Charlotte Stevens
@charstevens.bsky.social
180 followers 140 following 170 posts
Senior Lecturer @ Birmingham City University (film/tv, fandom, games), she/her
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charstevens.bsky.social
yesterday a student said something about chatgpt in my hearing, and without working out if it was a positive or dismissive comment I said "oh don't sully the air of my classroom with that name" and continued with my slide. the way the group murmured in response sounded like they were on my side 🤞
cinefeline.bsky.social
Same for academics and it's so depressing
hannahstrong.co.uk
A lot of """"creatives"""" have seemingly accepted generative AI as part of art and filmmaking and I'm hear to say you're all big stinky phonies and I hate you
Reposted by Charlotte Stevens
eddierobson.bsky.social
There's something very "Ford Prefect" about a process that arrives at "Harper Collins" as a sensible name for a pornbot
localnotail.bsky.social
Ah but do you get pornbots like Jonn?
charstevens.bsky.social
definitely stopping for lunch now, I scrolled down and there's an italicised ibid, no full stop, where previously they'd all been at least formatted in plain text and with the expected punctuation
a little girl is laying on the ground covered in leaves with the words nooooo on the bottom
Alt: a little girl is laying on the ground covered in leaves with the words nooooo on the bottom
media.tenor.com
charstevens.bsky.social
i'm sure people who love their cute little latin abbreviations are good and upstanding people, but if i can't do a breezy copy/paste from your previous in-text citation to bring things in line with the style guide, maybe there's something wrong
charstevens.bsky.social
thought i'd be kind as an editor and quickly drop the proper in-text references in place of this chapter's "ibid." and "op. cit", but halfway through it i am:
i) regretting my choices,
ii) firmly opposed to the use of "ibid." and "op. cit" by anyone ever, and
iii) stopping for lunch
Reposted by Charlotte Stevens
evehayes123.bsky.social
Having studied #digitalID in depth for my PhD and written a book about this way before anyone had even flagged it as a problem - this a TERRIBLE idea. We have been warning the UK government about the dangers of digital ID for years. No one listened. #digitalidentity www.bbc.co.uk/news/article...
Keir Starmer to announce plans for digital ID scheme
The prime minister believes a new scheme would help crack down on illegal working in the UK.
www.bbc.co.uk
Reposted by Charlotte Stevens
ninaheise.bsky.social
The CfP for the 1st themed issue of our journal Fandom | Cultures | Research is out & I'm especially excited for this one, since it combines two of the things I'm most interested in: #fanstudies & #memorystudies. Added bonus: a workshop in Marburg in Feb 26.

journals.uni-marburg.de/fcr/announce...
Call for Abstracts - Themed Issue 2/26 & Accompanying Workshop: “Fan Practices of Memory and Remembrance” | Fandom | Cultures | Research
journals.uni-marburg.de
charstevens.bsky.social
it does mean that my teaching notebook has some chocolate flakes smeared on the pages #noregrets
charstevens.bsky.social
it's the Friday before teaching starts next week, aka the perfect time for the summer's last mint Cornetto from the freezer as a pre-dinner snack
Reposted by Charlotte Stevens
vanguardhusky.bsky.social
My friend and colleague @lerelle.bsky.social needs research participants for their PhD project. The research focuses on intersectionally minoritised queer people's experiences using dating apps. So could you please take a look at this and share it if you can? (1/3)
charstevens.bsky.social
yeah, not great! I wasn't a big user anyway - maybe logging in a couple times/year? - and having an account just to have an account doesn't seem worth it in light of these changes
charstevens.bsky.social
I did hesitate before deleting (change is scary?), but I've done it
hystericalblkns.bsky.social
If you’re on academia dot edu, let me suggest that you strongly consider deleting your account.
The new TOC from academia dot edu. 

