Bertrom.
@bertrom.bsky.social
2.5K followers 580 following 4.1K posts
In a past life, I was a film teacher, photographer, theatre director and film editor. Now a psychogeographer and Jungian explorer searching for my Anima, and some purpose.
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bertrom.bsky.social
Colin Jones was once described as ‘The George Orwell of British Photography.

He began his career as a dancer with The Royal Ballet, before buying his first camera in Japan whilst running an errand for Margot Fonteyn and then never looked back.
bertrom.bsky.social
Susan Lipper’s photographic series Grapevine was shot over four years from 1988 to 1992.
The series takes its name from Grapevine Branch in West Virginia, a small community where Susan found herself for a while after graduating the Yale photography programme.
bertrom.bsky.social
Afro Celt Sound System.

Saw them at Womad, and they still transport me to this day.
youtube.com/watch?v=sshQyy…
bertrom.bsky.social
For his groundbreaking 1948 LIFE magazine photo essay, “Country Doctor” photographer W. Eugene Smith spent 23 days in Kremmling, Colo., chronicling the day-to-day challenges faced by an indefatigable general practitioner named Dr. Ernest Ceriani.
bertrom.bsky.social
Chris Steele-Perkins.

“Study and theory is useful but you learn most by doing. Take photographs, lots of them, be depressed by them, take more, hone your skills and get out there in the world and interact.”
bertrom.bsky.social
Fred Stein.

Paris in the 1930s.

He was a pioneer of the small, hand-held camera, and with the Leica which he and his wife had purchased as a joint wedding present.

He saw hope and beauty where most people would only see despair.
bertrom.bsky.social
Michael Peto.
Photographs from the 1950s and 60s documenting everyday life.

Playwright Brendan Behan and with his wife Beatrice, 1959.

Budgerigar breeder, Nottingham, circa 1965.

Samuel Beckett at home in his Paris apartment, 1961.

Actor Mary Ure with her daughter Elizabeth.
bertrom.bsky.social
It’s the same here Bevan, although it’s an ex human rights lawyer doing the targeting.
bertrom.bsky.social
Thank you Bevan. This is a wonderful compliment from you.
The Massacre at Quarantaine in Beirut, Lebanon image is an important image for me from way back.
bertrom.bsky.social
Christine Spengler.

She was born in 1945 in Alsace and spent more than 30 years working in war and conflict zones.
bertrom.bsky.social
I did not dare to ask who had lived in the houses before 1948, who had planted the olive trees that grew by the roadside, who was being kept out by the guns and the barbed wire. I couldn’t – or maybe I refused to – imagine that the land beneath my feet was also Palestine.

apple.news/A0KxCPwkYSGG...
Opinion | When you first heard me speak against this genocide, you heard my words as betrayal. But they were meant as love — The Guardian
Not speaking would go against everything I was taught to honour: the righteous among the nations – those who refused to be bystanders to injustice
apple.news
bertrom.bsky.social
John Claridge.

'Francoise Gilot.

1964.
bertrom.bsky.social
Arthur Rothstein.

Roulette Players, Las Vegas, Nevada.

1940.
bertrom.bsky.social
The Blenheim Orange apples have been picked, and are ready for becoming gifts.
bertrom.bsky.social
Ken Currie.

The Nationalist.

1993.
bertrom.bsky.social
And returned home with Covid....
bertrom.bsky.social
I saw Rafe Spall as Atticus Finch, and Gwyneth Keyworth as Scout in Aaron Sorkin’s production at the Gielgud Theatre in 2022.
Brilliant and atmospheric.
bertrom.bsky.social
Colin Gray.
The Parents’, begun in 1980, is a series of photographs about Colin’s relationship with his parents and theirs with each other. The images involve enactments of memory and fantasy woven around events from collective memories or based on absurd and wonderful fantasies.
bertrom.bsky.social
I’m sure I will! ☺️
bertrom.bsky.social
James Ensor.

Masks Confronting Death.

1888.

He uses a skeleton or a death figure, placed in the midst of masked onlookers. They close in around the central figure, curious perhaps, or maybe irresistibly drawn to it in recognition of the ultimate destiny of all living things.