I also think, as with NFTs, art is chosen as a marketable testing ground for the real product, which is the underlying technology. These people don't care about art at all, really, but they can use it to encourage adoption, training, and refinement. What was important about NFTs was the blockchain

I think what's actually happening in the photo is that someone is gently lifting the rabbit's skin and fur so that its eyeball is more visible to the camera, but it *looks like* the rabbit is absolutely terrified of getting petted by that man.

Realizing I may have lightly screwed myself by forgetting to edit the text on the page to specify that the full version is now available rather than the preview.

Came here to post this.

Something I've discovered as the years have gone on is that David Lynch's short film Rabbits (2002) has had something of an outsized influence on my work, and this game is kind of just confronting that head on.

The follow-up to their equally vaunted "Iquito," and the predecessor to their final game "The Second-to-Last Guardian"

It seems to me that more collaborative systems have arisen in response to this, but I'm struggling to understand how this is "unfair" or says much about labor relations. Certainly it has something to do with underlying design assumptions. Maybe someone else can explain?

Huzzah!