Morag Perkins
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moragperkinsphoto.com
Morag Perkins
@moragperkinsphoto.com
1.8K followers 930 following 1.7K posts
Photographer, mostly film, mostly plants. Looking straight into the light with the lens wide open.

Also occasionally touching on disability, MECFS, and rare types of diabetes (specifically MODY)

She/her

Glasgow, Scotland

www.moragperkinsphoto.com
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Can confirm, it travels well! 😊
The back of a postcard from Jaya, that has travelled internationally from the US to Scotland. It has the standard markings from having been through the post, but both the stamped 'postcard' markings and the handwritten text are clear and have survived well. I have blacked out my address The front of the same postcard. It shows a colour photograph of an old wooden shipwreck on a beach, printed on glossy photographic paper
January 23, 2026 at 7:10 PM
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Putting together an international postcard for this month's #PostcardsFromAfar exchange

An international standard letter is now £3.40, which is conveniently exactly the same as two first class stamps (I hope!)

...turns out one of the stamp books we found lying around is older than the other
Back of an as-yet-unwritten postcard, held up in my hand. It has an air mail sticker on it, and two UK first class postage stamps. One has a picture of King Charles III and the other has a picture of his late mother, Queen Elizabeth II
January 22, 2026 at 11:25 PM
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December 30, 2025 at 6:16 PM
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Hah, you are in luck, so many highland cow pictures!

This one is a particular favourite with her blonde highlights and confident strut. She's a supermodel and she knows it.
Photograph of a highland cow in a field on a sunny winter afternoon. She is walking straight towards the camera with what looks like a confident model strut. She has shaggy light reddish fur, with what appear to be blonde 'highlights' on her fringe and the top of her back. She has relatively short horns that turn upwards slightly.
December 30, 2025 at 5:51 PM
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Blep!
Photograph of a relatively young highland cow in a muddy field. She is standing face on, looking at the camera, and her mouth is very slightly open with a tiny bit of tongue poking out. Her feet are caked in mud. She has light reddish shaggy fur and a long shaggy fringe that partly obscures her eyes. Her horns are very short and slightly upturned. She has the same sort of electronic cow handbag round her neck as the cow in the previous photo. Behind her is a drinking trough, and a second cow looking on in the distance, with scrubby trees behind. It is an overcast day in early autumn.
December 30, 2025 at 5:39 PM
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Took the (borrowed) Bronica out today as I'm still experimenting with medium format.

Don't expect to see the results any time soon, so here's one from a previous time I took it out to visit the (slightly punk) cows!

Bronica SQ-B with Lomography colour 100
October 2024

#BelieveInFilm
Photograph of a slightly punk-looking highland cow in a muddy field. The cow has turned her head to look directly towards the camera, peering past another cow in the foreground. She has long shaggy reddish brown fur, with a 'fringe' completely covering her eyes, and short horns that curve up slightly. Hanging round her neck is some sort of large black electronic tracking device on a thick chain, like a punk-styled cow handbag. It is an overcast day, with a mix of dark mud and rich green grass in the field, with suburban buildings on a hill in the distance. The cow is in sharp focus, falling away rapidly to a blur in the distance.
December 30, 2025 at 5:34 PM
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Photos!

Glorious sunny day today & I actually made it out to the park to take photos

Met a lady doing the same with a wee Canon digital and enthused about cameras for a while, she's off to look into film (join us!)

