Jim Wald
@citizenwald.bsky.social
4.5K followers 1.4K following 4K posts
Historian, Hampshire College, Amherst MA Europe C18-20, book history, historic preservation Past service: SHARP sharpweb.org, Massachusetts Center for the Book https://www.massbook.org/ Co-editor, Routledge History of Antisemitism http://tiny.cc/pb7xzz
Posts Media Videos Starter Packs
Reposted by Jim Wald
liber-ray.bsky.social
Hole-y Books! A fantastic @bodleian.ox.ac.uk lecture and workshop yesterday on early medieval Insular and Continental parchment by Jiří Vnouček for the ‘INSULAR: Insular manuscripts in the age of Charlemagne’ project! 📜🎉
Reposted by Jim Wald
richardfallon.bsky.social
A literary Iguanodon at the Earth Sciences Library. Do any other libraries have dinosaurs or other antediluvian creatures carved into the furniture?
Reposted by Jim Wald
merryrobin.bsky.social
Two Women with Guinea-hen, 1934 ❤️
bsky.app/profile/merr...
merryrobin.bsky.social
Margit Anna (1913–1991) was a Hungarian painter of abstract expressionism.
Her largest influences were her own identity as a woman, particularly after the loss of her husband & fellow painter Amos, victim of Holocaust.
Her art was considered subversive and barred from the art world until 1968.
A black and white photo of Margit Anna, a white woman in her 60s holding a cigarette nonchalantly, looking not into the camera but slightly to the side, maybe to the photographer. She is very stylish, wearing a striped top, and her short hair is styled in a bob with bangs. The background looks like a traditional café or building. Margit Anna, Two Women with Guinea-hen, 1934
artwork featuring two women with serene expressions. One woman has a dotted shawl over her shoulders, and the other holds a guinea hen. She is a black fluffy bird with a pink beak. The style is painterly, with soft, gentle brushstrokes and muted colors. The figures are somewhat abstracted, and the painting evokes a calm, pastoral mood of intimacy between hen and women. Black and white portrait of Margit Anna with her husband Imre Ámos c.1935. It looks like a professional portrait, but the couple has an interesting personality and style that make the picture look more interesting. They are young, looking off-camera with a nostalgic air. He has a shiny coat and a big patterned tie, and she has an elegant hat and dark jacketr. "Margit Anna: Figure Shouting (1956)", the painting features a white, abstract human figure positioned against a vibrant blue sky with minimal clouds, and a solid red-orange floor, contrasting with the sky and the plain white of the figure. She appears to be in motion, with one leg lifted as if running or jumping and one arm extended upwards, while the other is near her face, like running away from something. The figure’s hair is a striking red, flowing in the wind, like it's on fire. She is screaming, and the overall vibe of the painting is of alarm or warning.
Reposted by Jim Wald
thismanyyearsago.bsky.social
1257 years ago, on the 9th of October 768, Charlemagne and Carloman were crowned in separate ceremonies at different locations following the death of their father, Pepin the Short. They had separate palaces and spheres of influence yet were considered joined rulers of the Franks. #otd #history 🗃️
so-called Equestrian statuette of Charlemagne, 9th century, Louvre
citizenwald.bsky.social
To tie up this little thread about Jane Langton: Some decades ago she & other New England #authors helped a fundraiser for our #library (link alt text) by illustrating catalogue cards for their works. I bought this one, for a mystery involving music & Trinity Church, Boston
6/6
catalogue card from Jones Library
https://www.joneslibrary.org/

at left,Langton has drawn an organ pipe, yellow outlined in black, with musical notes coming out of it

MYSTERY
Langton, Jane. 
Divine inspiration : a Homer Kelly mystery / Jane Langton. == New York : Viking, 1993. 
p. cm.

 ISBN 0-670-84709-7 
1. Kelly, Homer (Fictitious characterg)-Fiction. 2. Lawyers-- & Massachusetts--Fiction. 
3. Detective and mystery stories.
I. Title. Vol ¥ & - Il _)M""L e 

93-1693 
AACR2 CIP 
Library of Congress
 005784 36-450-04  53Z57T ME  BAKER & TAYLOR 3306 Penguin book cover in shades of ochre, beige, light green, and blue

a small image in the center, framed by organ pipes, depicts a young man, viewed directly from above, hands on the organ keyboard. In the background, a stained glass window (as if on the floor) and a crawling toddler in a green onesie

Penguin crime logo

A blurb says "Jane Langton's most inventive and exhilarating Homer Kelly mystery"--The New York Times Book Review
citizenwald.bsky.social
Oh, and the famous Emily Dickinson white dress?

