Mais le reste oui, c'est un design assez rétrograde et malheureusement dans l'ère du temps.
Mais le reste oui, c'est un design assez rétrograde et malheureusement dans l'ère du temps.
It's especially distasteful in context to imply that Maelle, a crippled young girl in 19th century France, would be happier in a toxic family that hates her.
It's especially distasteful in context to imply that Maelle, a crippled young girl in 19th century France, would be happier in a toxic family that hates her.
I don't think anyone can say in good faith that the M ending is deliberately intended by the writers to be the good ending.
I don't think anyone can say in good faith that the M ending is deliberately intended by the writers to be the good ending.
This is the running gag that keeps on giving.
This is the running gag that keeps on giving.
If you're into some reading, Citizen Sleeper 1 and 2 are absolutely lovely. They are about community and human connection under capitalism, with a distinct queer slant.
If you're into some reading, Citizen Sleeper 1 and 2 are absolutely lovely. They are about community and human connection under capitalism, with a distinct queer slant.
I find the "It's okay because they're not real" arguments really fucking creepy in 2025.
I find the "It's okay because they're not real" arguments really fucking creepy in 2025.
There is no profound meta-commentary to the endings, they're just poorly written because the writers had to circle back to the moral of the story somehow.
There is no profound meta-commentary to the endings, they're just poorly written because the writers had to circle back to the moral of the story somehow.
And as evidenced by a specific line, they have absolutely no intention of learning from their mistakes and plan to do it all over again.
Am I supposed to care for them?
And as evidenced by a specific line, they have absolutely no intention of learning from their mistakes and plan to do it all over again.
Am I supposed to care for them?
Both endings could have been bittersweet, but instead they're clearly forced to fit into "good" and "bad".
Both endings could have been bittersweet, but instead they're clearly forced to fit into "good" and "bad".
Eh gros sayer je me suis farcie Memento, la trilogie Batman, , Le Prestige, Interstellar, Inception, que des pitchs incroyables mais gâchés, surtout les deux derniers que je déteste viscéralement.
A un moment donné j'en ai marre de me forcer.
Eh gros sayer je me suis farcie Memento, la trilogie Batman, , Le Prestige, Interstellar, Inception, que des pitchs incroyables mais gâchés, surtout les deux derniers que je déteste viscéralement.
A un moment donné j'en ai marre de me forcer.
We have elderly people wishing to die so as to not be a burden to their children, both financially and psychologically.
I can't help but blame capitalism for instilling that idea in the first place, assigning values to human lives.
We have elderly people wishing to die so as to not be a burden to their children, both financially and psychologically.
I can't help but blame capitalism for instilling that idea in the first place, assigning values to human lives.
What do you do about homeless people who want to die on MAID (true story) because of a lack of social nets?
The reality is that there is no railguard good enough except the end of capitalism. Good luck with that.
What do you do about homeless people who want to die on MAID (true story) because of a lack of social nets?
The reality is that there is no railguard good enough except the end of capitalism. Good luck with that.
But yeah, if anything, she's a reminder that medecine under capitalism is fucked up if it requires you to dissociate to that degree to in order to perform care.
But yeah, if anything, she's a reminder that medecine under capitalism is fucked up if it requires you to dissociate to that degree to in order to perform care.
Last I checked, we haven't yet overthrown it.
Last I checked, we haven't yet overthrown it.
And that shot on the recliner... *shivers*
And that shot on the recliner... *shivers*