suse anderson
@shineslike.bsky.social
1.7K followers 1.7K following 850 posts
An Australian-American museum geek in Baltimore. Program Head, Museum Studies @ GWU. Sincereposting about museums, ethics, tech and culture. She/her.
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Reposted by suse anderson
librarymistress.bsky.social
"Mapping the Black Digital and Public Humanities" invites Black Digital and Public Humanities project directors to submit their projects to an interactive map and searchable database of 650+ international #Black #DigitalHumanities and #PublicHumanities projects. networks.h-net.org/group/announ...
Mapping the Black Digital and Public Humanities - Call for Projects | H-Net
Mapping the Black Digital and Public Humanities formally invites Black Digital and Public Humanities project directors to submit their projects to our interactive map and searchable database of 650+ i...
networks.h-net.org
Reposted by suse anderson
thedextriarchy.bsky.social
100%
poetryforsupper.bsky.social
We built NPR. We built PBS.

It seems to me we should also build National Public Index.

A public search engine for a public web.
shineslike.bsky.social
These are really great. Could people order custom versions of their own row house? Because that could be amazing.
shineslike.bsky.social
This sounds so good.
sonjadrimmer.bsky.social
People of Connecticut and regions nearby. Come on out on September 16! Free and open to the public.
A poster for a talk I'm giving. 

Tuesday, September 16, 2025 at 4:30pm
Boger Hall, Room 112, 41 Wyllys Avenue, Middletown, Connecticut

Free and open to the public.

"Extracting the Past: How the 'AI' Industry Exploits Art History and What We Can Do to Stop It."

Over the last several years, universities and museums have partnered with commercial technology firms like Google, Microsoft, and Meta, who have promised that their AI products will enhance both historical research and accessibility to historical collections. These promises, however, are not supported by the reality of what computer vision--the branch of AI most relevant to the history of art--can achieve. So why have major institutions in education and the arts been so quick to take up these firms' offers?

This talk responds to this question by providing an introduction to computer vision's origins in military surveillance, an overview of its development under late capitalist regimes of exploitative micro-labor, and an orientation to how computer vision works. However, the main focus of this talk is not what computer vision does. Rather, Drimmer considers the culture of the AI industry, its main objectives, and the dangerous vision for the future that it promises--and whether those promises are credible or even in good faith. This vision for the future has relied on extracting history, and art history in particular, and Drimmer argues that it is our responsibility as art historians to be knowledgeable about the forms this extraction takes. Drimmer concludes with suggestions about what we can do to protect the subjects and practitioners of our discipline, as well as education in the humanities more broadly, against this incursion. Drimmer does not intend an intransigent rejection of a given technology; rather this talk articulates a challenge that is grounded in knowledge of the historical origins and corporate practices of the AI industry today.
shineslike.bsky.social
This sounds so good.
sonjadrimmer.bsky.social
People of Connecticut and regions nearby. Come on out on September 16! Free and open to the public.
A poster for a talk I'm giving. 

Tuesday, September 16, 2025 at 4:30pm
Boger Hall, Room 112, 41 Wyllys Avenue, Middletown, Connecticut

Free and open to the public.

"Extracting the Past: How the 'AI' Industry Exploits Art History and What We Can Do to Stop It."

Over the last several years, universities and museums have partnered with commercial technology firms like Google, Microsoft, and Meta, who have promised that their AI products will enhance both historical research and accessibility to historical collections. These promises, however, are not supported by the reality of what computer vision--the branch of AI most relevant to the history of art--can achieve. So why have major institutions in education and the arts been so quick to take up these firms' offers?

