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Reposted by Dr Edwin Coomasaru

Women's History Network @womenshistnet.bsky.social · 8d

We are delighted to share the Call for Papers for our Spring Seminar Series 2026:

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Reposted by Dr Edwin Coomasaru

Fenneke Sysling @fsysling.bsky.social · 7d

Our upcoming seminar in the Global Histories of Knowledge series. The link to the meeting will be on the website: www.staff.universiteitleiden.nl/events/2025/...

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Reposted by Dr Edwin Coomasaru

Warwick Sociology @sociowarwick.bsky.social · 15d

Join the launch of, ‘Spirits of Extraction: Christianity, Settler Colonialism and the Geology of Race’. By Claire Blencowe

Discussants: Goldie Osuri, Hannah Jones & Martin Savransky.

Date: Thursday, 9 October
Time: 4:00–5:30 pm
Location: Ramphal Building, R1.15

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Reposted by Dr Edwin Coomasaru

IHR Black British History Seminar @ihrblackbritish.bsky.social · 8d

Kicking off our fantastic line up with a showcase of new research! Get in touch if you are a postgraduate or early career researcher who would like to introduce their work to the field.

📍 Hybrid: N304, IHR, Senate House, WC1E 7HU and Online
📅 Thursday 16th October, 2025
⏰ 17:30
🔗 bit.ly/3INwCfO

Email Olivia.Wyatt@ed.ac.uk or Meleisa.Ono-George@history.ox.ac.uk to present online or in-person

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Reposted by Dr Edwin Coomasaru

Alan Lester @alanlester.bsky.social · 23d

Stuart Hall Essay Prize. Please disseminate:

www.stuarthallfoundation.org/foundation/s...

Stuart Hall Essay Prize reopens to submissions - Stuart Hall Foundation

The second Stuart Hall Essay Prize is reopening to submissions. The new submission window is open from now until Monday 3 November. Open to submissions from UK-based entrants aged 18 to 30 inclusive, ...

www.stuarthallfoundation.org

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Dr Edwin Coomasaru @ecoomasaru.bsky.social · 23d

Sri Lankan research trip to Amsterdam: Vasantha Yogananthan’s ‘A Myth of Two Souls’ (2013-21, detail) at @rijksmuseum.bsky.social; Chathuri Nissansala studio visit at @rijksakademie.bsky.social (‘Saudade V’, 2024, detail).

Reposted by Dr Edwin Coomasaru

Visual Culture in Britain @vcib.bsky.social · 23d

Elisabetta Garletti examines "the power imbalance that endures in curatorial reframings where the hosting museum retains the authority over alleged decolonizing narratives, which ultimately reveal themselves to be mere attempts to safeguard institutional survival" www.tandfonline.com/doi/full/10....

Imperial Heritage on Trial: Keith Piper’s Viva Voce at Tate Britain

Published in Visual Culture in Britain (Ahead of Print, 2025)

www.tandfonline.com

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Reposted by Dr Edwin Coomasaru

History Workshop @historyworkshop.org.uk · Jul 31

Tomorrow Edinburgh Festival Fringe begins, a month long celebration of the arts.

Rachael Scally's article reveals the legacies of slavery in one of the festival's key venues, the Royal Infirmary (now the Edinburgh Futures Institute).

www.historyworkshop....

Slavery, Decoloniality, and the Royal Infirmary of Edinburgh

Rachael Scally draws out the legacies of slavery of the Royal Infirmary of Edinburgh, and what it means for the decolonisation of Scotland's healthcare institutions.

www.historyworkshop.org.uk

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Dr Edwin Coomasaru @ecoomasaru.bsky.social · Jul 30

Thank you! 😄

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Dr Edwin Coomasaru @ecoomasaru.bsky.social · Jul 30

I am beyond thrilled to announce I have been awarded a Mid-Career Fellowship from @paulmelloncentr.bsky.social and a Visiting Fellowship at @ucl-ias.bsky.social to write a book on ‘Queer Ecologies and Abundant Aesthetics in Sri Lankan Art, 1926-2024’. Pictured: Chathuri Nissansala, ‘Saudade’, 2024.