The one in the Dickinson Museum is a perfect reproduction, but the original is in the collections of the Amherst History Museum: when it was donated in the 1930s, there was no Dickinson Museum (links to history in alt text)
5/6
sketch of the simple, white long-sleeved dress, by Langton the Dickinson bedroom after the latest restoration, viewed from the foot of the bed looking right/west

bright rose trellis wallpaper recreated from fragments, green full-length curtains at windows, red and beige carpet runner on top of the floor mats
cast-iron-stove fitted into old fireplace
table, chair, and lamp

the famous white dress (in reproduction) stands near a window the white dress on a supporting form in a plexiglass case

this is an older photo showing it against the red-brown wall of the hallway of the 1750-era Strong House (headquarters of the Historical Society and Museum).

For the time being it is on display at the light and spacious History Center nearby

https://amhersthistory.org/

On the dress and its history
Emily Dickinson’s White Dress – Emily Dickinson Museum

https://www.emilydickinsonmuseum.org/emily-dickinson/biography/special-topics/1336-2/
citizenwald.bsky.social
Emily Dickinson's bedroom was the best-preserved room in the house, as depicted in Langton's novel. But professional research & methods have now restored both it & the entire house, vibrant and colorful

The Restoration of the Emily Dickinson Museum
www.youtube.com/watc...
4/6
Langton sketch:

Empire sleigh bed on rush mats
lamp on end table at left
curtained window, fancy chair at right
a piece of art on bare wall the Dickinson bedroom after the latest restoration, viewed from the foot of the bed looking right/west

bright rose trellis wallpaper recreated from fragments, green full-length curtains at windows, red and beige carpet runner on top of the floor mats
cast-iron-stove fitted into old fireplace
table, chair, and lamp

the famous white dress (in reproduction) stands near a window the restored parlor includes vibrant wall-to-wall custom-created carpet in black and bright yellows and pinks, patterned green-and-beige wallpaper, blue curtains
citizenwald.bsky.social
Langton's book still depicts a row of tall hemlocks along the street: they gave the place a creepy gothic vibe corresponding to the stereotype of a bizarre spinster poet. Again, some locals screamed at restoration of the original look: 5-foot hedge + fence allowing visibility
3/6
diagram of museum landscape with suggested actions black-and-white photos of the classical Homestead and Italianate Evergreens buildings from the late 19th century : two houses on low hill, separated from the street by a low wooden fence and a hemlock hedge barely higher than the fence The Homestead today: light-yellow brick building easily visible on its hill behind low fence and hedge the spindly, out-of-control hemlocks 2009-9: they have grown into awkward trees with bare trunks and foliage only at top
citizenwald.bsky.social
The major change is a shift to professional museum management, but that entails changes to the site:
In past decades, the house was painted red or the brick was left bare. Today it is a yellow from the period of significance, c. 1830-1880 (some locals were of course outraged)
2/6
Langton sketch of the Homestead:
two-story 1813 brick building, central hallway, fireplaces at the two sides, cupola, small balcony, small portico

in front are spindly tall hemlock trees (see also next post) color postcard of the Homestead, sometime between c. 1950-1975 (a date range taken from a postcard by the same photographer in a museum collection)

(for basic building description, see previous photo)

the walls are of bare red brick
black shutters

Here, the hemlocks are still a massive though overly tall hedge, suggesting the early end of the 1950-1975 window the Homestead after the restoration of the color scheme from Dickinson's day: light yellow walls, green shutters
citizenwald.bsky.social
Back to Jane Langton.

The Dickinson Homestead has changed radically and for the better since 1984. Today it's a modern professional museum open to the public. Back then, it was Amherst College faculty housing, accessible only on a very limited basis

