Ang Li
@angli-caa25.bsky.social
22 followers 27 following 7 posts
Curatorial Assistant/Teacher in Foreign Art History at the China Academy of Art. D.Phil in History of Art from the Department of History of Art, University of Oxford. https://chinaacademyofart.academia.edu/AngLi https://leonardli.blog
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Reposted by Ang Li
Reposted by Ang Li
susanklaiber.bsky.social
Coming later this month: our Bernini's Architectural Drawings, edited by Tod Marder.

It's really two books in one: a translation (mine) and historiographic edition of Brauer & Wittkower's 1931 study, and a modern treatment of Bernini's architectural drawings.

www.hirmerverlag.de/de/titel-32-...
View of book covers for two-volume set of Bernini's Architectural Drawings, edited by Tod A. Marder and published by Hirmer on behalf of the Bibliotheca Hertziana. Volume 1 (visible) has ink and red chalk drawing for the crowning feature of the Baldacchino in St. Peter's.
angli-caa25.bsky.social
If my memory doesn't fail me, I still remember seeing a Savoldo fresco in Bresia.
jessemlocker.bsky.social
Giovanni Girolamo Savoldo, St Matthew and the Angel, c. 1534, Oil on canvas, 93 x 125 cm (Metropolitan Museum of Art, New York)
"Saint Matthew shares a spellbound gaze with an angel who inspires him to write his gospel. Behind are two scenes from the saint’s life: on the right he receives hospitality at the court of the queen of Ethiopia, while the event on the left is less clear. The various sources of light in the painting suggest that this was one of the works described by the biographer Giorgio Vasari as “nocturnes, with fires,” which Savoldo painted around 1534 for the head of the Milanese mint." https://www.metmuseum.org/art/collection/search/437630
angli-caa25.bsky.social
Found some interesting stuff in the Mogao Caves. How can the absence of ground colour solidify the preservation of the foreground figures? Normally, the original colour of the figures would darken over time. Due to the flow of the air through the plain wall, the original colour remains.
angli-caa25.bsky.social
I'm now in Dunhuang now! The climate is drier and warmer than Hangzhou. I will go to see some caves tomorrow. Looking forward to my three-day trip.
Reposted by Ang Li
craigclunas.bsky.social
'Echoes of Great Brightness: The Ming Dynasty and Beyond' In Oxford, 16-17 September. Booking now open. I'm honoured (my goodness, I really am, so grateful to this amazing roster of colleagues)
web.cvent.com/event/a4ff13...
Echoes of Great Brightness: The Ming Dynasty and Beyond.
An International Conference in Honour of Craig Clunas.
web.cvent.com
Reposted by Ang Li
lrb.co.uk
‘Humanists knew that they were imitating the ancients when they sat and talked in libraries. But they knew little about what these lost collections looked like or included.’

Anthony Grafton on Renaissance libraries: www.lrb.co.uk/the-paper/v4...
Anthony Grafton · No Cheese Please: The First Bibliophiles
The library made possible a new kind of intellectual life. Machiavelli, when he’d been exiled from Florence, described...
www.lrb.co.uk
angli-caa25.bsky.social
Tiepolo should draw more scholarly attention! I recently translated an article by Damian Dombrowski into Chinese, which has been published by meishu guancha (art observation).
asquins.bsky.social
Tiepolo at Würzburg.
Reposted by Ang Li
liujipiaofamily.bsky.social
It's been a long road since our first letter! Your article was the first we discovered! You sent me to Nancy Steinhardt who introduced us to Jeff Cody who became a dear family friend. He lectured on LJP in Paris! And this year LJP had his first solo exhibit at the CAA, the school he cofounded!
Reposted by Ang Li
marcgilbert.bsky.social
The Robert van Gulik Archive at Leiden University Libraries is now fully described and accessible online: edu.nl/d7p3m
Reposted by Ang Li
jessemlocker.bsky.social
Artemisia Gentileschi's "Susanna and the Elders," recently rediscovered and restored, on display at the Palace of Holyroodhouse in Edinburgh www.rct.uk/event/artemi...
Artemisia Gentileschi's Susanna and the Elders under restoration Artemisia Gentileschi's Susanna and the Elders installed in the Palace of Holyroodhouse
Reposted by Ang Li
warburginstitute.bsky.social
Renaissance Lives: Memling and the Merchants

Join Mitzi Kirkland-Ives & Rembrandt Duits for a round table on the merchant-class audiences of Hans Memling’s work in 15th-century Bruges.

Online | 29 May, 5:30–7pm (UK)

Free – book now: warburg.sas.ac.uk/events/renai... ‪@reaktionbooks.bsky.social‬
Renaissance Lives - 'Memling and the Merchants'
warburg.sas.ac.uk
Reposted by Ang Li
studiousgal.bsky.social
I read that lovely book, _Taste and the Antique_, some years ago. What a rabbit hole! And here, to celebrate a new edition, a call for papers.⬇️
ics.bsky.social
DEADLINE THURSDAY 15 MAY: CALL FOR PAPERS

The Future of the Antique: Interpreting the Sculptural Canon. An interdisciplinary conference celebrating the new edition of Francis Haskell & Nicholas Penny’s Taste and the Antique. Please submit your title and abstract 200 words max: bit.ly/3RSAwoD
CALL FOR PAPERS: The Future of the Antique: Interpreting the Sculptural Canon
bit.ly
Reposted by Ang Li
leonardosociety.bsky.social
Please consider joining us for the Leonardo da Vinci Society’s Annual Lecture, by Dr Francesca Borgo, on ‘Signature Style: Leonardo da Vinci and Mirror Writing’, on 21 May, 5:30pm, at The Courtauld Institute, Vernon Square, London. RSVP here: www.leonardodavincisociety.org.uk/event-detail...
2025 Annual Lecture | Mysite
Dr Francesca Borgo will deliver the 2025 Annual Lecture on the subject 'Signature Style: Leonardo da Vinci and Mirror Writing'. The lecture will be followed by a reception. Please RSVP.
www.leonardodavincisociety.org.uk
Reposted by Ang Li
warburginstitute.bsky.social
🌟 Temperance – A Card of Balance, Harmony, and Moderation 🌟

Temperance from the Tarot de Marseille Gassmann deck (c.1865). Representing balance, patience, and the art of integration, this card calls us to approach life thoughtfully, with harmony and moderation.

#Temperance #TarotExhibition #Tarot