Peter Findlay
@pfin25.bsky.social
650 followers 640 following 160 posts
I've been doing digital strategy for 25 years. If you're challenged by digital transformation, get in touch. That's an Edward Burra watercolour on the banner.
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pfin25.bsky.social
Bridget Riley (b. 1931), The River at Molecey's Mill, 1952–1955. Collection of the artist. © Bridget Riley 2023.
Drawing of trees surrounding a field. Mainly greens yellows.  Bridget Riley (b. 1931), The River at Molecey's Mill, 1952–1955. Collection of the artist. © Bridget Riley 2023.
pfin25.bsky.social
Lovely picture, though, of a beautiful car!
pfin25.bsky.social
Lovely, but is that a spot of rust I see there? 😅
Reposted by Peter Findlay
seethroughcanoe.bsky.social
Rare video capture of a Spotted Eagle Ray getting airborne then using its wings to brake. I took this video near St Petersburg, Florida.
#nature #amazing #animals #awesome #wildilfe #ocean
Reposted by Peter Findlay
thatandromeda.bsky.social
This is honestly fascinating - dissecting vibes into the incredibly concrete - and people should be using it as a discussion starter in writing classes
adzebill.bsky.social
Wikipedia editors trying to fend off the onslaught of AI crap have crowdsourced some telltale signs of LLM-generated writing; it might be handy for editors and proofreaders generally. Thanks to @ellenrykers.com for pointing me to it. en.wikipedia.org/wiki/Wikiped...
Wikipedia:Signs of AI writing - Wikipedia
en.wikipedia.org
Reposted by Peter Findlay
visithmml.bsky.social
🧵(1) Digitization & cataloging is complete for 2,343 manuscripts in the collection of Bibliothèque des Manuscrits al-Wangari—the library of the Sidi Yahya Mosque (or Jāmiʻ Sīdī Yaḥyá) in #Timbuktu, Mali, which dates to the 15th century.

Learn more: hmml.org/collections/...
2,343 manuscripts from Bibliothèque des Manuscrits al-Wangari in Tombouctou, Mali, are now available in Reading Room
2,343 manuscripts from Bibliothèque des Manuscrits al-Wangari in Tombouctou, Mali, are now available in Reading Room page
hmml.org
Reposted by Peter Findlay
juliandrichards.bsky.social
5000 archives is quite a milestone - and no better way to celebrate it than the publication of the new permanent home for the 'Corpus Vitrearum Medii Aevi' - a stunning collection of 28,000 images of stained glass - especially for those who thought we were just about holes in the ground.
ads-update.bsky.social
🎉 An Exciting Announcement 🎉

This week the ADS surpassed 5,000 archive collections! We wanted to give a big thank you to everyone that has allowed us to reach this milestone.

⭐ To find out more about some of the collections released this year visit: buff.ly/qc8n33g
Reposted by Peter Findlay
thelondonarchives.bsky.social
🔍 Did you know that we have a searchable dataset that draws on records of Londoners of African, Caribbean, Asian and Indigenous heritage in our parish registers from 1561-1840?

The project started in 2000 and, thanks to our staff and volunteers, now has records of 2600 Londoners!

#SwitchingTheLens
Reposted by Peter Findlay
miaout.bsky.social
For #GenAI, 'The digital commons should not be treated as an object ripe for extraction, but as an expression of “commoning” [Dulong de Rosnay and Stalder 2020]; i.e., as a manifestation of the practice of making, maintaining, and protecting shared and open resources.'

