D.W. Baker
@lowermelody.bsky.social
860 followers 1.1K following 390 posts
submerging poet, dad, editor ~ place, bodies, belonging, the end of the world ~ edits for @LibreLit.bsky.social reads for @VariantLit.bsky.social @PhillyChapbook.bsky.social @CosmicDaffodil.bsky.social ~ he/him ~ 🪐💀🏳️‍🌈🍃 https://www.dwbakerpoetry.com
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lowermelody.bsky.social
Greetings bluesky; I am a poet who plays with form, sound, image, and shape

Here is a favorite piece published last year in @feralpoetryandart.bsky.social, "Would a fourth brain make humans less cruel?"

it arranges three microsonnets into a contrapuntal structure:

feralpoetry.net/would-a-four...
Would a fourth brain make humans less cruel?

		paleo-		neo-
reptilian	mammalian	mammalian

light		pleasant		power grid
dark		crestfall		sneak attack
blood		painful		decimate
spark		craving		prostitute
taste		savor			recipe
run		frighten		messaging
heat		fuming		fascism
sun		brighten		resolute
freeze		heartstop		terrorist
mate		lovemark		partnering
bite		hunger		dominate
wait		boredom		drug abuse
more		crushing		stratify
more		mortal			moralize
lowermelody.bsky.social
couldn't be happier to see this poem land in @bruisermag.com, a venue i admire for their commitment to a unique vision
bruisermag.com
More like a flower than a gun

WITH EACH BITE MORE MAD by @lowermelody.bsky.social

www.bruisermag.com/baker_bite
lowermelody.bsky.social
"We’re in an era where we don’t have to construct thought experiments to see what a dark future might look like, because these days it feels the end of world as we know it is looming over us ... it can make writing a near-future dystopian a tricky endeavor"

lithub.com/its-okay-but...
“It’s Okay But It’s Also Really Not.” When Dystopian Fiction is No Longer a Thought Experiment
Dystopian fiction is getting real, and I’m here for it. I don’t think I’m the only one. There’s something cathartic about reading about the end of the world. As a science fiction reader and avid fa…
lithub.com
lowermelody.bsky.social
also reprinted are "microsonnet of musical terms," first published in @feralpoetryandart.bsky.social , "microsonnet of gardening terms," first published in Gastropoda, and "microsonnet of flower names," first published in @litmoralitmag.bsky.social
lowermelody.bsky.social
New prose / poetry combo out in the Autumn 2025 issue of @version9magazine.bsky.social! An essay-in-halves, "Sonic Pressure and The Lexical Poem," plus a suite of four microsonnets, including this previously unpublished one, "microsonnet of climate crisis terms"

version9magazine.com
Microsonnet of climate crisis terms

climate feedback
aerosols
atmospheric
glacier loss
climate forcing
entropy
carbon footprint
refugees
dryland farming
hydrologic
aquifer
hydrocarbon
biogenic
hydrosphere
lowermelody.bsky.social
I'm honored to have this collage, "Matrilineal," published by @turningleafjournal.bsky.social and brilliantly paired with a poem titled "SELFISH GIRL" by Suze Kay, nominated for Best of the Net. So is the poem! See more at turningleafjournal.com/2025/06/01/s...
a collage using photorealistic elements to depict a child with flowers for a head, walking towards an adult female figure with a lightbulb for a head, in an environment with both natural (colores) and built (black & white) elements
Reposted by D.W. Baker
librelit.bsky.social
Poetry today by E. A. Midnight

“how much of love is seeing
someone else’s mental illness as a quirk / and not failure, not a dent, not
something that must be fixed”

librelit.com/2025/09/20/m...
Reposted by D.W. Baker
tommywyattblake.bsky.social
check out the blurb from @lowermelody.bsky.social and the excerpt of the poem "#11: SAVIOR COMPLEX", which was first seen in @feversof.bsky.social

preorder the book through @the-ethelzine.bsky.social
title card post overlayed on a background of a person sitting as someone else gouges out their eyes. the title is Mutually Assured Destruction by tommy wyatt blake. it is published by Ethel Zine in 2025. “Reading tommy wyatt blake’s MUTUALLY ASSURED DESTRUCTION feels like stumbling upon the notes of a time-and-self scientist from a biohacked future, who has accidentally cloned Schrödinger’s cat using a remote viewing technique learned from religious myth. The compound neologisms that blake’s readers know and love are incisive tools for probing beyond the curtain of subjectivity.”