This talk responds to this question by providing an introduction to computer vision's origins in military surveillance, an overview of its development under late capitalist regimes of exploitative micro-labor, and an orientation to how computer vision works. However, the main focus of this talk is not what computer vision does. Rather, Drimmer considers the culture of the AI industry, its main objectives, and the dangerous vision for the future that it promises--and whether those promises are credible or even in good faith. This vision for the future has relied on extracting history, and art history in particular, and Drimmer argues that it is our responsibility as art historians to be knowledgeable about the forms this extraction takes. Drimmer concludes with suggestions about what we can do to protect the subjects and practitioners of our discipline, as well as education in the humanities more broadly, against this incursion. Drimmer does not intend an intransigent rejection of a given technology; rather this talk articulates a challenge that is grounded in knowledge of the historical origins and corporate practices of the AI industry today.
shineslike.bsky.social
Good.
amlibraryassoc.bsky.social
NEWS: A federal court in Rhode Island has ruled that the Institute of Museum and Library Services must remain open pending resolution of the government's appeal in the case Rhode Island v. Trump. ALA is grateful that the courts agree: IMLS must remain open. #ForOurLibraries
New: Federal court denies government's motion in Rhode Island lawsuit. The First Circuit today ruled that the federal Institute of Museum and Library Services must remain open pending resolution of the government's appeal. Show up for our libraries, American Library Association.
shineslike.bsky.social
Looking forward to following along 😊
shineslike.bsky.social
Woke up to discover that the roads were blocked on all sides by the Maryland Cycling Classic, then proceeded to have an absorbing, if unexpected, day watching some great cycling—dashing from the TV to the street when the riders passed by. It was a much needed distraction and a lovely day.
shineslike.bsky.social
Yep, I spent a decade in higher education admin before becoming an academic and I’m so grateful that I have a more complete sense of how each contributes to the work.
shineslike.bsky.social
All right, putting it out into the world… if anyone back in Australia has hot tips on a job for a museum studies professor who loves teaching and public programs and has leadership and strategic thinking skills, I’d love to hear them. Holding on here, but longing to be back in Oz.
shineslike.bsky.social
I feel you. When I used to come to conferences in the US, the 30 or so hours travelling home held a kind of blissful aloneness.
shineslike.bsky.social
I’ve just shared with our jobs list.
shineslike.bsky.social
Part Simpsons, part Bluey… combine them and you’re pretty much there.
shineslike.bsky.social
I got mine, too. There was a line!
shineslike.bsky.social
I saw three of these on my walk to work…
ofthebraveusa.bsky.social
Why are federal agents wearing masks to hide their face? Public servants should face the public — take off your masks!

We just launched ads at over a hundred bus shelters around Washington, D.C. — check them out!
Reposted by suse anderson
sifill.bsky.social
Watching how Mayor Jacobs and Gov. Pritzker are having to explain why they oppose Trump’s military occupation is infuriating. Those of us who live in Baltimore, Chicago, and other cities cited by Trump are not a backdrop for a strongman’s show of power.

open.substack.com/pub/sherrily...
Emergency-Gate: Focus on Challenging the Premise of Trump’s Power
*neighborhood in southeast Baltimore
open.substack.com
shineslike.bsky.social
I mean, these are all great ideas.
shineslike.bsky.social
Meanwhile, our pediatrician told us they could no longer order the COVID vaccine at all and if we found somewhere with a supply that our kids could get, we should do it.
Reposted by suse anderson
mimosaishere.bsky.social
"None of us can imagine what it is like to be subjected to the unremitting physical, psychological, and social violence of chattel slavery. But museums such as the NMAAHC bring us closer ... by sharing 1st person accounts of those who lived through that terrible violence."
shineslike.bsky.social
It feels kinda weird to share a piece that I’m also quoted in, but this from Beth English is great: “What we’re really seeing in those exhibits is a museum system growing in honesty and complexity, as historians explore new sources and approaches that expand and enrich our understanding of history”
Trump says Smithsonian is too focused on slavery. Scholars see sanitizing.
President Donald Trump threatened to unleash his attorneys on the Smithsonian, saying the institution was fixated on “how bad slavery was.”
www.washingtonpost.com