Molly Warnock
@mollywarnock.bsky.social
Writer, editor, curator
Reposted by Molly Warnock
I love the irregular grids and subtle color of these James Bishop works (drawings? Paintings?) on paper as a part of ‘To Continue Painting’ curated by @mollywarnock.bsky.social at Timothy Taylor Gallery.
#art
#art
February 7, 2026 at 2:13 PM
I love the irregular grids and subtle color of these James Bishop works (drawings? Paintings?) on paper as a part of ‘To Continue Painting’ curated by @mollywarnock.bsky.social at Timothy Taylor Gallery.
#art
#art
I'm delighted to announce this upcoming exhibition at Timothy Taylor, New York, opening January 15 and running through February 28. If in New York, please stop by!
December 18, 2025 at 4:21 PM
I'm delighted to announce this upcoming exhibition at Timothy Taylor, New York, opening January 15 and running through February 28. If in New York, please stop by!
Thank you for recognizing what is at stake here and standing up for due process. Maryland is behind you. Proud to be your constituent!
April 18, 2025 at 11:53 AM
Thank you for recognizing what is at stake here and standing up for due process. Maryland is behind you. Proud to be your constituent!
For this month's @artforum.com, I reviewed François Rouan's first solo show with Templon New York: www.artforum.com/events/franc...
François Rouan
François Rouan’s solo exhibition at Templon spans six decades of his "tressage" technique, weaving multiple compositions into layered abstract surfaces.
www.artforum.com
April 4, 2025 at 6:38 PM
For this month's @artforum.com, I reviewed François Rouan's first solo show with Templon New York: www.artforum.com/events/franc...
Taking in Clyfford Still's PH-247, 1951, affectionately known as "Big Blue," for the Clyfford Still Catalogue Raisonné. #clyffordstill #abstractexpressionism #catalogueraisonné
March 28, 2025 at 7:15 PM
Taking in Clyfford Still's PH-247, 1951, affectionately known as "Big Blue," for the Clyfford Still Catalogue Raisonné. #clyffordstill #abstractexpressionism #catalogueraisonné
In the original French: "Je songe à cette armée de fuyards aux appétits de dictature que reverront peut-être au pouvoir, dans cet oublieux pays, ceux qui survivront à ce temps d'algèbre damné."
March 14, 2025 at 8:01 PM
In the original French: "Je songe à cette armée de fuyards aux appétits de dictature que reverront peut-être au pouvoir, dans cet oublieux pays, ceux qui survivront à ce temps d'algèbre damné."
René Char, Feuillets d'Hypnos, 1946, largely written while commanding a rural guerilla unit in the French Resistance: "I think of that army of deserters, hungry for dictatorship, whom those who survive the Faustian algebra of these times will perhaps see back in power in this mindless country."
March 14, 2025 at 7:59 PM
René Char, Feuillets d'Hypnos, 1946, largely written while commanding a rural guerilla unit in the French Resistance: "I think of that army of deserters, hungry for dictatorship, whom those who survive the Faustian algebra of these times will perhaps see back in power in this mindless country."
Good. This constituent is glad you're standing firm, Senator.
March 14, 2025 at 5:10 PM
Good. This constituent is glad you're standing firm, Senator.
Wanda Pimentel, Involvement Series, 1968, vinyl on canvas, 130 × 98 cm (Art Institute of Chicago). Pimentel: “ I think my issues are the issues of our time: the lack of perspective for people, their alienation. The saddest thing is for people to be dominated by things.”
February 17, 2025 at 3:00 PM
Wanda Pimentel, Involvement Series, 1968, vinyl on canvas, 130 × 98 cm (Art Institute of Chicago). Pimentel: “ I think my issues are the issues of our time: the lack of perspective for people, their alienation. The saddest thing is for people to be dominated by things.”
If you see this repost with something red from your gallery
Kate Shepherd, Party Over, Red, 2024, oil and enamel on panel, 52 x 46 in (132.1 x 116.8 cm)
Kate Shepherd, Party Over, Red, 2024, oil and enamel on panel, 52 x 46 in (132.1 x 116.8 cm)
February 16, 2025 at 5:13 PM
If you see this repost with something red from your gallery
Kate Shepherd, Party Over, Red, 2024, oil and enamel on panel, 52 x 46 in (132.1 x 116.8 cm)
Kate Shepherd, Party Over, Red, 2024, oil and enamel on panel, 52 x 46 in (132.1 x 116.8 cm)
Here's my take for @artforum.com
THE EXPANSE
“ROTHKO IS A WATERCOLORIST.” The typewritten note in Clyfford Still’s unpublished diary, undated but recorded no earlier than 1961, appears as if graven into a largely blank page.1 It is clearly meant...
www.artforum.com
February 12, 2025 at 3:31 PM
Here's my take for @artforum.com
A few close details of Mark Rothko watercolors at the NGA in D.C. this time last year. I loved this show.
