I breathe the spectrum of film and music.
Mildly cretinous.
This is the one to see - write the theme tune, sang the theme tune, took the lead role. Absolutely batshit fun from Perry Henzell’s Kafka-esque spiral.
(The other was the forgotten Harold Ramis film CLUB PARADISE with Robin Williams and Peter O’Toole!)
This is the one to see - write the theme tune, sang the theme tune, took the lead role. Absolutely batshit fun from Perry Henzell’s Kafka-esque spiral.
(The other was the forgotten Harold Ramis film CLUB PARADISE with Robin Williams and Peter O’Toole!)
Was only watching him in THE SECRET AGENT this weekend.
Always a great stoic presence in any film - a classically trained actor who wasn’t afraid to do genre film & had a knack to ground the surreal and bizarre.
I forget he was in many music vids, too.
Was only watching him in THE SECRET AGENT this weekend.
Always a great stoic presence in any film - a classically trained actor who wasn’t afraid to do genre film & had a knack to ground the surreal and bizarre.
I forget he was in many music vids, too.
Ban this sacrilegious filth!
www.bbc.co.uk/news/article...
Ban this sacrilegious filth!
www.bbc.co.uk/news/article...
Shinchirō Ueda's One Cut of The Dead (2017) @bristolbeacon.bsky.social Sat 7th of Feb 21:00 🧟♀️🧟📽️
Link🔻
www.slapstick.org.uk/events/slapstick-after-dark-one-cut-of-the-dead-2017/
Shinchirō Ueda's One Cut of The Dead (2017) @bristolbeacon.bsky.social Sat 7th of Feb 21:00 🧟♀️🧟📽️
Link🔻
www.slapstick.org.uk/events/slapstick-after-dark-one-cut-of-the-dead-2017/
‘Ordinary World’ and ‘Come Undone’ are pop masterpieces.
(And music nerds, do look at the wiki entry for Tessa Niles, who sings the backing vox on Come Undone. What an incredible body of work.)
‘Ordinary World’ and ‘Come Undone’ are pop masterpieces.
(And music nerds, do look at the wiki entry for Tessa Niles, who sings the backing vox on Come Undone. What an incredible body of work.)
New Petzold. Paula Beer.
Should be a win?
New Petzold. Paula Beer.
Should be a win?
Not sure where it emerged from, but I’m here for it.
Not sure where it emerged from, but I’m here for it.
Is there such a thing as proto-nepotism?
Is there such a thing as proto-nepotism?
SHIRLEY VALENTINE encapsulates an era where British women were rightfully cutting the apron strings, ditching the loveless marriages and embracing joyous self-determination.
She played it to a tee, Shirley is a national treasure.
SHIRLEY VALENTINE encapsulates an era where British women were rightfully cutting the apron strings, ditching the loveless marriages and embracing joyous self-determination.
She played it to a tee, Shirley is a national treasure.
And I don’t see enough of collegiate chain cinemas using their power to change the film landscape away from cavorting in the spoils of late stage capitalism.
A load of guff.
Vue cinema boss: I don't see streaming as the competition www.bbc.com/news/article...
And I don’t see enough of collegiate chain cinemas using their power to change the film landscape away from cavorting in the spoils of late stage capitalism.
A load of guff.
Vue cinema boss: I don't see streaming as the competition www.bbc.com/news/article...
Watching MAGID/ZAFAR - an 18min short film that played at LFF this year - available free here: vimeo.com/1124950562/e...
Watching MAGID/ZAFAR - an 18min short film that played at LFF this year - available free here: vimeo.com/1124950562/e...
It’s high-time for festivals to stop rolling over and showcasing films that go straight to streaming platforms within weeks (days).
I admire Cannes’ rigorous & protectionist stance
It’s high-time for festivals to stop rolling over and showcasing films that go straight to streaming platforms within weeks (days).
I admire Cannes’ rigorous & protectionist stance