Paul David Flood
@pauldavidflood.bsky.social
1.4K followers 340 following 130 posts
Musicology PhD Candidate @ Eastman/UofR. Thinking about migration, politics, and popular music in contemporary Europe. Finishing(!) a dissertation on #Eurovision. 🏳️‍🌈 • Neurodivergent • First gen • he/him More about me: https://tinyurl.com/sfhjfcbm
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pauldavidflood.bsky.social
Spent my morning with some excellent students at Roberts Wesleyan University! I gave a guest lecture on one of my diss chapters, and the students were eager to critique notions of representation, sameness, and "world music." Thanks to my brilliant colleague Dr. Eleanor Price for the invite.
A title slide that says "Race, Genre, and the Uncertainties of Representation in the Eurovision Song Contest. Paul David Flood, Ph.D. Candidate in Musicology, Eastman School of Music, University of Rochester. Roberts Wesleyan University, October 6, 2025.
pauldavidflood.bsky.social
XXL walked so Jemini could…run?
pauldavidflood.bsky.social
sorry can’t hear you I’m a s c e n d i n g
pauldavidflood.bsky.social
I finished writing the last remaining chapter of my dissertation this afternoon 🥲
pauldavidflood.bsky.social
Roc and Buf folks: Come celebrate Palestrina’s 500th with Voices this weekend AND at NY ACDA next month! Also feat. Bach, Brahms, Bruckner, Pearsall, Poulenc, and Witt.

Friday Sep. 26 at Holy Trinity in Buffalo, 7pm.
Sunday Sep. 28 at Incarnate Word in Rochester, 4pm.
Friday Oct. 17 at NY ACDA.
Promotional poster for “Palestrina at 500” by Voices, a professional choir in Rochester, NY conducted by William Weinert.
Reposted by Paul David Flood
drjessc.bsky.social
Another great way to mark the Eurovision new year is to start writing an abstract for a fabulous conference to be held in Paris next year.

Proposal submission deadline: 15 October 2025

See website for more details: encore-network.org

#Eurovision #cfp #AcademicSky
ESC Conference Paris 2026
encore-network.org
Reposted by Paul David Flood
ces-europe.bsky.social
📢 Call for Proposals

CES is pleased to invite submissions for its 32nd International Conference of Europeanists, to be held in Dublin, June 16–18, 2025.

For more information about the Conference Theme and how to apply visit: councilforeuropeanstudies.org/conferences/...
pauldavidflood.bsky.social
Music studies besties! Celebrating our dear friend @queertrumpeter.bsky.social’s wedding this evening 🥹🥲💖 @alejandrinammedina.bsky.social
A photo of Alejandrina M. Medina, Morgan Bates, and Paul David Flood standing and smiling together at Morgan’s wedding.
pauldavidflood.bsky.social
Googling yourself is wild because apparently you’ll find photos of yourself that you didn’t even know existed! Here’s me chairing a panel at IASPM-US/PopCon 2025 in LA this past March. Thank god my thinking/listening face lowkey serves.

(📸 Joe Mabel)
Me with my hand on my chin as I chair the “Export Music and Non-Domestic Style” panel at the 2025 IASPM-US and Pop Conference joint meeting in Los Angeles, California in March 2025.
pauldavidflood.bsky.social
Proofs are in! Catch my article on Afro-Swedishness in/and Eurovision in next month’s issue of the Journal of Popular Music Studies.

