@sanctorium.bsky.social
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photography, writing header: Alice Oswald, Falling Awake
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sanctorium.bsky.social
I wake to listen:
A far sea moves in my ear.

Sylvia Plath, The Morning Song
sanctorium.bsky.social
An Urban Allegory

A short film by Alice Rohrwacher and JR based on Plato's Allegory of the cave, starring Lyna Khoudri, Naïm El Kaldaoui and Leos Carax
sanctorium.bsky.social
“Hello and good-bye." What else is there to say? Our language is much larger than it needs to be.

Kurt Vonnegut
sanctorium.bsky.social
So rapid is the flight of dreams upon the wings of imagination.

Alexandre Dumas
 A forest scape in blue light, the light of dreams
sanctorium.bsky.social
in the air by the wind, tiny ghosts
wind-flying seeds, tiny clouds
sanctorium.bsky.social
She stood , listening to the owl, and fell into a tranced sleep, dreaming in another world, the one inside this one.
sanctorium.bsky.social
She listens to the whispers
A deer cracks the silence
sanctorium.bsky.social
A figure in long white runs barefoot across the field, across the line of field and woods, out of sight now.
a faint line of distant woodland in a white scape
sanctorium.bsky.social
every word, oh so, Christina 🤍
sanctorium.bsky.social
You know, when you want to disappear into the night with film and a glass of red. Bonne nuit!

Leos Carax, C’est pas moi
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brokensleepbooks.bsky.social
Róisín Ní Neachtain's I, bird is a fragmented, lyrical reckoning with grief, trauma, and the porous boundary between body and voice. @roisinnineachtain

www.brokensleepbooks.com/product-page...
Minimalist book cover for “I, bird” by Róisín Ní Neachtain; the coral-red title sits at top left above the author’s name; below, a dark, sweeping tree branch with sparse red leaves spans the page, from which a simple wooden swing hangs on thin ropes; “Broken Sleep Books” appears small at the bottom. THE WHITE ROOM MEDUSA


This is a square, empty room in which there is one window. You can’t see a door and you have no idea how you got in. The window is too small to have entered through. You are not in your usual clothes but it’s not in a straitjacket either. You find no relief in this. You are frozen against the floor. The floor is strangely soft but provides you with no comfort. This is a clinical space and not the type of hospital you have been forced to stay in. For a moment you think it is no different to White Cube. This isn’t a hospital. This is not an experiment. You are part of an exhibition. You are the exhibition. All eyes are on you and you must perform.  It would be something not to perform. It would be something to lie here perfectly still and immobile, both in body and mind. You would not think about solitary confinement. You would not recite poetry in your head. You would not try to count time. You would not try to stay sane. How different would it be from outside of these walls really?
sanctorium.bsky.social
you are a rare comet

Joseph Beuys, Comet, 1955-56
watercolour of a comet in paled hues of brown and cream
sanctorium.bsky.social
Perhaps the truth depends on a walk around the lake.

Wallace Stevens
man on his back by clouded lake, embroidered gauntlet gloved hand raised
sanctorium.bsky.social
Paul Celan, Lightduress; tr. Pierre Joris