Matthew Steggle
@matthewsteggle.bsky.social
1.1K followers 600 following 130 posts
Prof of Early Modern Eng Lit. Shakespeare and other C16-17 stuff. The rest is silence, mostly. Views own.
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matthewsteggle.bsky.social
Wow! That work sounds amazing! Will check out the paper you mention.
matthewsteggle.bsky.social
Not a scooby! But there’s a book in the BL that’s of interest to me that presents the same problem. Is there a non-invasive way of getting at these if one were really minded? Can one x-ray them or similar?
matthewsteggle.bsky.social
Fabulous new discoveries from @kscheil.bsky.social!
thatshakespeare.bsky.social
Did you know Anne Hathaway’s epitaph is the only one in the Shakespeare family plot written on a brass plaque? Everyone else—Shakespeare, his daughter, and son-in-law—has stone slabs. We explore what that might mean on this week’s episode. www.cassidycash.com/ep386
Reposted by Matthew Steggle
wordsmith.bsky.social
A plethora of new ODNB entries on early modern women stationers! Entries from Heidi Craig, Andrea Silva, Kirk Melnikoff, @mgyarn.bsky.social, Andreas P. Bassett, @tarallyons.bsky.social and @georginaemw.bsky.social, me, and of course from @valeriewayne.bsky.social who cooked up the whole cluster.
matthewsteggle.bsky.social
But I love even more the image of him in a frock coat, sat on the sideines at the Royal Toxophilite Society, turning the pages of this book while arrows hiss and thwack into the targets.
matthewsteggle.bsky.social
I love that this thing, after thirty years, can suddenly take you somewhere completely unexpected, to the worlds of Charles Dickens and Buffalo Bill. It’s great that you can read some of Zouch Troughton’s writing and hear some of his voice.
matthewsteggle.bsky.social
What’s more – this obit explains precisely why Haines gave him the book that’s now on my shelf.
matthewsteggle.bsky.social
The key is another obituary from 1889, this one from The Archer’s Register:
Fred T. Follett, ed., The Archer’s Register for 1889-1890 (London: Horace Cox, 1890), 78.
matthewsteggle.bsky.social
But then – double plot twist – the obituary is wrong. Gosse says he didn’t know Zouch at all, only his work, but has seen a death notice for him. Actually the notice was for Zouch’s grandfather, also called Zouch. I am more relieved by this than I should be.
matthewsteggle.bsky.social
But then after some hours of getting to know my new friend Zouch, I found an obituary, written by Edmund Gosse, which indicated that he had actually been dead for ten years at the point this inscription was written. www.google.co.uk/books/editio...
The academy
www.google.co.uk
matthewsteggle.bsky.social
Google will quickly tell you a lot about a Zouch Troughton. He wrote a blank-verse tragedy, Nina Sforza (1841), acted by Helena Faucit (!), well regarded in print and on stage, and staged in 1893 by Buffalo Bill (!) as a vehicle for his girlfriend (It bombed that time).
Source: https://archive.org/details/BP_TRHM_0004; see also https://www.google.co.uk/books/edition/Nina_Sforza/sh0OAAAAQAAJ?hl=en&gbpv=1&dq=%22richard+zouch+troughton%22&pg=PP5&printsec=frontcover; also https://en.wikipedia.org/wiki/Viola_Katherine_Clemmons
matthewsteggle.bsky.social
A. R. Haines’s name is a bit too common – suggestions welcome. But who on earth is Zouch Troughton? And why did Haines think he would be interested in Roger Ascham’s treatise about archery?
matthewsteggle.bsky.social
Thirty years and many house moves on, you find it again and start to wonder - who are these people who have been on the front endpapers all this time?
Inscription on front endpaper
matthewsteggle.bsky.social
I bought this book about 1992, probably from the 50p box of some charity bookshop. It was long before you could read anything you wanted on a phone, and I was trying to build up a library of Renaissance texts, one spectacularly dog-eared book at a time. It was very Jude the Obscure. (1/11)
Cover of Arber's edition of Ascham's Toxophilus (1868) Cover of Arber's edition of Ascham's Toxophilus (1868)
matthewsteggle.bsky.social
I see that picture of the cathedral is quite persuasive… and my morning has been brightened by looking at Drayton's fabulous image of Herefordshire to see what a "yarringle" even looks like.
matthewsteggle.bsky.social
Which looks a bit like the picture - you hold the narrow top in your hand, and then there’s an expanding cone of wool below it
- Our artist has drawn one, but it has looked really confusing and they’ve tried to turn it into a pillar
Pic from https://spinoffmagazine.com/about-drop-spindle-spinning/
matthewsteggle.bsky.social
Hi Andrew! A crazy guess for your files:
- Norwich and Norfolk most famous at this date for woollen thread and cloth
- Emblematised in, for instance, Brome’s The English Moor by the drop spindle
Reposted by Matthew Steggle
mcraeandrew.bsky.social
Here’s one for early modernists: what is Norwich holding in this 1622 map (from Drayton’s ‘Poly-Olbion’)? Yes, Norwich had a big cathedral spire, but not two (and these maps usually indicate spires in the figure’s headdress). I’ve been tossing this about, and asking experts, for months. Stuck!
matthewsteggle.bsky.social
Had a lot of fun talking to Cassidy Cash www.cassidycash.com mainly about Mrs Shakspaire, with an excursion to a desert island at the end. Apologies in advance to the seagulls.
matthewsteggle.bsky.social
Thank you! Forthcoming again in the Oxford Works of John Marston, this time with actual receipts courtesy of - well, you probably know the scholar in question.
matthewsteggle.bsky.social
I have two things in the new Ben Jonson Journal! A short piece on the early reception of Marston’s Malcontent, and a review, open access, of Tom Harrison’s great new(ish) book on Jonson and the classics.

www.euppublishing.com/toc/bjj/32/1
Edinburgh University Press Journals - Table of Contents - bjj: Vol 32, No 1
www.euppublishing.com
matthewsteggle.bsky.social
In which case, perhaps “pour” after – that’s so cool! Thank you, thank you!