And what that says about the state of the AI bubble

CAA and UTA call the AI-powered, hyperrealistic video app a "misuse" of emerging technology and "exploitation, not innovation," respectively, while WME opted all its clients out.

Humanities and Arts matter: Despite declining enrolments, AHSS courses offer critical thinking, creativity, and career opportunities in media, policy, and design.

WIRED is following every copyright battle involving the AI industry—and we’ve created some handy visualizations that will be updated as the cases progress.

AI is being trained to please us, and in doing so, is becoming more indifferent to the truth.

All generative AI queries could hit 329 billion per day by 2030. See the big picture on AI's energy use, and how it's reshaping our world.

Contracted AI raters describe grueling deadlines, poor pay and opacity around work to make chatbots intelligent

Disclosing AI use damages trust, even with careful framing. Research challenges conventional transparency advice. Here's a different approach: lead with human value, not AI apology.

OpenAI, facing backlash, will now let rightsholders decide whether their characters appear in Sora 2, with revenue sharing for those who opt in.

If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware.

A new study from Yale University shows that AI hasn't had much of an impact on jobs as many have predicted or feared.

This is not a painting. But the prompter behind it sells prints of it, priced as if it were. As he also does traditional painting, his customers assume that he also made this one. To use chatbot contrast framing: This isn’t innovation. It’s fraud. User framing clientship as authorship. Uncopyrightable machine outputs sold as works of art. A fully automated media production service framed as a tool. We know the Midjourney pallet by now; creative choices made by their dev team, for their millions of customers, presented to them as theirs. The uncanny valley painted look that passes first glance with vague unease, but falls apart at the second: a not-quite-gouache, not-quite-watercolor, not-quite-oilpainting that doesn’t make physical sense; a mechanical mashup made at the computational chop shop. But close enough to pass off as the real thing. A painting-shaped math sausage. And so the heist continues. Undermining through passing off....

Kelly L. Keel, West Virginia University Photo by Pixabay on Pexels.com A year ago I was a first time college composition instructor. I came to WVU to pursue a second master’s degree in creati…