paulo Sacramento. Abertura quarta a noite e vai até domingo. No encerramento vão exibir uma copia nova 4k do Filme Demência.
Programação – Estranhos Encontros
24/09Abertura dos Estranhos Encontros: cinema, agora. Falas de Paulo Sacramento e Laura Batitucci.AberturaSoberano19:00 - 00:0025/09Mesa redonda sobre Programação em São PauloConversasCCSP - Cinema14:...
estranhosencontros.com
filipefurtado.bsky.social
Total projeto. Até porque quem lê, inclusive muita gente do meio, não sabe bem como funciona essas coisas.
filipefurtado.bsky.social
Eu peguei do Facebook, mas tem toda cara de nota do O Globo.