If you’re prepping a syllabus on popular music, European culture and politics, Black transnationalisms, or something related, please consider assigning this!
PAUL DAVID FLOOD
Eastman School of Music, University of Rochester
"Everybody Wanna Move Like Us!"
Performing Afro-Sweden in the Eurovision Song Contest
ABSTRACT From 2019 through 2021, the Swedish public elected three consecutive Afro-Swedish artists with gospel songs to represent Sweden in the Eurovision Song Contest: John Lundvik with his song "Too Late For Love"; The Mamas with their song "Move"; and Tusse with his song "Voices." While these globally mediated representations of Afro-Sweden reflected both the increasing popularity of gospel music in Sweden and the nation's multiracial landscape, they also mirrored an ongoing cultural resistance movement against the rise of assimilationist, anti-migrant, and colorblind politics in Sweden. Through musical analysis, fan and critical reception, and accounts from the artists themselves, this article examines how these artists drew from Black American musical styles and aesthetics, specifically gospel music, in their attempts to represent Afro-Swedishness while ultimately serving Sweden's colorblind agenda. These three artists' consecutive performances in the contest can indeed be understood as meaningful specters of representation that ostensibly resist assimilationist racial politics in Sweden. However, their participation on behalf of a nation that continually marginalizes them, based on centuries-old constructs of Swedish white supremacy, placed the political meaning of their participation into question. The author interrogates the longstanding expectation that Eurovision songs by Black artists must adhere to palatable modes of sonic Blackness in order to achieve success. This article thus reveals that while these Afro-Swedish artists were indeed representatives of a progressive and multicultural Swedish people, they inadvertently served an increasingly conservative state's soft power play amid a moment of reckoning with the nation's racial
Reposted by Paul David Flood
dandipiero.bsky.social
Academic pals: I'm starting a shared doc to collect info on exactly why/how AI is indefensible—specifically in humanities classrooms, but also across the board. Please share/add as you see fit. I plan to lecture from this in the first week; many students don't know.
docs.google.com/document/d/1...
ALoRoWaHAiBA
Abbreviated List of Resources on Why and How AI is Bad, Actually Worsening Climate Change, Pollution, Environmental Racism, and Associated Negative Health Consequences On the pollution and health con...
docs.google.com
pauldavidflood.bsky.social
I got it years ago (like 2017) so I’m not sure if the initial process has changed, but I remember it being pretty easy so long as you can make it to a nearby int’l airport for the interview (which iirc was also quick and easy, at least for someone who looks like I do). Definitely worth it imo.
pauldavidflood.bsky.social
North Macedonia’s response to the Spice Girls in Eurovision 2000 was iconic—for all the wrong reasons. Nevertheless, this hit platinum in my household.
pauldavidflood.bsky.social
100% getting referenced in the conclusion of my diss idc idc
pauldavidflood.bsky.social
Things I was not prepared for: Jinkx Monsoon referencing Eurovision and singing Silvia Night's "Congratulations" (Iceland '06) in her Ziwe interview.

www.youtube.com/watch?v=KrLw...
JINKX MONSOON IS AN ICONIC GUEST | ZIWE INTERVIEW
YouTube video by Ziwe
www.youtube.com
Reposted by Paul David Flood
muffinchips.bsky.social
I think that as a society we need more songs with ill-advised key changes
pauldavidflood.bsky.social
Absolutely gutted that I'll have to miss this one, especially given this great theme!

IASPM-US is one of my cherished academic homes. Consider submitting an abstract!
Reposted by Paul David Flood
melissagiragrant.com
I was just thinking how the crash out over Mamdani’s win is establishment types and institutions confronting the fact that he didn’t need them, and how those same types really neatly overlap with the one demanding we throw trans people under the bus
zohrankmamdani.bsky.social
A joy to march in NYC Pride with the people's champ Tish James 🏳️‍🌈
Zohran and Attorney General Tish James marching together in NYC Pride.
pauldavidflood.bsky.social
It was great to meet you on Wednesday, Eamonn! Thank you for all of your labor toward putting this wonderful conference together. This was my first CES conference and I'm looking forward to attending again in the future!
Reposted by Paul David Flood
jeremycliffe.bsky.social
Proportionally, the estimated 100-200k Pride marchers in Budapest today would correspond to something approaching 1m in London or New York. And this in a country that has now spent 15 years under illiberal, authoritarian rule.

What a symbol of hope.
norocel.bsky.social
According to media estimates the participants to the Budapest Pride may have been in the hundreds of thousands defying the ban

📸: Gábor Tenczer, Balázs Ivándi-Szabó