You can order your copy here: acidbathpublishing.com
16. Half the air in a given space by Martin Creed
Another non-painting, an installation I saw and plunged into in Leeds City Gallery in 2000. The most fun I've ever had in an art gallery.
16. Half the air in a given space by Martin Creed
Another non-painting, an installation I saw and plunged into in Leeds City Gallery in 2000. The most fun I've ever had in an art gallery.
15. Lady Agnew of Lochnaw by John Singer Sargent, 1892
Sargent was the absolute master of light and texture, but the added erotic charge of this hits me every time I see it in the Scottish National Gallery.
15. Lady Agnew of Lochnaw by John Singer Sargent, 1892
Sargent was the absolute master of light and texture, but the added erotic charge of this hits me every time I see it in the Scottish National Gallery.
Thanks to everyone who's bought, read and supported 'How Soon Is Now?' so far – and everone who's about to grab a Kindle copy while it's just 99p for February!
www.amazon.co.uk/How-Soon-Now...
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Thanks to everyone who's bought, read and supported 'How Soon Is Now?' so far – and everone who's about to grab a Kindle copy while it's just 99p for February!
www.amazon.co.uk/How-Soon-Now...
#BookSky #KindleDeals #KindleMonthlyDeals
14. The Jewish Bride by Rembrandt, 1665-9
In hospital, waking from a general anaesthetic, I had such an intense vision of this painting. I could see every brushstroke as clearly as if I'd painted it myself.
14. The Jewish Bride by Rembrandt, 1665-9
In hospital, waking from a general anaesthetic, I had such an intense vision of this painting. I could see every brushstroke as clearly as if I'd painted it myself.
13. Charles V by Rubens, 1603-5 (after Titian)
In the Spanish Gallery in Bishop Auckland, which brought me back to the world after too much illness. Come on one of my guided tours and I'll tell you some stories.
13. Charles V by Rubens, 1603-5 (after Titian)
In the Spanish Gallery in Bishop Auckland, which brought me back to the world after too much illness. Come on one of my guided tours and I'll tell you some stories.
12. Head of EOWii by Frank Auerbach, 1961
I first saw this in 1980 and didn't like it all. I still don't 'like' it but it won't let me go.
12. Head of EOWii by Frank Auerbach, 1961
I first saw this in 1980 and didn't like it all. I still don't 'like' it but it won't let me go.
11. Bethlehem by Edward Lear
When I was a student I met a woman (relative of a friend) who owned several pictures by Edward Lear. I'd never seen art in anyone's home before. You mean that's really yours?
11. Bethlehem by Edward Lear
When I was a student I met a woman (relative of a friend) who owned several pictures by Edward Lear. I'd never seen art in anyone's home before. You mean that's really yours?
10. N is for Neville by Edward Gorey, from the Gashlycrumb Tinies, 1963
I discovered Gorey's work in the Gotham Book Mart in New York thirty years ago and I've never forgotten poor Neville.
10. N is for Neville by Edward Gorey, from the Gashlycrumb Tinies, 1963
I discovered Gorey's work in the Gotham Book Mart in New York thirty years ago and I've never forgotten poor Neville.
9. Wall by Andy Goldsworthy at the Storm King Art Centre, New York
Not a painting, but I drove all the way from Montreal to see this.
9. Wall by Andy Goldsworthy at the Storm King Art Centre, New York
Not a painting, but I drove all the way from Montreal to see this.
8. The Capercaillie sings his love song by John Bellany, 1985.
I saw this painting at York University and didn’t like it at all. But it intrigued me so I went to look at it often. Then I loved it and still do.
8. The Capercaillie sings his love song by John Bellany, 1985.
I saw this painting at York University and didn’t like it at all. But it intrigued me so I went to look at it often. Then I loved it and still do.
There, I’ve fixed your headline for you, BBC.
www.bbc.co.uk/news/article...
There, I’ve fixed your headline for you, BBC.
www.bbc.co.uk/news/article...
7. Bridlington by John Thompson, c.1989
Purchased from the artist at his studio in Uppermill in 1990.
'How much is it?'
'How much do you think it's worth?'
'Well, I've only got £30 on me'
'I'll take 35.'
7. Bridlington by John Thompson, c.1989
Purchased from the artist at his studio in Uppermill in 1990.
'How much is it?'
'How much do you think it's worth?'
'Well, I've only got £30 on me'
'I'll take 35.'
That means you can grab this epic tale of love, loss, time travel & redemption for just 99p throughout the month. Don't miss it!
www.amazon.co.uk/How-Soon-Now...
#BookSky
That means you can grab this epic tale of love, loss, time travel & redemption for just 99p throughout the month. Don't miss it!
www.amazon.co.uk/How-Soon-Now...
#BookSky
6. Mark Rothko's Seagram Murals
I first saw the Seagram Murals at Tate Liverpool in 1988. The first time I ever left a gallery walking three feet up in the air.
6. Mark Rothko's Seagram Murals
I first saw the Seagram Murals at Tate Liverpool in 1988. The first time I ever left a gallery walking three feet up in the air.
5. Seated woman with raised knee by Egon Schiele, 1917
A poster on the wall of my first bedsit in Manchester in 1985
5. Seated woman with raised knee by Egon Schiele, 1917
A poster on the wall of my first bedsit in Manchester in 1985