—D.W. Baker, editor of GOD/CORPSE: writing on the bipolar body excerpt from the poem, "#11: SAVIOR COMPLEX":

"i broke the galaxy, the fake one
that promised things from a dimension 
so grayalien and strange that it’s unreliable,
at best, to the extent that i can’t expect
its findings to be Truth—"

the poem was first published in Fevers of the Mind
lowermelody.bsky.social
Tonight! I will be reading poems about mental health to celebrate the release of @tommywyattblake.bsky.social's MUTUALLY ASSURED DESTRUCTION from @the-ethelzine.bsky.social
discord voice reading
D.W. Baker & tommy wyatt blake
September 12th / 8pm (est)
DM for the link
Reposted by D.W. Baker
tomsnarsky.bsky.social
I can’t tell you how to live your life, but I can definitely suggest in the strongest possible terms that you clear your calendar for next Thursday night, 9/18, and register at the 🔗 below to listen in on this reading! I’m so excited to hear these excellent poets read :)
NIGHT LIGHT
THURSDAY 9/18
9PM EASTERN
ZOOM

PAIGE TAGGART
SAMPSON STARKWEATHER
LAUREN HUNTER
BEN MIROV
lowermelody.bsky.social
from "Atonal Apocalypse: On MILK SICKNESS by David Greenspan" (@querenciapress.bsky.social: 2025), in which I compare experimental prose to atonal music

published in @brokenantlermag.bsky.social's The Marrow earlier this year
Greenspan’s use of indeterminacy in language may be best understood via analogy to tonal harmony. The  vast majority of music is tonal, using recognizable contours and relationships—including, in the western tradition, a whole nomenclature of terms such as “root,” “dominant,” “key signature,” and more—to create desired effects such as tension, progression, recognition, and resolution. Atonal music is carefully structured to avoid these determinate relationships, instead producing a musical text that is coherent, yet dissonant; eventful, yet without resolution; all the while carefully calibrated, yet apparently chaotic. In literature, if normative devices such as character, plot, and genre are like the shared language of tonal harmony, then Milk Sickness is the atonal exception. The book’s language operates with a concerted effort to avoid typical ordering mechanisms: there are multiple unnamed figures, but no lucid characters; many impactful events and chains of cause-and-effect, but no clearly defined linear plot; countless synchronicities, but no framework for understanding their logic.
lowermelody.bsky.social
currently finishing my 11th long-form book review of 2025. It can be a lonely task. there is no substitute for the work... but also no substitute for the reward, both for the publicity of any given title & for my own intellect. I hope to continue at this brisk pace indefinitely
Reposted by D.W. Baker
tomsnarsky.bsky.social
I was surprised by how much this one moved me. Roy Fisher
Epitaph: Lorine Niedecker


Certain trees
came separately from the wood

and with no special
thought of returning
lowermelody.bsky.social
this maps perfectly onto my understanding of sound in language. My work as a reading interventionist & musician has led me to believe that sonic processing unlocks specific modes of cognitive integration.

My lyric essay "Sense Tools" touches on this

www.psypost.org/simple-rhyth...
Even a basic auditory rhythm can reconfigure how the brain organizes itself, according to a new study published in Advanced Science. The researchers introduced a new analytical tool called FREQ-NESS, which maps how brain networks operate simultaneously across different frequencies. The results suggest that hearing rhythmic tones engages the auditory cortex while also reorganizing the brain’s broader network configuration, shifting dominant oscillations and enhancing communication between slower and faster brain rhythms.
Reposted by D.W. Baker
tommywyattblake.bsky.social
coming to a virtual space soon!! i'm reading with @lowermelody.bsky.social on 9/12 and @mkzariel.bsky.social on 9/13

dm me to RSVP!
discord voice reading with D.W. Baker and tommy wyatt blake on september 12th, 2025 at 8 pm (EST). DM me for the link! discord voice reading with mk zariel and tommy wyatt blake on september 13th at 4 pm (EST). DM me for the link!
lowermelody.bsky.social
got a new badge reel clip for work
a small badge with text, "the horrors persist but so do I," surrounding a raccoon sitting on a mushroom surrounded by flowers under the moon and stars
Reposted by D.W. Baker
prisonculture.bsky.social
I'll be selling this on 9/7 at our Craft Fair for Gaza happening from noon to 6 pm at 629 Nostrand Ave in Brooklyn.
An embroidery hoop with floral designs and green leaves, displaying the stitched phrase, "We are each other’s magnitude and bond," on white fabric.
Reposted by D.W. Baker
turningleafjournal.bsky.social
Today’s feature is an excerpt from Suze Kay’s poem, “SELFISH GIRL”

Read this piece, the rest of V2.1 here: turningleafjournal.com/2025/06/01/s...

::

We paired this piece with artwork submitted by @lowermelody.bsky.social titled “Matrilineal.”
Reposted by D.W. Baker
eleanorball.bsky.social
Day 24: “fire” by @lowermelody.bsky.social and @gr8earlofhell.bsky.social in @s2fjournal.bsky.social (pg. 7). I love how nat and D.W.’s styles merge in this raging, red-hot poem.
www.s2fjournal.com/assets/Issue...
www.s2fjournal.com