www.arxiv.org/abs/2508.06470
Generative AI and the Future of the Digital Commons: Five Open Questions and Knowledge Gaps
The rapid advancement of Generative AI (GenAI) relies heavily on the digital commons, a vast collection of free and open online content that is created, shared, and maintained by communities.…
www.arxiv.org
Reposted by Peter Findlay
ernestopriego.com
I agree; something I have also been thinking (and saying) in my own off life networks
mkirschenbaum.bsky.social
Here’s my bottom line on the firehose of AI higher ed discourse: for the vast majority for us it’s over. “It” here is not “college” or “teaching”’per se; rather, “it” is the transactional underpinning of those endeavors. Let me explain: 🧵
Reposted by Peter Findlay
miaout.bsky.social
On small, local language models: 'In a world increasingly dominated by massive models and opaque APIs, we believe there’s still room for small, transparent, controllable systems. Models you can fine-tune, understand and run on your own terms' www.turing.ac.uk/blog/why-we-...
Why we still need small language models – even in the age of frontier AI
Lean, locally run models can unlock huge benefits for public sector and compute-constrained environments
www.turing.ac.uk
Reposted by Peter Findlay
ukdataservice.bsky.social
💻 Only one week to go until our Code Anxiety Club!

This session will focus on "Pathways to Success: Mastering File Pathways"

To join the session, please follow the link to our livestream: www.youtube.com/live/h45KXR7...
Code Anxiety Club: Pathways to Success: Mastering File Pathways
YouTube video by UK DATA SERVICE
www.youtube.com
Reposted by Peter Findlay
drbeth.bsky.social
Is there actually no-one in the UK Library landscape who wants to become Chair of the CILIP LGBTQ+ Network, or are we just not getting the message out.

I can't continue - way to much going on, but without a chair, the network folds... If you've been mulling it over, now is the time to get in touch!
Reposted by Peter Findlay
heykellyjensen.bsky.social
“None Of These Books Are Obscene”: Judge Strikes Down Much of Florida’s Book Ban Bill

This is a big win for intellectual freedom and will have big implications in other ongoing lawsuits and future laws aiming to ban books.

bookriot.com/penguin-rand...
"None Of These Books Are Obscene": Judge Strikes Down Much of Florida's Book Ban Bill
In a major win for intellectual freedom, a judge rules against Florida law that led to removing hundreds of books from school libraries.
bookriot.com
Reposted by Peter Findlay
mrkarlsanderson.bsky.social
Taken in Tate Modern’s Turbine Hall a number of years ago.

#London #Bankside #TateModern #BlackAndWhite #monochrome #contrast #HighContrast #LightAndShadow #shadows #silhouette #graphic #window #sunlight #photography #PhotographersUnited
High-contrast black and white photograph showing sunlight projected through narrow vertical windows onto the floor, almost resembling a zebra-crossing or barcode. Standing in one of the beams of light is a small lone figure with an elongated shadow, dwarfed by the surroundings.
Reposted by Peter Findlay
charlespiroth.bsky.social
Gerhard Richter

“Art is the highest form of hope.”
Reposted by Peter Findlay
designgeekatl.bsky.social
Marlow Moss (British, 1890-1958), Composition in Black and White Number 4, 1949. Oil on canvas, 25 1/4 x 25 1/4 in. | 63.7 x 63.7 cm. (Source: MoMA, Museum of Modern Art, New York)
Reposted by Peter Findlay
designgeekatl.bsky.social
Jean Paul Riopelle - Ecarlate (1962)
Reposted by Peter Findlay
openresshef.bsky.social
🔊Four weeks to go until OpenFest 2025! 🥳Join us ONLINE for sessions on building diverse and inclusive research cultures, recognition practices, publishing ecosystems, open research communities, and libraries.

Full programme and registration links below:
openresshef.bsky.social
🔊Registration is NOW OPEN for OpenFest 2025, the annual open research event led by Sheffield & Sheffield Hallam unis.

2nd-5th September - all welcome.

This year's theme is Open Research & Equity, Equality, Diversity & Inclusion - in all the meanings of those terms.

More details and registration:⬇️
OpenFest 2025
OpenFest 2025 will take place between 2nd-5th September 2025. View the programme and book your place:
www.sheffield.ac.uk
pfin25.bsky.social
Hi Tim - I work to support the person centered use of technologies across the uk tertiary education sector. The other day I asked a room full of senior/metadata librarians if they had heard of the Solid protocol but none had. That's a shame. I think the first task is to get people to know about it.
Reposted by Peter Findlay