Here are the hands of Eve Lloyd Knight hand painting probably our most intricate 3D print so far. Every prop, character and set element was custom built to a made up scale that was convenient to our working space.

The Dépanneur sign for the Montreal scene is my fav prop. There are also animated versions which I’ll share soon…

This mouvement might interest @nicolasmenard.com, with whom I was talking to this morning about the new creative school I’m organising. It’s the business idea I’m working on as part of an entrepreneurship workshop by @etsmtl.bsky.social and the Bureau du design in @villedemontreal.montreal.ca.

Haha, excellente idée!

9:16

Beaten to it 5 times

I’m the coat bath

So good

Kawamoto’s films can be found right here: archive.org/details/kiha...

The Silly Symphony shorts are easy to find on YouTube which makes this read all the more enjoyable. www.youtube.com/watch?v=L1j7...

If you're interested in Disney being innovative as a company, better read something constructive like this essay by Donald Crafton on some of their early (1930s) experiments in pictorial space: www.erudit.org/en/journals/...

That is, there is no broad "AI jobs apocalypse," as AI is too unreliable and limited to do jobs that demand accuracy or empathy. But plenty of managers will use it to try to replace human art with cheaper "good enough" AI art. So it does appear that bosses embracing AI are hitting creatives hard.

Bravo 💥