Dr Lisa Gee
@lis4g33.bsky.social
220 followers 400 following 300 posts
Enthusiastic, neurodivergent, digressive, herded by cats.
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lis4g33.bsky.social
Flicking through my (unbound, stained) copy of 𝘼𝙣 𝙀𝙨𝙨𝙖𝙮 𝙤𝙣 𝙋𝙖𝙞𝙣𝙩𝙞𝙣𝙜, I was excited to discover these. Can anyone tell me if they’re flowers or, perhaps, 4-leaf clovers? I’m guessing the former, as would be quite the collection of the latter! RPs appreciated! #18thC #botany #ArtHistory #WomensHistory
pressed flowers or leaves close to spine of p 37 of Hayley’s An Essay on Painting. All the same, 4-petalled (or leafed) variety Close-up of 3 pressed 4-petalled flowers or leaves in my copy of Hayley’s An Essay on Painting, showing the shadow marks they’ve left on the paper
lis4g33.bsky.social
1784. Jeremiah Meyer, miniature painter in enamels to King George III had an idea. He brought a popular opera back from Germany, thinking his friend William Hayley could make £££ translating it for the London stage.

What could possibly go wrong?
🤦🏻🤷🏻🤦🏻

Read bit.ly/KnausMeyer in bit.ly/HayleyEssays
Engraving of Jeremiah Meyer.
William Pether, ca. 1738–1821, Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty, 1789, Yale Center for British Art, Paul Mellon Collection, B1977.14.12362.

Meyer, his body turned slightly to the left, looks over his left shoulder, while – from the top – he holds what looks to be a large sketch pad, with a pencil or brush held gently in his right hand.

His face bears a concentrated expression as if he’s observing something closely. His features are large and heavy, his hair neatly dressed and curled outwards over his ears (his right lobe is visible). His hairline is slightly receding. He wears what looks like a simple, brown jacket over a cream or white cravat.
lis4g33.bsky.social
Discover how developer Michael Kowalski & I made “HayleyWorld” for my PhD & why I decided to call this interactive biography a ‘"zoeography". bit.ly/MakingHW in bit.ly/HayleyEssays. Video intro here – www.youtube.com/watch?v=Jc4N.... #elit #romanticism #lifewriting #biography #18thC #c18th
Intro to Hayleyworld
This video is about HayleyWorld, the creative element of Lisa’s Digital Writing by Practice PhD.
www.youtube.com
lis4g33.bsky.social
Love #Blake? Interested in #lifewriting? Read @jasonpaulwhittaker.bsky.social & @urthonaunbound.bsky.social’s “‘Be My Enemy for Friendship’s Sake’: Hayley and Blake’s Biographers” bit.ly/BME4FS in bit.ly/HayleyEssays

What did Blake gain by working with Hayley? What – for him – were the downsides?
Shadow of a finger pointing to the chapter title. Text reads ‘Be My Enemy for Friendship’s Sake’: Hayley and Blake’s Biographers
Jason Whittaker and Annise Rogers
lis4g33.bsky.social
In our intro to bit.ly/HayleyEssays, Mark Crosby & I explain William Hayley’s significance, discuss the book’s chapters & point to research still to be done (there’s LOADS!). So, if you’re an #18thC-st or a #Romanticist looking for a new project/research idea, check out bit.ly/HonestChronicler.
Book jacket. Text reads 
Top left: Palgrave studies in life writing
Series editors: Clare Brant • Max Saunders
Centre: William Hayley
A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century
Edited by
Lisa Gee • Mark Crosby
Bottom right: 
Palgrave
macmillan

Image: Full length picture showing (l-r) George Romney (self portrait) peering impishly into the frame, William Hayley standing side on head turned to face the viewer. He’s tall, has an imperious expression under shortish grey hair, is wearing a long dark blue cape, grey trousers and his right hand holds a walking stick. John Flaxman(who comes up to Hayley’s shoulder looks at him while working on a large grey bust. In front of him, the height of  Flaxman’s shoulder,. and facing away from us, is Tom Hayley, wearing a red waistcoat over a white/cream shirt, knee length britches, white socks or spats and brown shoes. His hair is brown and touches his shoulder

