jess rauchberg
@jessrauchberg.bsky.social
3.4K followers 840 following 1K posts
Social media expert writing about labor/culture/inequalities in the creator economy. Repped by Aevitas Creative Management. Hot takes are my own! www.jessrauchberg.com
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jessrauchberg.bsky.social
a very cool data viz from a talk I gave last week at McMaster University! thanks to Melanie Parlette-Stewart for bringing my presentation to life. ✨recorded lecture coming soon...
A visual note representing my invited talk at the 2025 McMaster Conference on Education & Cognition
Reposted by jess rauchberg
markhurst.bsky.social
Here's my live Techtonic interview with Luddite Club members - including Lucy Jackson, featured in the WSJ story:
www.wfmu.org/playlists/sh...
(click "pop-up player")
Reposted by jess rauchberg
erinbartram.bsky.social
If you are a supporter and reader of @contingent-mag.bsky.social one of the biggest things you can do to help us at the moment is get this CFP to the NTT folks in your life. The fracturing of social media has made it very difficult to get the word out esp. to adjuncts and VAPs.
CFP: A Time of Monsters
The monster has been here all along. It is a historical constant that manifests in wildly different ways across time, place, and culture. Whatever form it takes, the monster claws at categories; it un...
contingentmagazine.org
jessrauchberg.bsky.social
they're talking about AI stigma on L*nkedIn... new oppression just dropped
jessrauchberg.bsky.social
robophobia conference panels coming your way in 2026
Reposted by jess rauchberg
katie.bzky.team
fascinating that "no, the computer is not alive" and "yes, it's questionable to gleefully say anti-computer phrases modeled after racial slurs" are two thoughts people are struggling to reconcile
Reposted by jess rauchberg
jenmercieca.bsky.social
If you want to understand propaganda you have to realize that what we call "reality" is really just mutually agreed upon hallucinations. Our sense of reality is easily manipulated by the creation of intersubjective hallucinations. They create "truth" that serves the interests of the propagandists.
jessrauchberg.bsky.social
You can only publicly declare your love for the album, or risk social standing when you voice your opinion.

(Sound familiar?)
jessrauchberg.bsky.social
Some of this also stems from fandom purity politics. even saying "this album wasn't for me" could result in doxxing and surveillance (vigilante shit indeed!).

Fandoms internalize surveillance mechanisms, removing nuanced "authenticity" from the cultural act of listening and engaging.
jessrauchberg.bsky.social
even if the age of authenticity is over, viewers/audiences/fans are more skeptical of optimization and they still crave something real.
jessrauchberg.bsky.social
The Internet is turning on Taylor Swift because we've reached an point of authenticity fatigue, a fair point during a political moment where truth and fiction are blurred into an unrecognizable form of entertainment.
jessrauchberg.bsky.social
Pittsburgh is the best city in America! (I'm biased as a part-time PGH resident. It's a special place, for sure.)
jessrauchberg.bsky.social
there is nothing authentic about generative AI. no matter what you're trying to create.
jessrauchberg.bsky.social
oh SAME! feels like a phantasm/container for other political practices
jessrauchberg.bsky.social
yeah, I think it's all about self-optimization and credibility these days. as if that desire to "self-brand" trustworthiness no longer requires realness.
jessrauchberg.bsky.social
does sora2 signal the end of "authenticity" as a major currency for creative labour?
jessrauchberg.bsky.social
teaching this in my digital influence grad seminar next semester, what a brilliant essay
Reposted by jess rauchberg
jessrauchberg.bsky.social
performance studies and media industries are both (imho) ultimately about process (of performance/ritual, of labour) and that's something c/cs does not clearly address. because who *does* the labour?
jessrauchberg.bsky.social
also unpopular opinion but some of these takes that ultimately dismiss creative labour is what got us into this whole mess!
jessrauchberg.bsky.social
a few months ago, I predicted that we'd start to see increased influencer professionalization in graduate education: to be an (academic) laborer, one must also be trained as an influencer.
jessrauchberg.bsky.social
love is blind is one of the most fascinating series because it is a ultimately a show about economic choices
jessrauchberg.bsky.social
great album ily davey havok!
jessrauchberg.bsky.social
and when [redacted] is for the bros, it also corroborates industry practices of "influencer studies" being a "girl thing"
jessrauchberg.bsky.social
I want to say something evil about academia but all I'll share is [redacted] is really for the bros
jessrauchberg.bsky.social
do we mean "radical contextualization" when we say critical/cultural analysis though?