Today's will be a while so here's a similar vibe from last month

#BelieveInFilm
Detail of a suburban cityscape view close to sunset in winter, taken from a high vantage point. It is a cold day and the low sun is causing a bright flare of light near the top of the frame. Layers of buildings, hills and trees can be seen silhouetted as they disappear into the distance, each layer getting a little lighter and less distinct. In the middle of the frame two pointy steeples on a building can be seen clearly, with a chimney just beside them blowing out white steam that catches the light. In the foreground are blurred tree branches, bare of leaves for the winter. The colour tones are warm shades of sepia and orange. Photo taken on 35mm Fuji Superia 400 film with a Canon EOS 300 camera & Canon EF 80-200 f4.5-5.6 II lens, November 2025 Close up photograph of a few dried out beech leaves clinging to a branch in winter. The leaves are backlit by the low winter sun, giving the whole photograph a bright softness, while still showing the detail in the leaves. The colours are warm with rich orange tones in the leaves. Photo taken on 35mm Fuji Superia 400 film with a Canon EOS 300 camera & Canon EF 100mm f2.8 macro lens, November 2025 Close up photograph of the head of a highland cow, lit by the low winter sun. The cow is shown in profile, with only the front part of her head visible. She has mid length horns curving upwards and long shaggy reddish-brown fur, with a heavy 'fringe' covering her eyes. The light is catching her whiskers and the edges of her fur, making it glow golden red. The photo has been rotated to portrait format so that her nose is pointing downwards and her head appears bowed. A second cow can just be seen behind her, out of focus in the background. Photo taken on 35mm Fuji Superia 400 film with a Canon EOS 300 camera & Canon EF 100mm f2.8 macro lens, November 2025 Wider shot of another highland cow, showing more of the field and the city suburbs behind her. The cow is standing in scrubby grass down a hillside, next to a small tree. She is facing mostly towards the camera, but with her head turned off to the side. The low sun catches at the edges of her fur, giving her a sort of reddish orange glowing outline. In the distance are layers of buildings, trees and hills, getting lighter as you look further away. Nothing in this photograph is entirely in focus, not even the cow, but somehow it works anyway. Photo taken on 35mm Fuji Superia 400 film with a Canon EOS 300 camera & Canon EF 100mm f2.8 macro lens, November 2025
December 30, 2025 at 5:19 PM
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Today's lookbook:
Close up photograph of a slightly deranged looking highland cow, peering through a metal gate with one wild staring eye.
November 19, 2025 at 5:36 PM
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My letterpress Christmas cards from @loreandordure.com have arrived and they're fabulous!

There are proper old-school hand printed with letter blocks and a press, follow Kate for behind the scenes process

...and if you want some you can buy them here: ko-fi.com/s/1af2e209ad
A pack of letterpress Christmas cards, still in the packaging, propped up on a white-painted bookshelf with fairly lights strewn around. The cards are on red kraft paper, with text in black and white. The text is part of the song "The Twelve Days of Christmas", and the phrase "Seven swans a-swimming" has been highlighted in larger white text. There are decorative highlights of snowflakes in silver.
November 8, 2025 at 5:16 PM
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Welp, this is new!

Every so often I spend my accumulate Boots points to get 'free' film. Arrived like this, complete with security tag.

Visions of some shifty bloke going round the pubs offering rolls of XP2 that fell off a shelf in Boots.
Box of Ilford XP2 35mm film. The top side of the box has a shop security tag stuck to it - is is a long black rectangular strip with "Security Protected" written on it in white and a sort of alarm symbol.
November 4, 2025 at 4:42 PM
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NGL it's not even the first time I've attempted such shenanigans.

The lab are going to blacklist me aren't they?

Anyway this was Cinestill 800T, a Canon EOS 300 and an obliging dentist friend. Covid made us all do weird things 🤷‍♀️

[TW: Dentist things. Labelled graphic but it isn't really, no gore]
Patients-eye view of the light over a dentist's chair. It is a white structure overhead on an articulated arm, with an arrangement of six bright white lights in the centre. It looks a bit like an alien looming above, definitely mildly threatening. The photograph is taken on Cinestill 800T, so there is a bit of red halation around some of the highlights. Patients-eye view at the dentist - taken from lying back in the chair, with a dentist looming above, taking up about half the frame. He is wearing a double layer of face masks, a visor and a bandana so only his eyes are clearly visible, looking down the lens. Behind him the same light from the previous photo can be seen, out of focus.
October 15, 2025 at 7:41 PM
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Good article here about Diane Keaton‘s photography, I had no idea!

Also this quote is #goals. If somebody writes this about you after your death then you are doing it right

www.theguardian.com/artanddesign...
Extract from the linked article: “In an essay for New York Review of Books, Larry McMurtry once described his first meeting with Keaton: "I found her, one morning, sitting in the flower bed outside the Madison Hotel in Washington DC. She was rummaging in a bag big enough to hold a caribou, which contained a camera heavy enough to stun the caribou with, should that be necessary."
October 15, 2025 at 6:29 PM
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It cost me every scrap of capacity I have, and today I am fully unable to leave the hotel room, but we made the trip to see Sigur Rós at the Royal Albert Hall

100% worth it and I don’t regret a thing 🥹

Out of body experience - I think I left a piece my soul on the ceiling of the Albert Hall
Photograph taken at the end of the Sigur Rós gig with the London Contemporary Orchestra at the Royal Albert Hall, 30th September 2025. The photograph is taken from the back of the stalls, off to one side. The audience is in darkness, and the stage is brightly lit by a number of strong spotlights, casting bright diagonal lines through the darkness. On stage the band and the conductor are stood at the front wearing all black. They are facing back to applaud the orchestra and the organist. There is a children’s choir behind the orchestra, and the organ is lit up. The organist is Anna Lapwood, just visible in a sparkly jacket.
October 1, 2025 at 6:07 PM
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Bluesky, I have left the house and gone on an Adventure!

