Christine Jacobson
@cejacobson.bsky.social
2.5K followers 1.2K following 710 posts
Associate Curator of Modern Books & Manuscripts @ Houghton Library, Harvard University newsletter on cultural heritage x fashion: luxelibris.substack.com writing, projects, frivolity, etc: linktr.ee/cejacobson
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cejacobson.bsky.social
a century later, one of the great working girl narratives with a relevant as ever screwball premise will be reprinted with a new foreword and afterword by @mollybrrown.bsky.social and me. The Home-Maker by Dorothy Canfield Fisher is out from QLB books April 7!
quiteliterallybooks.com/product/the-...
Image of the cover of the Home-Maker by Dorothy Canfield Fisher.
Reposted by Christine Jacobson
drbibliomane.bsky.social
#tinyjoys
#abstraction
Is this, in miniature, the most Henry Jamesian exchange EVER?

"But isn't he tremendously deep in ---." He hesitated.
"Deep in what?"
"Well, in what's going on, beneath the surface. Doesn't he belong to things?"
"I'm sure I don't know what he belongs to"
(Princess Casamassima)
Reposted by Christine Jacobson
drbibliomane.bsky.social
Hey, Bostonians & more far-flung friends, the Novel Theory seminar I co-convene at Harvard has a cool line-up for the fall: a roundtable on the Novel in the Age of AI, Margaret Cohen on Claire de Duras, JC Cloutier on Nick Drnaso.
You are so welcome to join us! (occasionally even on Zoom)
The Novel in the Age of AI: A Roundtable with Elyse Graham, Benjamin Mangrum, and Tom Comitta, Sept 30th at 6 p.m. in Barker Center 133; Margaret Cohen on Claire de Duras: "Who Has the Right to Tragedy?", October 14th at 6 p.m. in Barker Center, Room 133; a Zoom Reading Group on Nick Drnaso's Sabrina, led by Jean-Christophe Cloutier, Nov. 5, at 6 p.m on Zoom
cejacobson.bsky.social
in which @tricialockwood.bsky.social refuses to see the glass flowers at Harvard's natural history museum after too many of us insist that she go (we really are like that I'm afraid) (I sympathize with her completely)
lrb.co.uk
‘We agreed, before the event, to deface my Wikipedia entry and say I was a supporter of Manchester United. This was the sort of thing that was funny to me now.’

A Diary by @tricialockwood.bsky.social: www.lrb.co.uk/the-paper/v4...
Patricia Lockwood · Diary: Back to the Rectory
It was our first visit to Kansas City since before the election and the rectory seemed to have grown smaller, darker,...
www.lrb.co.uk
Reposted by Christine Jacobson
reflexletterpress.bsky.social
Rent our Vandercook No. 4 flatbed presses! The Tulsa (1948) is open to all; the Nahant (1951) is for production renters. Slower but super precise—great for deep impressions and perfect for beginners. Contact us via Linktree or website to learn more!

#letterpress #bostonprinter #letterpressrental
Reposted by Christine Jacobson
jasonwdean.com
Well, @sibyllacumae.bsky.social and I are back (on schedule), with a longer-ish issue - we're talking about bindings! Read it here: 📜 #bookhistory
open.substack.com/pub/twohalfs...
On Bindings (August 7/8)
we were bound to talk about them sometime...
open.substack.com
Reposted by Christine Jacobson
bhgross144.bsky.social
"I think it is the very best story of diablerie which I have read for many years."

In August 1897, Arthur Conan Doyle wrote a letter to Bram Stoker to let him know how much he enjoyed #Dracula. Today you can read the letter here @ransomcenter.bsky.social! (HT @ecolleary.bsky.social)

#booksky 🗃️📜🦇
“My dear Bram Stoker, I am sure that you will not think it an impertinence if I write to tell you how very much I have enjoyed reading Dracula. I think it is the very best story of diablerie which I have read for many years. It is really wonderful how with so much exciting interest over so long a book there is never an anticlimax."

