Commonplaces
@commonplaces.bsky.social
260 followers 930 following 8 posts
A project about commonplacing: a practice of collecting, recording and extracting meaningful fragments and keeping them in a book, which thinks about materiality, time and living resistant lives.
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commonplaces.bsky.social
As we tunnel into autumn, time to take stock. We have held two lovely workshops this year and talked to over 30 keen commonplacers, which has given us confidence in this method of marshalling fragments of paper in fragments of time. @katecaoimhearthur.bsky.social @lizajthompson.bsky.social
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publicdomainrev.bsky.social
Card from the autumn "suit" of the Astronomia playing card deck, 1829.

Featuring 3 other seasonal suits the pack was used to play two games — Conjunction and Combination — which were trumps-based, similar to Whist. More images of the cards here: publicdomainreview.org/collection/a... #autumn
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alocasiamag.bsky.social
"How do I write a poem about resilience—
how many times will I be asked to write a poem,
a song, a prayer, a sermon,
a land acknowledgment, an obituary—
about resilience?"

—Danielle Emerson

alocasia.org/2025/08/15/d...
Danielle Emerson :: “For the common sunflowers along the Upper Fruitland, NM ditch” – ALOCASIA
a journal of queer plant-based writing
alocasia.org
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katecaoimhearthur.bsky.social
Loved doing this recently, looking forward to more opportunities to #commonplace
commonplaces.bsky.social
As we tunnel into autumn, time to take stock. We have held two lovely workshops this year and talked to over 30 keen commonplacers, which has given us confidence in this method of marshalling fragments of paper in fragments of time. @katecaoimhearthur.bsky.social @lizajthompson.bsky.social
commonplaces.bsky.social
Most recently, we ran a workshop with participants at the @qubhistory.bsky.social Centre for Public History annual conference. Here are some of the results. Thanks @emmajmca.bsky.social, @alexjioannou.bsky.social and others for sharing your work.
commonplaces.bsky.social
As we tunnel into autumn, time to take stock. We have held two lovely workshops this year and talked to over 30 keen commonplacers, which has given us confidence in this method of marshalling fragments of paper in fragments of time. @katecaoimhearthur.bsky.social @lizajthompson.bsky.social
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alexjioannou.bsky.social
"Commonplacing" at Queen's University Belfast with @leoniehannan.bsky.social. Allowing for more connections and reflection during the the Public Histories Annual Conference!

@commonplaces.bsky.social
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societyofauthors.bsky.social
We are delighted to announce the shortlisted authors for The Authors with Disabilities and Chronic Illnesses (ADCI) Prize, sponsored by Arts Council England, ALCS, Professional Writing Academy and Drusilla Harvey Memorial Fund

🧵
commonplaces.bsky.social
@imaginebelfast.bsky.social event 'Making Meaning through the Miscellaneous' with @lizajthompson.bsky.social and @leoniehannan.bsky.social is starting in just a few minutes @crescentarts.bsky.social... Can't wait to meet our participants! #ImagineBelfast
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imaginebelfast.bsky.social
In celebration of International Women's Day, Imagine! is proud to feature events that highlight women's voices and experiences. Join us from 24-30 March to celebrate and support women's contributions to society. Explore the full festival lineup: IMAGINEBELFAST.COM
#ImagineBelfast #IWD2025
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imaginebelfast.bsky.social
Inua Ellams will be appearing as part of this year's Imagine Festival with his solo show Search Party, at the Crescent Arts Centre on Friday 28 March. Don't miss out! Get your tickets at imaginebelfast.com/event/inua-e...
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lrb.co.uk
‘Having a linguistic superpower on the doorstep helped to form a uniquely English set of linguistic neuroses, but over the last century the situation has reversed.’

@earlymodernjohn.bsky.social on the influence of French on medieval English: www.lrb.co.uk/the-paper/v4...
John Gallagher · What a spalage! Mis languages est bons
With contemporary English including more than eighty thousand terms of French origin, Georges Clemenceau might have had...
www.lrb.co.uk
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imaginebelfast.bsky.social
Look at what has landed in Belfast - the wait is almost over!
This week, we unveil the programme for our 2025 edition - 7 days and over 120 events to help you make sense of a crazy world. #ImagineBelfast
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lrb.co.uk
‘It’s in the technology of writing that we’ve preserved our boldest, most original thought, our best jokes and most generous comfort. To fail to do everything we can to help children hear that song is a cruelty.’

Katherine Rundell on children’s literature
www.lrb.co.uk/the-paper/v4...
Katherine Rundell · Why children’s books?
Children’s books, to a great extent because they are written for those who cannot participate in the market, can offer...
www.lrb.co.uk
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imaginebelfast.bsky.social
Hello Bluesky! 📢The Imagine Festival is BACK! 🎉 Get ready for a week of talks, inspiring performances, and thought-provoking discussions from 24-30 March. Follow us here for the latest updates on our 2025 events. Let's imagine a better future, together! #ImagineBelfast #Imagine25
commonplaces.bsky.social
So, today went well - many small, simply constructed booklets were produced. Next time we'll be hearing from @lizajthompson.bsky.social about different ways of understanding this fragmentary form.
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lrb.co.uk
the
ideas – so jagged &

hard to make out, fall – until
it’s just voices, two
voices, you’d think you
cld see them so

sharp is their
muttering, so eager their
articulation of right of
wrong

‘The Falling’, a poem by @joriegraham.bsky.social: www.lrb.co.uk/the-paper/v4...
Jorie Graham · Poem: ‘The Falling’
www.lrb.co.uk
commonplaces.bsky.social
Getting ready to practice our commonplace book-making skills ahead of our #ImagineBelfast festival workshop @ Crescent Arts at the end of March. Check out the programme: imaginebelfast.com/about-the-fe...
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kresenkernow.bsky.social
We’re prepping our next exhibition about Cornish gardens & gardening - ‘What will summer bring?’. Includes items from the collections, like work by artists inspired by gardens, stories of plant hunters & designs from an early landscape gardener! Opens 25 January! kresenkernow.org/event/what-w...
Hands placing a black and white photograph of a man in a suit on a table, surrounded by original letters, other photographs and a hand coloured drawing of a venus fly trap plant. Hands placing an original handwritten letter on a table, surrounded by black and white photographs and other letters
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lrb.co.uk
‘Locke’s show arrives at a cultural moment very different from 1985 or 2011. Where Paolozzi and Perry celebrated magic and the mystical, Locke seeks to demystify.’

Esther Chadwick on a response to empire at the British Museum: www.lrb.co.uk/the-paper/v4...
Esther Chadwick · At the British Museum: ‘what have we here?’
Hew Locke asks us to consider imperial power as a grim yet alluring excess of the symbolic, not just as the exercise of...
www.lrb.co.uk
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drnwillburger.bsky.social
Models of everyday life were deposited in #Egyptian tombs. They were supposed to support the deceased in the afterlife. One of the most charming examples is the model of a #cow giving birth.
Carved in wood, painted.
Probably from Meir, #Egypt, dating c. 2040-1985 BC

📷 @romtoronto.bsky.social

🏺
The photo shows a wooden model of a cow giving birth accompanied by two men. One man calms the cow while the other ensures a proper delivery. The calf emerges from his mother, licking the hand of the man.
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rcsedlibandarchive.bsky.social
Love stitch repairs in manuscripts. This is one of ours from the 1560s, although not nearly as impressive as @uoyborthwick.bsky.social
Small, straight stitches on a detached manuscript. Sixteenth century manuscript on table with a snake weight. The bottom of the document is detached.