Whoosh…✈️

We are in London this week
Selfie taken on an aeroplane, sitting in a window seat. I have a face mask and a sunflower lanyard, indicating that I have a hidden disability. I am a white woman with shoulder length wavy mid brown hair and glasses, and I am wearing a purple cord jacket with a decorative scarf in autumnal colours. The classic photograph looking out over the wing of an aeroplane in the air. The wing in this case is mostly neutral greys and whites, the only colour coming from little flashes of bright red at the tips of the fairings and a couple of small yellow fittings. The sky is a gradient of hazy cloud below, fading gradually to blue at the top. Photograph looking across the interior of an aeroplane in flight to the window opposite. The window is a bright oval in the centre upper third of the frame, and the tops of brightly lit fluffy clouds can be seen outside. The rest of the frame is in darkness, with just a few details picked out by the light from the window. The backs of a row of seats in front of the window can be made out, and a man wearing glasses is sitting in the window seat, reading a book. Photograph of part of the wing of an aeroplane in flight, taken from the window immediately above the trailing edge of the wing. Only a small section of wing where it joins the fuselage can be seen, and a corner of an engine. Sweeping across the wing is a clear narrow ‘swoosh’ of some sort of cloud-like condensation, showing clearly how the air flows past the engine and over the wing. At the back end of the trail as the condensation dissipates spiral like patterns can be seen. In the distance are white fluffy clouds, fading into blue sky above, with a few wispy contrails from other aircraft.
October 1, 2025 at 5:50 PM
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Caught Feathers McGraw attempting to break into the Kibble Palace earlier
Photograph taken from inside a Victorian glasshouse in a park. The windows are steamed up, obscuring the view outside the glass. Perched on the outside frame of the glass is a large woodpigeon, details slightly fuzzy from the condensation. The bird has turned to look directly in, giving it a shape and appearance exactly like villainous penguin Feathers McGraw from the Wallace & Gromit animations
September 23, 2025 at 5:01 PM
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Anyway, what prompted me to post about this today was Kristie's absolutely masterful response to a review in the Scotsman, highlighting the way marginalised writers are talked over and their experiences dismissed in literary criticism.

Don't think yer man was expecting a 2500 word rebuttal 😆
Extract from Kristie's Substack post: "To lift two lines from late in the book and hold them up as the measure isn't literary criticism. If we're playing lucky dip with sentences, let's position "Caithness is flat and vast and lies prostrate to a wind pushed inland by the thuggish North Sea" or "PETITE BRUNETTE GIVES AWESOME HANDJOB" as definitive. Absurd, obviously. Each is real, each is mine, but none stands as representative without the frame that holds it. My guess as to why this line was chosen as the litmus test is that it names identity, which is so often read as self-indulgent, performative, even didactic. Perhaps the politics of identity only feel frivolous if yours have never worked against you."
September 14, 2025 at 2:13 PM
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I am delighted to say I have read it (A book! A whole one! That is a big deal for me) and found it both fascinating and eye opening - especially reading about the experiences of a woman around my own age growing up mixed race in Scotland.

Go read it, it will teach you things.
Hardback copy of "Drystone: A Life Rebuilt" by Kristie De Garis, held up in my hand. The cover is white, with five stylised stones arranged in the centre. They are highlighted in different shades of blue, yellow, pink and green. "DRYSTONE" appears at the top in bold black text, with the author's name at the bottom. The subtitle "A LIFE REBUILT" appears in white text on the stones.
September 14, 2025 at 1:59 PM
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The cognitive effects of ME mean that I don't generally read books (this surprises people as I definitely give off a "bookish" vibe!) but when your internet pal @kristiedegaris.bsky.social writes one it's time to make an exception so I sent my representative down to a Real Bookshop to buy me a copy🧵
Hardback copy of the book "Drystone: A Life Rebuilt" by Kristie De Garis, seen on the shelf in a bookshop. It is turned with the cover facing outwards, occupying a prominent space on the shelf. Most of the other books on the shelf have the spine facing out and are less immediately obvious.
September 14, 2025 at 1:48 PM
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OK I know I you all enjoy a little frisson from a 9V battery but have you heard about old disposable cameras with a flash?