Letter from Arthur Conan Doyle to Bram Stoker
August 20, 1897 
Arthur Conan Doyle Collection
Harry Ransom Center
The University of Texas at Austin "It holds you from the very start and grows more and more engrossing until it is quite painfully vivid. The old Professor is most excellent and so are the two girls. I congratulate you with all my heart for having written so fine a book. With all kindest remembrances to Mrs. Bram Stoker & yourself. Yours very truly, A. Conan Doyle.”


Letter from Arthur Conan Doyle to Bram Stoker
August 20, 1897 
Arthur Conan Doyle Collection
Harry Ransom Center
The University of Texas at Austin
cejacobson.bsky.social
cannot believe I missed Lockwood when she was in town recently (though according to my husband, she did wave at our daughter)
cejacobson.bsky.social
how incredible is this? typewriter as piece of type! 📜
ad for the Oliver Typewriter. Copy reads "A DISTINCT TYPE. The OLIVER has certain superior features and unique improvements exclusively its own." Accompanying an image of a piece of type with the nicks on the left, "OLIVER" down the side and in place of a letter face at the top sits an Oliver typewriter.
cejacobson.bsky.social
Ten* (could only get to nine) authors by whom I’ve read more than five* (actually in most cases I've read *just* five) books

Lev Tolstoy
Fyodor Dostoevsky
Henry James
Jane Austen
The Bronte Sisters (cheating!)
Raymond Chandler
Barbara Pym
Zadie Smith
Gary Shteyngart
mazarine.bsky.social
Ten authors by whom I’ve read more than five books — of course I forget a ton; and I’m taking this as a request for fiction:

Ursula K. Le Guin
Connie Willis
Octavia E. Butler
Jorge Luis Borges
Umberto Eco
Italo Calvino
Neal Stephenson
William Gibson
Agatha Christie
Fyodor Dostoyevsky
arkhamlibrarian.bsky.social
Ten authors by whom I’ve read more than 5 books:

Daphne Du Maurier
Iain M. Banks
James M. Cain
Cornell Woolrich
Rachel Ingalls
Stephen King
Charles Dickens
Margaret Millar
P.G. Wodehouse
Georgette Heyer
Reposted by Christine Jacobson
sonjadrimmer.bsky.social
The printing press is not responsible for launching Europe into modernity, nor did it transform society overnight. Folks like Sam Altman & other tech boosters are obsessed w this misperception bc it provides a precedent for AI. A recent article I wrote touches on this. Abstract & links in replies.
Screenshot of the top of my article with the title, my name and then two epigraphs. It reads as follows:

Queer Transmissions: English Manuscript, Italian Print and a Discomforting History of the Book Sonja Drimmer Confronted with this range of material and contextual complexity, the first scholars of fifteenth- century printmaking were definitely troubled by what they found.1 So let’s think about how it feels to be comfortable.
cejacobson.bsky.social
And with 12 hours to spare I've finished my paper and slide deck!