George Romney, 1734–1802, John Flaxman Modeling the Bust of William Hayley, 1795 to 1796, Oil on canvas, Yale Center for British Art, Paul Mellon Collection, B1981.25.538.
lis4g33.bsky.social
Aubergines & tomatoes have rocked this year!
4 aubergines & 3 tomatoes on a kitchen worktop in the sunshine
lis4g33.bsky.social
Repeating myself (yet again) but the brilliant Mark Crosby & I have a book out, crammed with erudite, fascinating & readable contributions from an impressive range of scholars. If your research touches on long #18thC art, literature or socio-cultural history, please check out bit.ly/HayleyEssays TY!
Selfie of Lisa holding up William Hayley book so that the title, editor & other jacket text are visible, and concealing part of her face.Behind her are her slightly chaotic bookshelves and the tops of some plants
lis4g33.bsky.social
Lots of Dante in R. F. Kuang's latest, Katabasis
lis4g33.bsky.social
"Hayley taught Romney how to understand literature in a more sophisticated way…. He enjoyed showing off his knowledge … without making Romney feel inferior."

Alex Kidson & Morton Paley discuss Hayley x Romney x #Blake bit.ly/HayleyRomneyBlake in bit.ly/HayleyEssays #ArtHistory Pic info in ALT
Romney’s face, wearing small round spectacles, can be seen smirking (self-portait). He’s holding up an artist’s pallet with smears of orangey-red, yellow & blueish-white paint..George Romney 1734–1802, John Flaxman Modeling the Bust of William Hayley, 1795 to 1796, Oil on canvas, Yale Center for British Art, Paul Mellon Collection, B1981.25.538.
Reposted by Dr Lisa Gee
thatdocphoenix.com
Moral leadership involves alienating bigots and shaming them so that the envelope of public acceptability is not weakened by their inclusion
lis4g33.bsky.social
Frenemies? “The relationship is perhaps best understood as a drama in four acts …” Nicholas Shrimpton conducts a forensic reassessment of Williams #Blake & Hayley’s #friendship: bit.ly/RevisitHayleyBlake in bit.ly/HayleyEssays

Pic info in ALT

#romanticism #lifewriting #biography #18thC #c18th
Impressionistic pen sketch of house in background, with green bush front right and to right on hill, viewed through 2 trees front centre & left, with more greenery/?dead tree to left foreground. 

William Blake, 1757–1827, The Entrance Front of Hayley's House at Eartham, 1801, Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper, Yale Center for British Art, Paul Mellon Collection, B1981.25.2396.
lis4g33.bsky.social
Incidentally, bit.ly/ElizaHayleyAuthor wasn’t @fbls.bsky.social’s first piece on Eliza Hayley. She wrote a fantastic essay on Hayley’s 1780 book: a #translation of 𝙀𝙨𝙨𝙖𝙮𝙨 𝙤𝙣 𝙁𝙧𝙞𝙚𝙣𝙙𝙨𝙝𝙞𝙥 𝙖𝙣𝙙 𝙊𝙡𝙙-𝘼𝙜𝙚 by the Marchioness de Lambert. Read it at bit.ly/FBS-WTW #lifewriting #18thC #c18th #womenshistory
Title page of Eliza Ball Hayley’s first book. Text reads

ESSAYS
ON
FRIENDSHIP AND OLD-AGE
BY THE
MARCHIONESS DE LAMBERT
Que tout ce qu’elle dit est grace ;
Tout ce qu’elle pense, raison. LA MOTTE

TRANSLATED FROM THE FRENCH
BY A LADY
WITH AN INTRODUCTORY LETTER
TO
WILLIAM MELMOTH, ESQ.

LONDON
PRINTED FOR J.DODSLEY, PALL-MALL.
M. DCC.LXXX.
lis4g33.bsky.social
This. ⬇️⬇️⬇️
danielsohege.bsky.social
If you require migrants to meet higher standards than the average Brit, whether that is in terms their language requirements, voluntary service, which isn't remotely "voluntary" if it is compulsory, or anything else then you have a system which is by definition discriminatory. One which dehumanises.
lis4g33.bsky.social
Actually, speaking for a me, some of us might be frustrated creative non-fiction writers... 😁
lis4g33.bsky.social
@fbls.bsky.social observes how “Scholarly references to Hayley are … always in relation to her husband, hardly ever recognising her own intellectual merit.” A pity, as Hayley had plenty to say… bit.ly/ElizaHayleyAuthor