Those are *spicy*. Dodgy websites tell you how to make tasers out of them spicy. DO NOT LICK.

I have some here that I am too feart to dismantle to harvest the film
An old disposable 35mm film camera of the sort people might hand out at weddings. It is still in the packaging and has a flash. The cardboard outer sleeve is white with little hearts on it. Do not be deceived by the little hearts, it will definitely try to kill you if you dismantle it.
July 26, 2025 at 3:34 PM
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Took Anson out for a test roll today.

Certain frames are Obligatory - I don’t make the rules*!

(* I did make the rule)

#BelieveInFilm
Olympus OM2n camera held up in front of a marble statue inside a glasshouse. The camera is a very classic looking 35mm film SLR with a silver and black body. The statue shows a sad looking seated man, with a small monkey sitting on his knee. The monkey also looks sad. Outside the glasshouses trees and park benches are visible.
July 21, 2025 at 5:14 PM
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Not my cats, but these two beauties rule the neighbourhood
Photograph of two cats in a suburban back garden. One is a tabby with a white belly and white paws, sitting neatly upright and facing the camera. He is tolerating the other cat, a very beautiful cream-coloured ragdoll with a brown face and tail. She is sitting with her back to the camera and turning to look at the tabby. She seems to have a bit of a crush on him. Between the two cats in a row of daffodils in bloom. Somehow the cats seem to have arranged themselves in a very pleasing composition, like they are posing for a classical painting.
July 18, 2025 at 11:59 PM
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New camera, who dis?

#BelieveInFilm
Olympus OM2n camera It is a very classic looking 35mm film SLR, with a silver and black body
July 18, 2025 at 8:00 PM
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Question for the #BelieveInFilm crowd - especially Olympus OM fans!

Still using my OM1n daily for my ongoing project but mirror is starting to get a little sticky so I'm in the market for a second OM body. Then I'll always have one working and they can share lenses.

Question is - which one to buy?
Two vintage Olympus OM 35mm film cameras next to each other. One is a black OM1n, the older of the two models but also more upmarket. It is an all manual camera capable of working without batteries. The other is a silver OMG, a consumer grade model that is (relatively!) more recent and has more electronics and auto modes. It is slightly beaten-up looking.
July 12, 2025 at 1:34 PM
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This little camera has superpowers - and I've yet to find a "no cameras with interchangeable lenses" rule it couldn't sneak right past because it unless you are In The Know it just looks like a toy.

Also Lomography Orca black & white 110 film is surprisingly good - this is it pushed 2 stops.
Pentax Auto 110 camera, hanging from the end of a lanyard. It has the shape and look of a classic SLR camera, but it is tiny and perfectly proportioned on the end of a lanyard. It looks like a miniature model or a toy.
May 16, 2025 at 2:15 PM
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I haven't posted any photos in ages so here's some from the time when we were all scattered in the online wilderness - inspired by @behindthebluemotel.com's newfound enthusiasm for the tiny but glorious Pentax Auto 110.

Sigur Rós at the Armadillo in Glasgow, November 2022

#BelieveInFilm
Grainy low-res black and white photograph, taken from a high vantage point at a gig. Three band members can be seen, silhouetted by bright lights behind them. There is a large screen in the background, showing something that looks like fireworks or showers of sparks. The stage lights all have very strong halation effects, each with a clear 'halo' around it. The contrast is very strong, with deep blacks and bright whites and very little in between. Another photograph in the same style, from the same gig. This time the lights appear slightly more hazy and the band are harder to make out. On the screen behind them a large face looms - only the midsection is visible, with eyes in deep shadow like the figure is hooded. A third photograph in the same style, from the same gig. This time the band are more clearly visible, with the lead singer standing at the front of the stage with his head bowed. Once again the stage lights have very strong halations, but they are more haphazardly scattered and some have a more foggy glow. Sparks appear to shower down from the large screen above.
May 16, 2025 at 2:15 PM