3:30PM! tomorrow! come learn who typed the poetry and prose of Emily Dickinson, Henry James, T.S. Eliot, & Vladimir Nabokov. Plus! Erin McGuirl talking secretary manuals and Dale Stinchcomb on broadway script production! #SHARP2025
cejacobson.bsky.social
hey #SHARP2025 good news, I have started work on my slides for my presentation that starts in *checks notes* 48 hours
slide deck that reads, "Thanks for Typing Surfacing Women's Type Labor in the Archives" on the left and on the right a lithograph poster of a woman in a golden edwardian dress sits working at a typewriter on a table with books and a vase of flowers
Reposted by Christine Jacobson
wynkenhimself.bsky.social
Exciting news, Bluesky! I’m editing a new book series for Bloomsbury with Tom Mole and Lisa Gitelman: Book History for the Future! Do you focus on material textual artifacts and innovative methodologies? We’re actively soliciting proposals, so give us a shout! www.bloomsbury.com/media/cecjzl...
BLOOMSBURY ACADEMIC
NEW SERIES
Book History for the Future
SERIES EDITORS:
Lisa Gitelman, New York University, USA
Tom Mole, Durham University, UK
Sarah Werner, Independent Researcher, USA
Book History for the Future aims to define the cutting edge for a new generation of book historians, as book history enters a new chapter of its evolution. Books sit at a densely trafficked intersection of social relations, status negotiations, emotional investments, material possibilities, desires, aspirations, and dreams.
They require an intellectual approach grounded in attention to physical artefacts and material conditions while also engaged in theoretical reflection, attentive to historical contexts while attuned to contemporary resonances. This series publishes books that eschew academic parochialism in favour of adventurous engagements with new theoretical developments, innovative methodologies, digital tools, and global
contexts.
Reposted by Christine Jacobson
librarycolleen.bsky.social
Printing a broadside at #sharp2025
This is a reproduction of The North Star, 1848 from Frederick Douglas, originally printed about a mile away in Rochester, NY.
Type on a type bed Type on a Washington Press
cejacobson.bsky.social
hey #SHARP2025 good news, I have started work on my slides for my presentation that starts in *checks notes* 48 hours
slide deck that reads, "Thanks for Typing Surfacing Women's Type Labor in the Archives" on the left and on the right a lithograph poster of a woman in a golden edwardian dress sits working at a typewriter on a table with books and a vase of flowers
Reposted by Christine Jacobson
joliebraun.bsky.social
Getting my presentation on 1990s zines & small magazine distributors ready for the #SHARP2025 conference next week, super excited to be part of a zine panel.
Screenshot of presentation slide featuring advertisements for distributors Fine Print and Desert Moon from issues of Factsheet Five.
cejacobson.bsky.social
I'm excited to meet you in person finally (right? I don't *think* we've met in person...)
cejacobson.bsky.social
this is very encouraging! my daughter is 7 months and is generally a happy social baby unless close to nap time or is hungry, so I'm hopeful she'll attend a couple panels. unfortunately, I need to take her solo since husband is ill (otherwise he'd be watching her while I was conferencing!)
cejacobson.bsky.social
seeking advice on bringing babies to conferences! (well, in my case, just the one.) replies or dms welcome.
cejacobson.bsky.social
oh this one wasn't on my radar! *adds to the pile*
cejacobson.bsky.social
learning to like late Henry James is like learning to like jogging— the beginning is a struggle, you have to take lots of breaks, and progress is slow. but when it clicks, you're locked in and soaring!!
cejacobson.bsky.social
Movies that feature women typists/working on typewriters? so far I have:

The Best of Everything
Kitty Foyle
His Girl Friday
Woman of the Year
Desk Set
Christmas in Connecticut
Meet John Doe
More than a Secretary
The Spiral Staircase
Working Girl
9-5
cejacobson.bsky.social
took my daughter to Harvard Square to meet (a historic reenactor playing) Elizabeth Glover, the woman who established the 1st printing press in the colonies.

was a little surprised to see her in Edwardian attire handing out balloons but very little is known about Glover so who am I to judge! 📜
A woman in a pinstripe jacket and skirt and Panama hat holds a large pink balloon under a white canopy
cejacobson.bsky.social
the exhibition I am working on could easily be called "flowers and typewriters" --> just read a detail that Henry James would place a fresh bouquet picked from his lamb house garden next to typist Mary Weld's typewriter each morning
cejacobson.bsky.social
found joy and courage from this image of Vivienne Eliot (first and ill-treated wife of TS) I came across in the stacks this week; sharing in case it helps buoy others.

just look at that defiant pose! and the unapologetic femininity she brought to her workspace. this was a dame.
black and white photograph of a woman (white, dark hair with bangs pulled back into a bun in a long dark dress and dark shoes) stands with her hands on her hips behind a desk with a corona typewriter and next to a beautiful hutch holding displaying fine china, a silver samova, and a vase of flowers