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Reposted by Dr Edwin Coomasaru

Visual Culture in Britain @vcib.bsky.social · May 1

Esme Garlake reviews @youth-demand.bsky.social's recent protest at the National Gallery, to reflect on the visual politics of pro-Palestine activism: www.tandfonline.com/doi/full/10....

Visual Politics of Pro-Palestine Protests: Youth Demand at the National Gallery

Published in Visual Culture in Britain (Ahead of Print, 2025)

www.tandfonline.com

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Reposted by Dr Edwin Coomasaru

Visual Culture in Britain @vcib.bsky.social · May 28

Caterina Franciosi reviews Iris Moon’s recent book 'Melancholy Wedgwood' (2024, @mitpress.bsky.social) as "a provocative and original contribution to the intertwined histories of capitalism and decorative arts" www.tandfonline.com/doi/full/10....

Reimagining Wedgwood and the Politics of Pottery: Iris Moon’s Melancholy Wedgwood

Published in Visual Culture in Britain (Vol. 23, No. 1, 2025)

www.tandfonline.com

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Visual Culture in Britain @vcib.bsky.social · Mar 18

Nicholas Mirzoeff examines the politics of contemporary Palestinian visual culture and solidarity movements resisting settler colonialism, to critically interrogate British complicity in the region's past and present: www.tandfonline.com/doi/full/10....

Notes on the Emergency

Published in Visual Culture in Britain (Vol. 22, No. 1-3, 2024)

www.tandfonline.com

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Reposted by Dr Edwin Coomasaru

Dr Sara Dominici @saradominici.bsky.social · Mar 18

I am very excited to announce a new fully funded PhD opportunity with Imperial War Museums:

"'Convinced ambassadors of Empire’?: exploring the visual record of Black Caribbean men and women serving in the UK during the Second World War"

Thank you for sharing! www.westminster.ac.uk/study/postgr...

AHRC Collaborative Doctoral Partnership (CDP) studentship – ‘Convinced ambassadors of Empire’?: exploring the visual record of Black Caribbean men and women serving in the UK during the Second World War

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Reposted by Dr Edwin Coomasaru

Dr Sara Dominici @saradominici.bsky.social · Mar 14

So pleased to announce that the relaunch issue of @vcib.bsky.social is OUT! Huge thanks to all the contributors for helping us create this. Our cover features @hardeepdhindsa.bsky.social's work and you can read more about it and so much more here: www.tandfonline.com/toc/rvcb20/2...

Visual Culture in Britain cover with image by Hardeep Dhindsa titled "Titus Aelius Hadrianus Antoninus Pius (digital illustration, 2021)

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Visual Culture in Britain @vcib.bsky.social · Mar 13

Hardeep Singh Dhindsa considers how 18th-century classical studies constructed modern ideas of racial whiteness, using contemporary illustration to challenge the worldviews such sculptures came to represent (we are delighted to feature on our latest cover) www.tandfonline.com/doi/full/10....

Confronting the White Classical Body

Published in Visual Culture in Britain (Vol. 22, No. 1-3, 2024)

www.tandfonline.com

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Reposted by Dr Edwin Coomasaru

Philosophy of Photography journal @philo-photography.bsky.social · Feb 7

You are invited to the Photoecologies Study Group, a new space for exploring photography as an environmental, elemental and energetic assemblage. To find out more about and register to attend our upcoming events, see our eventbrite page: www.eventbrite.com/o/photoecolo... .

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Reposted by Dr Edwin Coomasaru

Dr Dawn Miranda Sherratt-Bado @drdawnmiranda.bsky.social · Mar 8

My piece on women and partition in Ireland north and south is in today's @irishtimes.com for #IWD2025! It's an excerpt of my @arinsproject.bsky.social article 'Partition, Revolution & Alternative Futures in Irish Women's Fiction'! Link to my full essay is included. www.irishtimes.com/life-style/p...

