Andrew Neilson
@andrewjamesneilson.bsky.social
560 followers 350 following 140 posts
Dishevelled wandering star. Director of Campaigns @thehowardleague.bsky.social Co-florist @badlilies.bsky.social andrewneilson.uk
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andrewjamesneilson.bsky.social
It also tells us that lyric poetry is as ancient and beautiful as the hills, the lakes, the forests. Across the whole world and for a long time. The next time someone with several degrees tells you they are 'anti' or 'post'-lyric...show them Du Fu.
andrewjamesneilson.bsky.social
Addendum: 'ten thousand' is basically the Tang Chinese version of saying 'infinity', it crops up a lot in Du Fu and elsewhere. I love this. The sophistication and modernity of these 10th century lyrics blows my mind.
andrewjamesneilson.bsky.social
My pamphlet of poems, Summers Are Other, is officially out now. Here's a taster, a version of Du Fu that Linton Kwesi Johnson used as an epigraph to Time Come, his Selected Prose. rackpress.blogspot.com?m=1
andrewjamesneilson.bsky.social
Great poem, from a great collection.
andrewjamesneilson.bsky.social
My pamphlet of poems, Summers Are Other, is officially out now. Here's a taster, a version of Du Fu that Linton Kwesi Johnson used as an epigraph to Time Come, his Selected Prose. rackpress.blogspot.com?m=1
Reposted by Andrew Neilson
tonywilliams.bsky.social
I'm very much enjoying Andrew Neilson's pamphlet Summers Are Other from Rack Press, particularly the lovely lyric 'The Viaduct'
@badlilies.bsky.social
First stanza of The Viaduct:
As a child I would cross
with my father's brother,
and in summer weather
we would walk into loss. Pamphlet titled Summers Are Other
andrewjamesneilson.bsky.social
The government could stop spending £7bn on building yet more failing prisons and this would give it a head start on a far more promising route to cutting crime:
samfr.bsky.social
Child Poverty Task Force will recommend scrapping the two child limit according to The Times. But publication is being delayed and no clarity over whether Government will accept the recommendation even though it's coming from two cabinet ministers.

www.thetimes.com/uk/politics/...
Cabinet ministers to recommend lifting two-child benefit cap
Starmer to be urged by taskforce before the budget to make the change — but it will cost £3bn a year when Rachel Reeves is trying to plug a spending gap
www.thetimes.com
Reposted by Andrew Neilson
andrewjamesneilson.bsky.social
My poetry pamphlet Summers Are Other is available for pre-order now from Rack Press: rackpress.blogspot.com?m=1. I also have copies available if you message me. And they're out in the very occasional wild! Official launch in London on 29 October...more info to follow. 🙏
andrewjamesneilson.bsky.social
My poetry pamphlet Summers Are Other is available for pre-order now from Rack Press: rackpress.blogspot.com?m=1. I also have copies available if you message me. And they're out in the very occasional wild! Official launch in London on 29 October...more info to follow. 🙏
Reposted by Andrew Neilson
andrewjamesneilson.bsky.social
Coming this autumn from Rack Press. Poems!
Summers Are Other "There is much to admire in Andrew Neilson's poetry - its sober aplomb, for example, its musical exactitude, and the humane steadiness of its gaze at love and mortality.
This is a very welcome sample. More, please."
Sean O'Brien
andrewjamesneilson.bsky.social
Coming this autumn from Rack Press. Poems!
Summers Are Other "There is much to admire in Andrew Neilson's poetry - its sober aplomb, for example, its musical exactitude, and the humane steadiness of its gaze at love and mortality.
This is a very welcome sample. More, please."
Sean O'Brien
andrewjamesneilson.bsky.social
Thanks, John! I was in a more Longley place (I usually am) but I do know exactly what you mean.
andrewjamesneilson.bsky.social
'The Viaduct': poem and construction. My uncle was a coal miner at Bilston Glen. Thank you to Gerry Cambridge of The Dark Horse for publishing the poem, and my thoughts on Seamus Heaney. This is a poetry magazine everyone should read.
andrewjamesneilson.bsky.social
Back from a trip to see my family in Scotland and what was awaiting me on my return but this grand wee magazine. Featuring the final part of a trilogy of essays therein I've written on excellence, entertainment, and edification...the final essay being on Seamus Heaney.
Reposted by Andrew Neilson
badlilies.bsky.social
"… great sonics, an authoritative tone (even, or perhaps most especially, in expressing vulnerability), attentiveness to the line (for non-prose poems), and, very obviously, a freshness of language (free of cliché, invigorating)" thefridaypoem.com/in-conversat...
Gathering flowers – The Friday Poem
In Conversation: The Friday Poem talks to Kathryn Gray and Andrew Neilson of digital poetry journal Bad Lilies
thefridaypoem.com
andrewjamesneilson.bsky.social
This has been a civilised discussion, thank you. What I've seen of the same thing on Facebook is...the opposite.
andrewjamesneilson.bsky.social
True. I would be with MacNeice myself, I hope, but what do we know? I do think WHA was brave in his own way because it involved his principles.
andrewjamesneilson.bsky.social
Just him. The move to the US was the singularly most politically controversial thing any poet did and it united the left and the right. *That* is bravery.
andrewjamesneilson.bsky.social
Parliament debated him leaving the country. That is sort of my point!
andrewjamesneilson.bsky.social
I think WHA was the last English language poet to have genuine publicly cultural and political impact. Seamus (amazing as he was) was a shadow of that. The reaction to
KJ's piece, on Facebook, is profoundly depressing
andrewjamesneilson.bsky.social
The social media reaction on other platforms (much of it grotesque and reprehensible) to Kathleen's challenging yet mild thoughts on what has happened to poetry in more recent decades made me think of this. Auden later changed the last line to "and die". But he had it right the first time. 2/2
andrewjamesneilson.bsky.social
"We must love one another or die" wrote Auden in 'September 1, 1939'. That was a truly great public poem by a truly great poet (if seriously flawed). The last of that type, I think...writing at a time when poetry itself was publicly recognised as a major art form. 1/2