1/6
Reposted by Jim Wald
schmidtocean.bsky.social
In celebration of World Octopus Day, we wanted to revisit one of our favorite cephalopod sightings, the glass octopus — Vitreledonella richardi filmed during a month-long #PhoenixIslandsCoral expedition in 2021.
Reposted by Jim Wald
historicalmarker.bsky.social
Part of my childhood was in the Muskegon area, and the Hackley name was everywhere. Charles Hackley had a lumber mill and kept Muskegon going after all the wood was cut down. My mom had breast cancer surgery at Hackley Hospital. It no longer exists. My mom does. www.mlive.com/news/muskego...
citizenwald.bsky.social
The greatest controversies involved development.Many clung to a bizarre combination of rural nostalgia + woke vibe.This obstructionism nearly killed a new school building and renovation of the library and finally prompted voters to abolish the unwieldy 240-member Town Meeting
8/8
citizenwald.bsky.social
In the course of 15+ years, I served as Chair of Historical Commission, Chair of Master Planning Committee, member of Design Review Board, member of Select Board (5-person town chief executive). I worked constantly for #historic #preservation, but also to advance smart growth
7/8
citizenwald.bsky.social
because it makes it hard for workforce to afford housing. (2) is both necessary & good, but many do not understand densification and the philosophies of urbanism that go with it. Many here (a friend likened them to "MAGA liberals") want to live in the past, resist all change
6/8
citizenwald.bsky.social
It's all part of a larger picture I explained: residents don't like "big box" chain stores, want to preserve open space. That means (1) most revenue comes from residential property taxes + (2) we have to increase density in existing village centers. (1) is a problem
5/8
citizenwald.bsky.social
Talk of vanished businesses underscored the dramatic nature of change that struck the returning graduates: virtually no retail left in Amherst except for restaurants and a few specialty clothing stores and the like. Construction of large multi-story buildings.
4/8
citizenwald.bsky.social
Many sites featured in Langton's 1984 novel no longer exist: e.g. the Gaslite, a classic small-town breakfast café, closed long ago. Judie's a veritable town institution serving modern American food, closed when the owner retired a few years ago. Now it's Amherst Oyster House
3/8
Interior of the Gaslite:' cozy-old-fashioned café in dated style even back then

view from a customer table toward service counter, food preparation area, soft drink taps
double globe light fixture on wall restaurant in former wood-frame house with lattice screening, row of gooseneck lamps over sidewalk

a real sign of ancient times: next to it a big sign for a television repair shot featuring Zenith products (the last American television manufacturer, struggling even then)
citizenwald.bsky.social
Jane Langton mysteries feature her own sketches: in this case, not just the Dickinson Museum, but the Lord Jeffery Amherst Inn--one of the fake Colonial college hotels that abound in this region (renovated 2012, renamed Inn on Boltwood in 2019 when racism proved a bad look).
2/8
The neo-Colonial Lord Jeffery Amherst Inn (as it was the =n known) viewed from the side on Spring Street:
gabled brick center portion with small portico, flanked by sections with white walls, and dormers
cars parked on street including VW beetle

Inn today:

https://www.innonboltwood.com/about/our-history/
citizenwald.bsky.social
Last weeken, I gave a History Center talk to a reunion of the 1966 graduates of Amherst high school, on how the town had changed in 6 decades.1 point of entry was Jane Langton's murder mystery, Emily Dickinson is Dead, set at a literary conference at UMass (link alt text)
1/8
view of the history center from the balcony
rows of clerestory windows on right and left (long) sides and (short) rear
beneath them on the wall: hsitoric shop signs

on the ground: rows of panels with photographs comparing views of notable sites today and in the past cover of Penguin paperback

against an ochre wall on which a photo of the poet's head hangs in a round frame, a cream-colored door stands open. On it hands a white dress like Emily Dickinson's famous dress, though with a red waist band. A human shadow on the door makes it look as if the poet is standing there and gesturing with her left hand

https://www.amazon.com/Emily-Dickinson-Dead-Jane-Langton/dp/B00G0AFY3M

History Center:

https://amhersthistory.org/
Reposted by Jim Wald
zannavanloon.bsky.social
Typographic apparitions 👻

Spotted in a 1498 Cologne missal: a case of off-set printing, where ink from the forme (or from another printed page?) accidentally transferred onto these printed page.

#bookhistory #rarebooks 💙📚📜
Detail of a page with musical staf printed, added music by hand, and off-set printing of other type in the margins Detail of a page with liturgical text printed, and off-set printing of other type in the margins Detail of a page with liturgical text printed, and off-set printing of other type in the margins
citizenwald.bsky.social
"national traitors, semi-alien mongrels and hermaphrodite Communists"

modernize a few terms, and you've got the discourse of our current regime
equusonthebuses.bsky.social
Seems appropriate to remember Andrew Fountaine's Conservative Party Conference appearance #OnThisDay 1948. Fountaine denounced the Labour government a group of "national traitors, semi-alien mongrels and hermaphrodite Communists". He was adopted as the Tory candidate for Chorley in that year.
citizenwald.bsky.social
Frank Lloyd Wright’s Long-Lost Chair Designs Realized for 1st Time
news.artnet.com/art-...
Very cool. But a as a native of the Midwest, where Wright was all over the place (vs only 1 house in MA artsfuse.org/130294/...) .I can tell you: people hated his uncomfortable furniture
Frank Lloyd Wright’s Long-Lost Chair Designs Realized for the First Time
Museum of Wisconsin Art explores the architecture of Frank Lloyd Wright through his chair designs, 11 of which have been built for the show.
news.artnet.com