Mit 3D-gedruckten Sandkernen soll die Herstellung von Gussprodukten ökologischer werden. Dafür wurde das Projekt DiGiPro mit dem ACR Innovationspreis gewürdigt.
Mit 3D-gedruckten Sandkernen soll die Herstellung von Gussprodukten ökologischer werden. Dafür wurde das Projekt DiGiPro mit dem ACR Innovationspreis gewürdigt.
Tolles Feature von Olivia Wimmer über Sahrawis in Algerien und ihren Kampf um Selbstbestimmung und internationale Anerkennung (leider nur noch 4 Tage nachzuhören):
Tolles Feature von Olivia Wimmer über Sahrawis in Algerien und ihren Kampf um Selbstbestimmung und internationale Anerkennung (leider nur noch 4 Tage nachzuhören):
"To understand thirst in mammals, think of it less as the body stating a fact to the brain — “I need water” — and more as the brain monitoring its environment, the body. Like an ecologist sampling a river, the brain examines blood’s chemical composition to learn what the body needs."
"To understand thirst in mammals, think of it less as the body stating a fact to the brain — “I need water” — and more as the brain monitoring its environment, the body. Like an ecologist sampling a river, the brain examines blood’s chemical composition to learn what the body needs."
"This epidemic, though, wasn’t restricted to a limited geographic region; it extended almost the length of the continent. It wasn’t limited to one or two species, but affected more than two dozen. And it was clear that whatever unknown pathogen was killing sea stars had a co-conspirator: heat."
"This epidemic, though, wasn’t restricted to a limited geographic region; it extended almost the length of the continent. It wasn’t limited to one or two species, but affected more than two dozen. And it was clear that whatever unknown pathogen was killing sea stars had a co-conspirator: heat."
"THE NARRATIVE PODCAST INDUSTRY HAD always been an awkward mash-up of characters — public-radio true believers, Hollywood producers, magazine refugees, and eventually tech executives — and it had always been a little unclear what the goal of making these shows really was."
"THE NARRATIVE PODCAST INDUSTRY HAD always been an awkward mash-up of characters — public-radio true believers, Hollywood producers, magazine refugees, and eventually tech executives — and it had always been a little unclear what the goal of making these shows really was."
"That’s why Substack remains sticky: the entry cost is zero, the growth engine is real, the aura of legitimacy is powerful. But they will lock you in. If you build a large thriving newsletter on Substack, it’s a great thing in itself, but it will be quite hard for you leave."
"That’s why Substack remains sticky: the entry cost is zero, the growth engine is real, the aura of legitimacy is powerful. But they will lock you in. If you build a large thriving newsletter on Substack, it’s a great thing in itself, but it will be quite hard for you leave."
"Now, when I'd booked my tickets, I'd not put any thoughts into Oslo (Torp), in the same way that I wouldn't blink at London (Stansted) or New York (JFK). I should have blinked, however! Oslo (Torp) is in Oslo in the same way that Margaret Qualley and I are similar, in that we're both human women!"
"Now, when I'd booked my tickets, I'd not put any thoughts into Oslo (Torp), in the same way that I wouldn't blink at London (Stansted) or New York (JFK). I should have blinked, however! Oslo (Torp) is in Oslo in the same way that Margaret Qualley and I are similar, in that we're both human women!"