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Red Nose Studio

@rednosestudio.bsky.social

2.2K followers 86 following 320 posts

Illustrator, stop-motion animation enthusiast, and vintage motorcycle rider and wrencher. Indiana, USA. Worldwide at www.rednosestudio.com

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Red Nose Studio @rednosestudio.bsky.social · 14h

Ha!

Red Nose Studio @rednosestudio.bsky.social · 15h

Happy to report that I think I have finally solved our ‘bat’ problem in our house.

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Red Nose Studio @rednosestudio.bsky.social · 15h

‘Uninvited’ 2024

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Reposted by Red Nose Studio

Guillermo del Toro @realgdt.bsky.social · 7d

He will tell his tale…

Film Updates @thefilmupdates.bsky.social · 7d

The official trailer for Guillermo del Toro’s ‘FRANKENSTEIN’ starring Oscar Isaac, Jacob Elordi, Mia Goth and Christoph Waltz.

In select theaters October 17, on Netflix November 7.

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Reposted by Red Nose Studio

NPR @npr.org · 7d

Today marks the first day in public media’s history without federal funding. And we’re not going anywhere.

Listeners like you keep our mission alive. Protect one of the last places where America comes together to hear itself.

Stand with us today. Donate at this link: n.pr/46wamAj

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Red Nose Studio @rednosestudio.bsky.social · 9d

Look at that Earles Fork like front end.

Rocketengine @rocketengine.bsky.social · 9d

Moto Guzzi Albatros 247cc Racer with Flex Sidecar
www.yesterdays.nl/product/moto...

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Red Nose Studio @rednosestudio.bsky.social · 12d

That’s what inspired this piece, I appreciate you noticing.

Red Nose Studio @rednosestudio.bsky.social · 13d

Thanks, it’s tricky, I’m slowly getting better manipulating that perspective.

Red Nose Studio @rednosestudio.bsky.social · 13d

BONUS: included is a 7 x 3.75 inch stereographic card of the staged scene.

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Red Nose Studio @rednosestudio.bsky.social · 13d

The Charmer. Mixed Media: polymer clay, wire, foam, fabric, wood, paper and chipboard.
13.5 H x 10 W x 12 D inches.

www.rednosestudio.com/puppets/the-...

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Red Nose Studio @rednosestudio.bsky.social · 16d

This stuff is my happy place.

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Red Nose Studio @rednosestudio.bsky.social · 16d

For those curious: Patricia’s tractor is built from scratch, by hand with wood, brass sheets, umbrella arms, bits from a Corvair dash, tire tread from my old toys and other found objects.

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Red Nose Studio @rednosestudio.bsky.social · 20d

Patricia and her tractor are the newest addition to the permanent installation ‘Over Under & Beyond’ at our local library here in Greenfield, Indiana USA

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Red Nose Studio @rednosestudio.bsky.social · 20d

Keeping her eyes peeled, Patricia knows that it’s not just the big prize, but also the thrill of the hunt that keeps her life interesting.

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Red Nose Studio @rednosestudio.bsky.social · 21d

Surprised last week when I learned of a new Quay Brothers film. I’m excited to see it. So in case any of you are as in the dark as I was:

youtu.be/XkKPqXMFHS8?...

SANATORIUM UNDER THE SIGN OF THE HOURGLASS Trailer

YouTube video by Film Forum

youtu.be

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Red Nose Studio @rednosestudio.bsky.social · 22d

Probably should go ahead and unplug it for at least 5 minutes then plug it back in.

Red Nose Studio @rednosestudio.bsky.social · Sep 5

Sneak peak of the next addition to the installation “Over, Under & Beyond” coming soon to Hancock County Public Library.

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Red Nose Studio @rednosestudio.bsky.social · Aug 29

Yep. Been 30 years and still telling myself that.

Reposted by Red Nose Studio

Thought Bubble Festival @thoughtbubbleuk.bsky.social · Aug 29

The giants of the comic book world are descending on Yorkshire this November!

These incredible guests will be at Thought Bubble Comic Convention on 15 & 16 November 2025, at Harrogate Convention Centre, England!

Get your tickets: thoughtbubblefestival.com/tickets

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Reposted by Red Nose Studio

Greg Ruth @gregthings.bsky.social · Aug 29

The remaining GODZILLA-1 finale APs are LIVE!

Today is a day of choices- we’re offering two versions of the primary, (Deluxe and reg AP), and all the red flame variants in deluxe edition format, adorned with 24k gold leaf, hand embossed & signed.

www.gregthings.com

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Red Nose Studio @rednosestudio.bsky.social · Aug 29

Long story really. Studied to be a painter but eventually wanted to incorporate more of what I loved about all the facets of art school into what I make. This is where the process lead me.