#lifewriting #18thC #c18th #womenshistory #womenswriting #reputation
lis4g33.bsky.social
Claudia Thomas Kairoff, author of THE Anna Seward book-length critical study –bit.ly/CTKAS – discovered Romney’s 2nd portrait of the poet in her local library bit.ly/HayleySeward in bit.ly/HayleyEssays
#lifewriting #18thC #c18th #romanticism #portraits #arthistory #poetry #womenshistory
Book jacket of Anna Seward and the End of the Eighteenth Century by Claudia Thomas Kairoff

It shows the earlier Romney portrait of Seward, depicting a woman in a long, dark dress with gold trimmings and a blue silky sash leans her left elbow on a table covered in red fabric. Her eyes look to her right, and her face rests gently on her left hand, her index finger pointing upwards. Her hair is auburn and she wears a headdress with a laurel wreath. She holds a scroll of paper in her right hand, which rests on her dress. On the table are books and an urn. The background comprises a reddish swathe of fabric, which, to the sitter’s left reveals flattish scenery and a cloudy sky.
Reposted by Dr Lisa Gee
annamthane.bsky.social
Enjoy reading in September!
Here is an updated list of new #nonfiction #books about the #18thcentury scheduled for this month: regency-explorer.net/new-releases/
#Regency #Napoleon #history #JaneAusten #read #18thc
A compilation of 44 covers of books about the 18th century. You find the whole list by following the link in the skeet
lis4g33.bsky.social
"On his return from France in Autumn 1790 Hayley found himself full of “sanguine philanthropic hope’ for the outcome of the revolution…". Mark Crosby on William Hayley’s politics & his #Milton #biography bit.ly/MiltonHayley in bit.ly/HayleyEssays #lifewriting #18thC #c18th #politics #revolution
Book jacket. Text reads 
Top left: Palgrave studies in life writing
Series editors: Clare Brant • Max Saunders
Centre: William Hayley
A Biographer’s Influence on Life Writing and Romantic Networks in the Long Eighteenth Century
Edited by
Lisa Gee • Mark Crosby
Bottom right: 
Palgrave
macmillan

Image: Full length picture showing (l-r) George Romney (self portrait) peering impishly into the frame, William Hayley standing side on head turned to face the viewer. He’s tall, has an imperious expression under shortish grey hair, is wearing a long dark blue cape, grey trousers and his right hand holds a walking stick. John Flaxman(who comes up to Hayley’s shoulderlooks at him while working on a large grey bust. In front of him, the height of  Flaxman’s shoulder,. and facing away from us, is Tom Hayley, wearing a red waistcoat over a white/cream shirt, knee length britches, white socks or spats and brown shoes. His hair is brown and touches his shoulder

George Romney, 1734–1802, John Flaxman Modeling the Bust of William Hayley, 1795 to 1796, Oil on canvas, Yale Center for British Art, Paul Mellon Collection, B1981.25.538.
Reposted by Dr Lisa Gee
rhyskamjones.bsky.social
Anyone know if there are online images of John MacLean's "All Hail the Scottish Communist/Workers' Republic!" pamphlet (1920/22) online somewhere dependable enough to send my students?
lis4g33.bsky.social
“A Systematically Immoral Man”: Recovering 5 women from William Hayley, life-writer & : bit.ly/systematicallyimmoral in bit.ly/HayleyEssays #lifewriting #biography #18thC #c18th #romance #marriage #divorce #romanticism #19thc #wollstonecraft #womenshistory #reading #toxicmasculinity
Lost Romney watercolour, b&w/sepia

L-R Eliza Ball Hayley in profile (facing right), seated at a table, looking down while at some form of handiwork: possibly sharpening a pen, or preparing materials for needlework. 

William Hayley is seated behind the same table, pictured front on, wearing a jacket with a huge collar. His arms rest semi crossed on the table, and in front of him is a large book with another document on it. Standing to his right (directly opposite the seated Eliza) is Captain Howell, a protegé of William Hayley’s who was lost at sea. Howell is looking down at the document while William Hayley’s head is slightly tilted up to look at him