Brian Dupont
@briandupont.bsky.social
410 followers 280 following 200 posts
An artist making paintings out of intense personal necessity, often by hand. briandupont.com
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briandupont.bsky.social
Depth study as part of a new #drawing series: Gesture to arrange notation of space, erasure as addition.

ARCHIVE 4
Pencil, acrylic and mixed media on paper
15” x 10.5”
Measures of oceanic zones by depth, erased. 

Unit notation by KM.

Zones (script): photic, dysphotic, aphotic.
Reposted by Brian Dupont
Reposted by Brian Dupont
luxalptraum.com
TFW you paid $1400 to see Beckett’s most famous work without knowing anything about it
One Star Review of Waiting for Godot on Broadway
I recently attended Waiting for Godot on Broadway and spent over $1,400 for two Row C seats (103 and 104). I'm a longtime admirer of Broadway productions and even hold a season pass for Shea's Performing Arts Theatre, so I came in with genuine enthusiasm and high expectations. Unfortunately, this show was unlike anything ! have ever experienced —and not in a good way.
What I encountered was not the artistry, music, or emotional storytelling I usually associate with Broadway, but instead what felt like an endless cycle of nonsensical conversation between characters who seemed trapped in their own madness. I tried-truly tried-to find meaning, symbolism, or even a thread of emotional resonance. I stayed through the first half hoping the second would offer clarity. But by intermission, it was clear: this was a waste of both time and money.
Keanu Reeves is an actor I respect greatly, but I cannot fathom why he would agree to participate in such a disjointed, inaccessible production. His talent was lost in a performance that defied reason rather than provoked insight.
To anyone considering attending: unless you are drawn to highly abstract, nearly incomprehensible theater, I strongly caution you against this show. For the average, educated, thoughtful theatergoer, it is far more frustrating than fulfilling. In my opinion, this was the single most disappointing Broadway experience I've ever had - an unfortunate waste of money and, more importantly, of time.
Reposted by Brian Dupont
tiffanyleigh.bsky.social
Great quote from a great long-read comic about + against AI art
Quote from Matthew Inman, writer and artist for The Oatmeal: 

"In my experience, the people who are excited about AI art also happen to be some of the most talentless fucking people I've ever met."
briandupont.bsky.social
#Drawing based on measures of sound vs accumulation of mass: the Odyssey’s dactylic hexameter meter set on axis against the repetition (in translation) of the fist line “Sing to me…”

Archive 3
Ink, acrylic, conte & mixed media on paper
15” x 10.5”

#art
Script, truncated and repeated at top edge. “Sing to…”

Dactylic hexameter (incomplete) measure runs  in vertical register on the left side.
briandupont.bsky.social
Continuing #drawing series; black and white as a way to focus on gesture, text & script.

ARCHIVE 2
Graphite, acrylic & mixed media on paper
15” x 10.5”
Drawing, horizontal text:

ULYSSES; script, erasure by area.

2.631; stencil, broken distribution. Odysseus’s place in the Iliad’s catalog of ships.
briandupont.bsky.social
It has turned out that community building is vastly undervalued, but the sheer work involved is daunting, not sexy & you don’t get to hang out galleries. It’s also largely anonymous, which goes against usual artist-style branding…
briandupont.bsky.social
Where did all the “Social Practice” artists go?
nrutkowski1.bsky.social
I think all the aggravation of community building is an artwork.
briandupont.bsky.social
New #drawing series thinking about fictions of literature, mythology, and material. Forcing myself to work in black & white, so the series relates to printing & film trying to introduce time as an element of visual process.

ARCHIVE 1
Pencil, acrylic & mixed media on paper
15” x 10.5”
Painting in grisaille.

Text in descending registers at different  scale: FRAME/ SECOND.