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Reposted by Red Nose Studio

Tom McH @tommchenry.bsky.social · Mar 19

Posting GARY PANTER'S SKETCHBOOK TIPS to save a life -- the site that used to host these took em down years ago, and they are as useful a list about this kind of thing as you will ever find.

They are like a favorite dogeared paperback to me.

INTRODUCTION

Get a book-size (or paperback-size)d sketchbook. Write your name and date on an early page and maybe think of a name for it — and if you want, write the book’s name there at the front. Make it into your little painful pal. The pain goes away slowly page by page. Fill it up and do another one. It can be hard to get started. Don’t flunk yourself before you get the ball rolling.

You might want to draw more realistically or in perspective or so it looks slick — that’s is possible and there are tricks and procedures for drawing with more realism if you desire it. But drawing very realistically with great finesse can sometimes produce dead uninteresting drawings — relative, that is, to a drawing with heart and charm and effort but no great finesse.

You can make all kinds of rules for your art making, but for starting in a sketchbook, you need to jump in and get over the intimidation part — by messing up a few pages, ripping them out if need be. Waste all the pages you want by drawing a tic-tac-toe schematic or something, painting them black, just doodle. Every drawing will make you a little better. Every little attempt is a step in the direction of drawing becoming a part of your life.

TIPS

1. Quickly subdivide a page into a bunch of boxes by drawing a set of generally equidistant vertical lines, then a set of horizontal lines so that you have between 6 and 12 boxes or so on the page. In each box, in turn, in the simplest way

possible, name every object you can think of and draw each thing in a box, not repeating. If it is fun, keep doing this on following pages until you get tired or can’t think of more nouns. Now you see that you have some kind of ability to typify the objects in your world and that in some sense you can draw anything.

2. Choose one of the objects that came to mind that you drew and devote one page to drawing that object with your eyes closed, starting at the “nose” of the object (in outline or silhouette might be good) and following the contour you see in your mind’s eye, describing to yourself in minute detail what you know about the object. You can use your free hand to keep track of the edge of the paper and ideally your starting point so that you can work your way back to the designated nose. Don’t worry about proportion or good drawing this is all about memory and moving your hand to find the shapes you are remembering. The drawing will be a mess, but if you take your time, you will see that you know a lot more about the object than you thought.

3. Trace some drawings you like to see better what the artist’s pencil or pen is doing. Tracing helps you observe closer. Copy art you like — it can’t hurt.

4. Most people (even your favorite artists) don’t like their drawings as much as they want to. Why? Because it is easy to imagine something better. This is only ambition, which is not a bad thing — but if you can accept what you are doing, of course you will progress quicker to a more satisfying level and also accidentally make perfectly charming drawings even if they embarrass you.

4. Most people (even your favorite artists) don’t like their drawings as much as they want to. Why? Because it is easy to imagine something better. This is only ambition, which is not a bad thing — but if you can accept what you are doing, of course you will progress quicker to a more satisfying level and also accidentally make perfectly charming drawings even if they embarrass you.

5. Draw a bunch more boxes and walk down a sidewalk or two documenting where the cracks and gum and splotches and leaves and mowed grass bits are on the square. Do a bunch of those. That is how nature arranges and composes stuff. Remember these ideas — they are in your sketchbook.

6. Sit somewhere and draw fast little drawings of people who are far away enough that you can only see the big simple shapes of their coats and bags and arms and hats and feet. Draw a lot of them. People are alike yet not — reduce them to simple and achievable shapes.

7. To get better with figure drawing, get someone to pose — or use photos — and do slow drawing of hands, feet, elbows, knees, and ankles. Drawing all the bones in a skeleton is also good, because it will help you see how the bones in the arms and legs cross each other and affect the arms’ and legs’ exterior shapes. When you draw a head from the side make sure you indicate enough room behind the ears for the brain case.

8. Do line drawings looking for the big shapes, and tonal drawing observing the light situation of your subject — that is, where the light is coming from and where it makes shapes in shade on the form, and where light reflects back onto the dark areas sometimes.

9. To draw the scene in front of you, choose the middle thing in your drawing and put it in the middle of your page — then add on to the drawing from the center of the page out.

10. Don’t worry about a style. It will creep up on you and eventually you will have to undo it in order to go further. Be like a river and accept everything.

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Red Nose Studio @rednosestudio.bsky.social · Aug 27

A bracket for the shelf upon which to place all aspirations.

Red Nose Studio @rednosestudio.bsky.social · Aug 26

Thanks for the recommend. That cover speaks volumes to me.