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A gripping adaptation of the play, making the point that relying on one’s conscience defines a person. Won Oscars for its cinematography and costumes, technical ingredients that help lend the film its classy look. #PaulScofield is brilliant.
A gripping adaptation of the play, making the point that relying on one’s conscience defines a person. Won Oscars for its cinematography and costumes, technical ingredients that help lend the film its classy look. #PaulScofield is brilliant.
The cast are young actors and amateurs, but the film was shot in an actual shelter. As always in the Dardenne brothers' films, it’s natural and heartfelt as familiar but still complex crises play out in the lives of girls who are too immature to handle motherhood.
The cast are young actors and amateurs, but the film was shot in an actual shelter. As always in the Dardenne brothers' films, it’s natural and heartfelt as familiar but still complex crises play out in the lives of girls who are too immature to handle motherhood.
The line between reality and fiction is blurred in this fantasy where a runaway teen's story and that of ”The Snow Queen” blend. The intimate, wintry cinematography and #MarionCotillard’s performance bring a mystique to the film… but it is glacially paced.
The line between reality and fiction is blurred in this fantasy where a runaway teen's story and that of ”The Snow Queen” blend. The intimate, wintry cinematography and #MarionCotillard’s performance bring a mystique to the film… but it is glacially paced.
An interesting and engrossing portrait of a stubborn artist fighting to maintain his integrity while building the Grande Arche in Paris. #ClaesBang is perfect for the lead.
An interesting and engrossing portrait of a stubborn artist fighting to maintain his integrity while building the Grande Arche in Paris. #ClaesBang is perfect for the lead.
Grief is symbolized here by a horrifying crow who taunts its maker in the voice of #DavidThewlis. A very dark film, heart-wrenching, with moments of horror. #BenedictCumberbatch is certainly good, but as a drama it’s more claustrophobic than gripping.
Grief is symbolized here by a horrifying crow who taunts its maker in the voice of #DavidThewlis. A very dark film, heart-wrenching, with moments of horror. #BenedictCumberbatch is certainly good, but as a drama it’s more claustrophobic than gripping.
A chance for #JasonMomoa and #DaveBautista to break bones, butt heads and banter; they’re actually a lot of fun to watch as siblings who carry grudges but must reconcile. Dumb story, but a satisfyingly wild, violent ride. #PrimeVideo
A chance for #JasonMomoa and #DaveBautista to break bones, butt heads and banter; they’re actually a lot of fun to watch as siblings who carry grudges but must reconcile. Dumb story, but a satisfyingly wild, violent ride. #PrimeVideo
An impressive directing debut for #KristenStewart who’s adapted Lidia Yuknavitch’s memoir. #JimBelushi is perfectly cast as Ken Kesey and #ImogenPoots offers a no-holds-barred performance. Uneven, but often darkly compelling.
An impressive directing debut for #KristenStewart who’s adapted Lidia Yuknavitch’s memoir. #JimBelushi is perfectly cast as Ken Kesey and #ImogenPoots offers a no-holds-barred performance. Uneven, but often darkly compelling.
A low-budget mockumentary with more than a dash of truth to it, as three former models who were big in the ’90s try to start a mature boy band. The film needed much better jokes and a more effective story that makes the most out of the three individual leads.
A low-budget mockumentary with more than a dash of truth to it, as three former models who were big in the ’90s try to start a mature boy band. The film needed much better jokes and a more effective story that makes the most out of the three individual leads.
Inspired by Rossellini’s EUROPE ’51 (1952), #RaduJude made a comedy-drama that serves as a talky but fitfully engaging comment on Romania – and above all, how we view those less fortunate. All over the place, but there are diverting scenes that grab you.
Inspired by Rossellini’s EUROPE ’51 (1952), #RaduJude made a comedy-drama that serves as a talky but fitfully engaging comment on Romania – and above all, how we view those less fortunate. All over the place, but there are diverting scenes that grab you.
Gets off to a promising start, depicting generational clashes between smug teachers and privileged, oversensitive students. It’s a fine cast, but the story leads nowhere, with nothing interesting to say at all. #JuliaRoberts #AndrewGarfield
Gets off to a promising start, depicting generational clashes between smug teachers and privileged, oversensitive students. It’s a fine cast, but the story leads nowhere, with nothing interesting to say at all. #JuliaRoberts #AndrewGarfield
Belgian author Amélie Nothomb’s story captures what it’s like for a child to grow up in a foreign country. Its charm and sense of wonder is a perfect fit for a sweet animated film aimed at both adults and kids, the style inspired by Ghibli.
Belgian author Amélie Nothomb’s story captures what it’s like for a child to grow up in a foreign country. Its charm and sense of wonder is a perfect fit for a sweet animated film aimed at both adults and kids, the style inspired by Ghibli.