Sprocket holes measure the margins
briandupont.bsky.social
Similar with artists who've had rigorous crit sessions; it's probably similar across people training in creative fields. Figuring out how to define your work when there is no "right" answer mush change you.
brianlarossa.com
Would love to see research on how the high volume of feedback designers are asked to metabolize every day impacts their personality traits and personal lives.
briandupont.bsky.social
Are the CRa digital (Articheck)? Each notation should have a corresponding detail photo. You could do an entire installation or suite of prints.
Reposted by Brian Dupont
rachaelnevins.bsky.social
so good, especially these reframing moves:
- Instead of “Why am I procrastinating?” ask, “What am I protecting myself from?”
- Instead of “How can I write more?” ask, “What would make this feel safer?”
- Instead of “Why can’t I just get it done?” ask, “What do I need to feel supported right now?”
insidehighered.com
Career Advice | Toward a Trauma-Informed Writing Process

What if writer’s block is not something to “push through”—but instead a bodily response worth listening to and attending to with care, Aurora Chang asks. https://bit.ly/42WhYtq

#EDUSky #AcademicSky #HigherEd
A woman works on a laptop, a mildly distressed look on her face. Crumpled-up pieces of paper lie on the table next to the laptop.
briandupont.bsky.social
When the art book you ordered 2+ years ago finally shows up out of the blue and unannounced!
RH Quaytman monograph titled “Book” - Front cover. RH Quaytman monograph titled “Book” - spine with title.
briandupont.bsky.social
That's probably another deep-dive (or just regular topic) I'd like to hear about: works that are marginalized by genre labels and don't reach the audience they deserve.

Although maybe that applies to all of Sci-Fi and fantasy...
briandupont.bsky.social
I've been wondering what it would take for her work to be more well known and adapted. Prejudice is an obvious answer, but I also wonder if some of it wearing the "YA" tag hurts it.
briandupont.bsky.social
Nnedi Okorafor's works are fantastic. Her focus on African stories, that don't privilege a white male superhero type protagonist in a Western-European setting is very refreshing and opens up genre to whole continents being ignored.
alicefraser.bsky.social
The @realmsunknown.bsky.social subgenre deep dive for this week is Postcolonial African sci fi and fantasy meeting western anglosphere markets.

Whether it’s district 9, Nnedi Okorafor novels, Black Panther, the No.1 Ladies Detective Agency, give me your recommendations!
briandupont.bsky.social
#JohnZurier new #painting at @peterblumgallery. There’s an interesting sense of weight in the paint & gesture for these. Giving a subtle nod to Philip Guston and Raoul De Keyser.
“May-October, 2024”
Oil on linen
21 5/8 x 15 3/4 inches May-October, 2024
Oil on linen
21 5/8 x 15 3/4 inches

Proper left edge showing color variations and texture in shades of green, and underpainting/ pentimento. “An Evening in March, 2025”
Oil on linen
29 1/2 x 25 5/8 inches “An Evening in March, 2025”
Oil on linen
291/2 x 25 5/8 inches

Proper left edge showing raw linen and a scraped/ impastoed surface.
briandupont.bsky.social
My original inclination was to focus on handwriting and script as a way to generate abstract imagery and organizations of space, but they became a darker meditation on a possible future, advancing like storm clouds across the ocean.
briandupont.bsky.social
It expanded into other literary sources found in Antoni Tàpies memoir ‘Fragments for an Autobiography’, written under a fascist dictatorship.
briandupont.bsky.social
The Prologue drawings are group from the summer and fall of 2024 that started as an exploration of Moby Dick and Melville’s classification of whales and took further inspiration from 19th century bookbinding and modern oceanographic measures...
briandupont.bsky.social
That thing as an #artist where you start updating your website with new work, and realize that you never actually completed the last update.

www.briandupont.org/prologue

23 drawings (which means mixed media, epoxy, and collage paintings on paper) completed last summer.
Prologue — Brian Dupont
The Prologue drawings are group from the summer and fall of 2024 that started as an exploration of Moby Dick and Melville’s classification of whales and took further inspiration from 19th century book...
www.briandupont.org
briandupont.bsky.social
I don’t think the new range of trucks and SUVs are the answer, though. I was really happy to see Nissan release the Titan (sort of a favorite of mine), but the Dodge Caravaggio was a failure, so I guess that’s the end of that.
briandupont.bsky.social
Spotted a Honda Oddyssey double parked & it made me think about how inappropriately cars are named. Do you really want to link your product to Odysseus’ 10-year journey? That was not a good trip (and it was supposed to be a short one, too). I guess at least they didn’t name it after Theseus…
Reposted by Brian Dupont
blacktopkid.bsky.social
Mary Shelley created Sci-fic
filmsonwax.bsky.social
"The film, written and directed by del Toro, adapts Mary Shelley’s classic 1818 novel into a gothic sci-fi horror story"

Shelley's novel was a gothic sci-fi horror story, genius