Wood Engraving.
Girl at Barred Window.
Glasgow School of Art .
1950.
Wood Engraving.
Girl at Barred Window.
Glasgow School of Art .
1950.
Woman in Pink.
C 1924.
Woman in Pink.
C 1924.
It certainly made me positive that today would be a better day.
It certainly made me positive that today would be a better day.
Red Eye To New York.
1980s.
Having photographed San Francisco from 1978 to 1986, Janet seized the opportunity to travel to New York, “my plane fare was covered because I was a courier for DHL packages at the time.”
Red Eye To New York.
1980s.
Having photographed San Francisco from 1978 to 1986, Janet seized the opportunity to travel to New York, “my plane fare was covered because I was a courier for DHL packages at the time.”
South African.
In 2006 Muholi began work on ‘Faces and Phases’ the “Faces” being the subjects, and “Phases”, the different phases of the subjects identity construction.
South African.
In 2006 Muholi began work on ‘Faces and Phases’ the “Faces” being the subjects, and “Phases”, the different phases of the subjects identity construction.
- Bonne soirée
- Good evening
- Schönen Abend
- Buenas noches
- Buona sera
- Boa tarde
- Bonne soirée
- Good evening
- Schönen Abend
- Buenas noches
- Buona sera
- Boa tarde
Patience. A man hangs on to an open window in search of some respite from the midsummer heat of an overcrowded bus. This photograph comes from a project that explores the daily commute of public transport users in New Delhi.
Patience. A man hangs on to an open window in search of some respite from the midsummer heat of an overcrowded bus. This photograph comes from a project that explores the daily commute of public transport users in New Delhi.
On second thoughts, maybe we don’t.
On second thoughts, maybe we don’t.
The Brothers - Monkey House.
1928.
The Brothers - Monkey House.
1928.
Back in the day.
A wonderful part of my life.
Back in the day.
A wonderful part of my life.
‘And there she was, a young woman, looking right back at me, facing me, facing the world…’
‘And there she was, a young woman, looking right back at me, facing me, facing the world…’
Edeltrude-Walter-Hans.
Tyrol,
1907.
Edeltrude-Walter-Hans.
Tyrol,
1907.
The Second Coming.
The Second Coming is imbued with the poet's observation and understanding of a chaotic and destabilised world.
The Second Coming.
The Second Coming is imbued with the poet's observation and understanding of a chaotic and destabilised world.
1842–1922.
Romantic scene.
This is far more than simply ‘A Romantic Scene’.
1842–1922.
Romantic scene.
This is far more than simply ‘A Romantic Scene’.
New York Street with Moon.
1925.
New York Street with Moon.
1925.
Revival Meeting.
1994.
Revival Meeting.
1994.
‘That’s how I always work. I watch, I wait … and hopefully I see one of these magic moments. If you’re patient then something will usually happen. It’s all about being prepared and seeing clearly.’
‘That’s how I always work. I watch, I wait … and hopefully I see one of these magic moments. If you’re patient then something will usually happen. It’s all about being prepared and seeing clearly.’
Venice.
Canal Grande.
Venice.
Canal Grande.
I am a photographer not a painter but I gave it a go.
I am a photographer not a painter but I gave it a go.