Dr Dawn Miranda Sherratt-Bado: Partition was a male invention. How does an all-island view of women’s experiences shift dominant narratives?

Engaging with women’s experiences of partition helps to advance our perception of an enduring trauma and overcome a border in our minds

www.irishtimes.com

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Dr Edwin Coomasaru @ecoomasaru.bsky.social · Mar 10

A visit to Lunuganga, former country house and gardens of queer Sri Lankan architect Geoffrey Bawa (1919-2003), acquired by him in 1948. Once a cinnamon estate under Dutch colonialism (1640-1796) and a rubber plantation during British rule (1796-1948), Bawa reimagined the site as a queer space.

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Reposted by Dr Edwin Coomasaru

Visual Culture in Britain @vcib.bsky.social · Mar 10

We are thrilled to announce the journal's relaunch editorial, reflecting on the publication's 25-year-history & our vision for its future: considering changes & continuities for both Britain & visual culture since 2000, fostering a space of ‘epistemic generosity’

www.tandfonline.com/doi/full/10....

24 Years of Visual Culture in Britain: The Relaunch Issue

Published in Visual Culture in Britain (Vol. 22, No. 1-3, 2021)

www.tandfonline.com

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Tom Western @tomwestern.bsky.social · Dec 4

"I've been wondering why artists are required to dream up liberation in the gallery, but when that dream meets life we are shut down" ❤️

Saul Staniforth @saulstaniforth.bsky.social · Dec 4

Last night Turner Prize 2024 winner Jasleen Kaur used her acceptance speech to stand in solidarity with the Palestinian people, to demand an end to institutional complicity in Israels genocide & to call for an immediate arms embargo.

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Emma Cameron @ecameron.bsky.social · Dec 4

“I want the separation between the expression of politics in the gallery & the practice of politics in life to disappear. I want the institution to understand: if you want us inside you need to listen to us outside. Ceasefire now, arms embargo now free Palestine.”
www.theguardian.com/artanddesign...

Jasleen Kaur wins the Turner prize 2024

The competition’s youngest contestant scoops the award for animating everyday objects to reflect the pluralities of identity and community

www.theguardian.com

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Reposted by Dr Edwin Coomasaru

Centre for Modern British Studies @mbsbirmingham.bsky.social · Dec 2

Our final event of the semester is this Wednesday, 4-6pm and it promises to be fantastic. Mo Moulton will be in conversation with Matt Cook on the topic of 'New Directions in Queer and Trans History'. The event is hybrid, and you can sign up here: www.birmingham.ac.uk/schools/hist...

New Directions in Queer and Trans History: Matt Cook and Mo Moulton in Conversation

Professor Matt Cook, who holds the Jonathan Cooper Chair in the History of Sexuality (University of Oxford), is in conversation with Professor Mo Moulton (University of Birmingham), followed by a gene...

www.birmingham.ac.uk

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Reposted by Dr Edwin Coomasaru

Visual Culture in Britain @vcib.bsky.social · Dec 2

From our archive — Mira Rai Waits explores the history of fingerprinting in India under British rule (2016, 17:1), examining how the scientific technology was bound up in a politics of identification and classification, embedded in colonial infrastructures: www.tandfonline.com/doi/full/10....

The Indexical Trace: A Visual Interpretation of the History of Fingerprinting in Colonial India

The invention of dactylography in the nineteenth century was inextricably linked to the imperial encounter between the British and their colonial subjects in India. Represented as a scientific tech...

www.tandfonline.com

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Dr Edwin Coomasaru @ecoomasaru.bsky.social · Dec 2

Tomorrow, I’ll be talking about journal publishing and @vcib.bsky.social for @paulmelloncentr.bsky.social — if you’re interested in writing for us, get in touch!

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