Holmer
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j1276.bsky.social
Holmer
@j1276.bsky.social
240 followers 260 following 120 posts
Concussed; dumber than I used to be. POET Technologies, genealogy, art, music, indigenous rights.
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j1276.bsky.social
The hotels are owned by the non-removable Mille Lacs Band of Ojibwe.
I used to work for them; they are a class act.
January 19, 2026 at 12:08 AM
j1276.bsky.social
Yes they do. I used to work for them. They were, and are, a class act.
January 18, 2026 at 11:21 PM
j1276.bsky.social
Stealthy👍
October 9, 2025 at 1:38 AM
Reposted by Holmer
wafflecut.bsky.social
Stravinsky saw Charlie Parker play at Birdland
club of all time by performing for Igor Stravinsky at Birdland. Alfred Appel tells it definitively in his book Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce: The house was almost full, even before the opening set - Billy Taylor's piano trio - except for the conspicuous empty table to my right, which bore a RESERVED sign, unusual for Birdland. After the pianist finished his forty-five-minute set, a party of four men and a woman settled in at the table, rather clamorously, three waiters swooping in quickly to take their orders as a ripple of whispers and exclamations ran through Birdland at the sight of one of the men, Igor Stravinsky. He was a celebrity, and an icon to jazz fans because he sanctified modern jazz by composing Ebony Concerto for Woody Herman and his Orchestra (1946) - a Covarrubias "Impossible Interview" come true. As Parker's quintet walked onto the bandstand, trumpeter Red Rodney recognized Stravinsky, front and almost center. Rodney leaned over and told Parker, who did not look at Stravinsky. Parker immediately called the first number for his band, and, forgoing the customary greeting to the crowd, was off like a shot. At the sound of the opening notes, played in unison by trumpet and alto, a chill went up and down the back of my neck. They were playing "Koko, which, because of its epochal breakneck tempo - over three hundred beats per minute on the metronome - Parker never assayed before his second set, when he was sufficiently warmed up. Parker's phrases were flying as fluently as ever on this particular daunting "Koko." At the beginning of his second chorus he interpolated the opening of Stravinsky's Firebird Suite as though it had always been there, a perfect fit, and then sailed on with the rest of the number. Stravinsky roared with delight, pounding his glass on the table, the upward arc of the glass sending its liquor and ice cubes onto the people behind him, who threw up their hands or ducked. Parker didn't just happen to…
October 8, 2025 at 12:46 AM
j1276.bsky.social
That’s me!
October 8, 2025 at 4:58 PM
j1276.bsky.social
Those Bette Davis eyes…
October 7, 2025 at 11:09 PM
j1276.bsky.social
Art
October 7, 2025 at 1:51 PM
j1276.bsky.social
POET inside. Deployment soon.
October 6, 2025 at 10:28 PM
j1276.bsky.social
Outstanding out-of-the box thinking.
October 6, 2025 at 5:31 PM