By creating an Account with Academia.edu, you grant us a worldwide, irrevocable, non-exclusive, transferable license, permission, and consent for Academia.edu to use your Member Content and your personal information (including, but not limited to, your name, voice, signature, photograph, likeness, city, institutional affiliations, citations, mentions, publications, and areas of interest) in any manner, including for the purpose of advertising, selling, or soliciting the use or purchase of Academia.edu's Services.
Reposted by Charlotte Stevens
hpsvanessa.bsky.social
I wish more people would call this what it is: a lie/scam to increase unpaid labour. Management know many of us won’t give crap feedback, so instead we work evenings/weekends or let other work slip. Their spreadsheet is happy, students still get decent feedback. All the burden is on the Lecturer.
ernestopriego.com
Simply astonishing. Maybe Lecturer A should not have to mark over 100 essays in a two-week window in the first place? Invest in qualified staff and reduce impossible workloads FFS www.kcl.ac.uk/about/strate...
Screenshot. King's College London page. Examples of effective practice

The following scenarios follow the above guidelines and offer insights into ways that academic staff can use AI transparently and in an assistive capacity, always ensuring human oversight and judgment remain central.
Scenario A – Scaling feedback while maintaining quality

Lecturer A is responsible for marking over 100 essays within a two-week window.

Conscious of the limitations this workload places on the depth of individual feedback, they adopt a hybrid approach using their university’s approved or supported LLM tool, Copilot.

Without ever uploading student work directly, Lecturer A composes an anonymised summary for each student, noting which marking criteria were met and the approximate percentage achieved for each. They input this summary alongside the official rubric into Copilot, prompting it to generate supportive, criterion-referenced feedback. This feedback is then carefully reviewed, adapted, and personalised before being uploaded to the marking platform.

Students are made aware of this process in advance and shown a demonstration, reinforcing transparency and trust.
Reposted by Charlotte Stevens
cinefeline.bsky.social
I know just the book for you
Cover of the book Horror Films for Children by Catherine Lester
charstevens.bsky.social
I'm also looking forward to this, which starts tomorrow and is why I just speed-walked across FRA make my connection
videogamecultures.bsky.social
Are you curious what's behind the presentation titles for VGC 2025? Here's a little sneak-peak (also known as abstracts 😉): videogamecultures.org/2025-abstrac...

#videogames #gamestudies #academia
2025 Abstracts & speaker bios – Video Game Cultures
videogamecultures.org
charstevens.bsky.social
Looking forward to this!
t0mm7.bsky.social
UK Gamescenes Symposium will take place in Tampere/Hybrid on 16th September. Program and details for joining are attached. 1/2

Features work from skypeeps @digdems.bsky.social @nitessine.bsky.social @merilainen.bsky.social @rosgakori.bsky.social @vkankainen.bsky.social
Reposted by Charlotte Stevens
videogamecultures.bsky.social
Are you curious what's behind the presentation titles for VGC 2025? Here's a little sneak-peak (also known as abstracts 😉): videogamecultures.org/2025-abstrac...

#videogames #gamestudies #academia
2025 Abstracts & speaker bios – Video Game Cultures
videogamecultures.org
charstevens.bsky.social
added my ISBNs/details to the list last week 💪
charstevens.bsky.social
...turns out I'd stopped watching just before a) things got wild, and b) this case study productively crosses over with a different case study, which c) will make the eventual book project either harder or easier to write 😅
charstevens.bsky.social
the to-do list is overwhelming, but hopefully knuckling down to get through some screening (11 episodes left of this current case study!) will make me feel like i'm making progress
Reposted by Charlotte Stevens
garius.bsky.social
Happy Clearing, for all who celebrate.
Reposted by Charlotte Stevens
danieljsheppard.bsky.social
🗓️ Abstracts for Cine-Excess 2025, REANIMATED! REVIVING CULT FILM’S DEAD OBJECTS, are due this Friday
danieljsheppard.bsky.social
🚨 Updated CfP for Cine-Excess 2025 is now LIVE. This year’s theme marks 40 years of Re-Animator (1985) & 50 years of Shivers (1975). We’re delighted that Brian Yuzna, producer of Re-Animator, is scheduled to join us in person. Lynn Lowry, star of Shivers, joins us online. More info from bit.ly/CECFP