February 12, 2025 at 3:30 PM
A few close details of Mark Rothko watercolors at the NGA in D.C. this time last year. I loved this show.
François Rouan, Mauve, rose et vert, 1970, oil on braided canvases, 1970, 202 × 150 cm. On view at Templon, New York, through March 1.
February 10, 2025 at 7:49 PM
François Rouan, Mauve, rose et vert, 1970, oil on braided canvases, 1970, 202 × 150 cm. On view at Templon, New York, through March 1.
For this month's Artforum, I reviewed the superb Sylvia Plimack Mangold exhibition at Craig Starr Gallery, New York (through March 8). I cannot emphasize too strongly how much I yearn to see a full retrospective.
Sylvia Plimack Mangold
Astoundingly, three decades have passed since the painter’s last museum survey, held at the Albright-Knox Art Gallery (now the Buffalo AKG Museum) in 1994.
www.artforum.com
February 3, 2025 at 3:59 PM
For this month's Artforum, I reviewed the superb Sylvia Plimack Mangold exhibition at Craig Starr Gallery, New York (through March 8). I cannot emphasize too strongly how much I yearn to see a full retrospective.
Writing about Yves Klein's sculpture for an upcoming talk in Nice. I've always liked this pairing at the Frederick R. Weisman Foundation in Los Angeles: Klein's Victory of Samothrace, 1962, and Kenneth Noland's Across, 1964.
January 29, 2025 at 8:40 PM
Writing about Yves Klein's sculpture for an upcoming talk in Nice. I've always liked this pairing at the Frederick R. Weisman Foundation in Los Angeles: Klein's Victory of Samothrace, 1962, and Kenneth Noland's Across, 1964.
Gorgeous small-format paintings by Alison Hall on view at Pazo Fine Art, D.C., through March 15. All are oil, graphite, and plaster on panel, 12 1/4 x 8 1/4 inches.
January 26, 2025 at 4:44 PM
Gorgeous small-format paintings by Alison Hall on view at Pazo Fine Art, D.C., through March 15. All are oil, graphite, and plaster on panel, 12 1/4 x 8 1/4 inches.
That's a great book! The quote I posted is from p. 128.
January 25, 2025 at 6:22 PM
That's a great book! The quote I posted is from p. 128.
Still thinking about the Julije Knifer exhibition recently at Frank Elbaz, Paris. I like Knifer's 1983 description of his meanders: "I did not paint to have these paintings serve someone else, these paintings served me ... My painting is, in a sense, a way of behaving."
January 25, 2025 at 3:29 PM
Still thinking about the Julije Knifer exhibition recently at Frank Elbaz, Paris. I like Knifer's 1983 description of his meanders: "I did not paint to have these paintings serve someone else, these paintings served me ... My painting is, in a sense, a way of behaving."
Last days for "Huguette Caland, les années parisiennes (1970-1987)," at Mennour, Paris, through January 25. This is Guerre Incivile, 1981 (oil on linen, 155 x 155 cm / 61 x 61 in). A great painter and a great show.
January 24, 2025 at 12:19 PM
Last days for "Huguette Caland, les années parisiennes (1970-1987)," at Mennour, Paris, through January 25. This is Guerre Incivile, 1981 (oil on linen, 155 x 155 cm / 61 x 61 in). A great painter and a great show.
There's plenty more in the archives.
January 23, 2025 at 6:27 PM
There's plenty more in the archives.
I'm writing about this right now--for the Clyfford Still catalogue raisonné!
January 23, 2025 at 6:21 PM
I'm writing about this right now--for the Clyfford Still catalogue raisonné!
One year ago today: Installing "Simon Hantaï: Unfolding" at Timothy Taylor, New York.
January 23, 2025 at 4:09 PM
One year ago today: Installing "Simon Hantaï: Unfolding" at Timothy Taylor, New York.
Paul Wallach, Truth That, 2019 (wood, lead, canvas, cloth, paint, 7 7/8 x 7 7/8 x 4 inches). Almost a mini-Morellet from the front, but full of surprises. At Fergus McCaffrey, New York, through March 1.
January 23, 2025 at 1:22 PM
Paul Wallach, Truth That, 2019 (wood, lead, canvas, cloth, paint, 7 7/8 x 7 7/8 x 4 inches). Almost a mini-Morellet from the front, but full of surprises. At Fergus McCaffrey, New York, through March 1.