* "The Running Dictionary" — Mark Remy’s witty mini-guide to the strange rituals, delusions, and language of runners.
* "The Running Dictionary" — Mark Remy’s witty mini-guide to the strange rituals, delusions, and language of runners.
These aren’t relics of the past — they’re reminders that history repeats as pattern unless people recognize it in time.
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These aren’t relics of the past — they’re reminders that history repeats as pattern unless people recognize it in time.
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Both films get at something deeply unsettling: once institutions start warping under pressure and public space becomes politicized, the line between democracy and coercion gets very thin.
Both films get at something deeply unsettling: once institutions start warping under pressure and public space becomes politicized, the line between democracy and coercion gets very thin.
That strike — along with the ongoing protests and legal conflict over federal enforcement — feels like the real-world echo of what “Battle of Algiers” was dramatizing: collective action meeting forceful response.
That strike — along with the ongoing protests and legal conflict over federal enforcement — feels like the real-world echo of what “Battle of Algiers” was dramatizing: collective action meeting forceful response.
And then there’s Minnesota: tens of thousands of people took to the streets, and a statewide general strike shut down businesses, schools, and workplaces in protest.
And then there’s Minnesota: tens of thousands of people took to the streets, and a statewide general strike shut down businesses, schools, and workplaces in protest.
Though it’s nonviolent, it’s treated like an existential threat. Even people simply … not cooperating becomes something the state feels it has to crush.
Though it’s nonviolent, it’s treated like an existential threat. Even people simply … not cooperating becomes something the state feels it has to crush.
There’s a sequence in “Battle of Algiers” that feels especially relevant right now: the general strike by the Algerian Muslim community — mass refusal as resistance.
There’s a sequence in “Battle of Algiers” that feels especially relevant right now: the general strike by the Algerian Muslim community — mass refusal as resistance.
What really stuck with me is how street-level violence and institutional force feed each other. One escalates, the other justifies, and the spiral keeps tightening. It’s like watching a feedback loop you can’t unplug.
What really stuck with me is how street-level violence and institutional force feed each other. One escalates, the other justifies, and the spiral keeps tightening. It’s like watching a feedback loop you can’t unplug.
“The Battle of Algiers” is even more direct: everyday life becomes contested ground. Cafés, sidewalks, apartment buildings — suddenly the whole CITY feels like it’s holding its breath.
“The Battle of Algiers” is even more direct: everyday life becomes contested ground. Cafés, sidewalks, apartment buildings — suddenly the whole CITY feels like it’s holding its breath.
Courts look the other way. Police get politicized. Officials explain away the unacceptable. The system doesn’t collapse — it just begins to serve power instead of people.
Courts look the other way. Police get politicized. Officials explain away the unacceptable. The system doesn’t collapse — it just begins to serve power instead of people.
“Z” is set in a fictional country that’s basically Greece under right-wing takeover. What’s terrifying is how authoritarianism doesn’t arrive all at once — it creeps in as institutions start quietly bending.
“Z” is set in a fictional country that’s basically Greece under right-wing takeover. What’s terrifying is how authoritarianism doesn’t arrive all at once — it creeps in as institutions start quietly bending.
Watching them with Minnesota on my mind, amid protests and a recent general strike over ICE enforcement and fatal shootings there, felt less like movie night and more like an emergency broadcast.
Watching them with Minnesota on my mind, amid protests and a recent general strike over ICE enforcement and fatal shootings there, felt less like movie night and more like an emergency broadcast.