Simon Bralee
@simonbralee.com
3.3K followers 860 following 450 posts
Advocate for arts and humanities. I believe in the importance of sharing the stories of research to create impact outside of universities. Comms professional and history postgrad researching Anubis in the Roman World. 🏛️🐍 He/him
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Reposted by Simon Bralee
lrb.co.uk
‘The theme of exile guides the utilitarian design of the new show. Around a hundred archaeological finds from Gaza are laid out in a ground-floor bunker space, complete with strip lights, cold grey-blue walls and chilly steel benches.’

@josephinequinn.bsky.social: www.lrb.co.uk/the-paper/v4...
Josephine Quinn · At the Institut du monde arabe: ‘Trésors sauvés de Gaza’
This show has excited controversy: should we even be talking about damage to antiquities in the context of so much...
www.lrb.co.uk
simonbralee.com
Remember this well. The classic thread.
simonbralee.com
A statue of a god with a much more famous wife, once owned by a man with a much more famous wife.

Marble bust of Serapis, 1st - 2nd century CE, formerly in the collection of William Hamilton, husband of Emma.

📷 Visions of Ancient Egypt exhibition, Sainsbury Centre, 2022 #AncientBluesky #Egyptology
A bust of a bearded man with a small discrete cylindrical modius hat on his head
Reposted by Simon Bralee
drnwillburger.bsky.social
A marvellous #Egyptian #frog amulet, made of porphyry (height 1.2 cm).
Because of their numerous offspring, #frogs were considered a symbol of fertility.

Dating ca. 1295–1185 BC, New Kingdom.

📷Metropolitan Museum

🏺 AncientEgyptBluesky
A small frog-shaped amulet carved from dark reddish-brown porphyry, patterned with irregular white spots, shown in a crouching position against a plain light background.
Reposted by Simon Bralee
sarahebond.bsky.social
At Roman Isarnodurum in France, they discovered a # of wooden writing tablets and some really cute wooden shoes at a newly identified woodworking (lots of boxwood) workshop. The area is already known for comb-making and this is just a great Roman economic find. www.labrujulaverde.com/en/2025/10/r...
The two maple wood soles, belonging to shoes of the sculponae type (shoes with a wooden sole to which a piece of leather is nailed). Credit: Flore Giraud / Inrap
simonbralee.com
Devastating news from Manchester. My thoughts are with the Jewish community and everyone impacted by this vile deed. We need to group together and stamp out antisemitism.
Reposted by Simon Bralee
kpw1453.bsky.social
Statuette of the goddess Minerva which was found in the Commanding Officer’s house at Segedunum Roman Fort on North Tyneside. Now on display in the site museum. 📸 My own. #RomanFortThursday #RomanBritain #SegedunumRomanFort
Reposted by Simon Bralee
godysseypodcast.com
Excommunication could make one a werewolf, in medieval Christian lore, a curse no one wanted because in some regions of Europe, particularly the Balkans and Greece, a werewolf had a restless spirit even in death, leading to undead werewolves. #WyrdWednesday
An etching of a medieval werewolf, a man with a dog's head with a long tongue lapping, his hands seeming to gesture "Now what?"
simonbralee.com
A very excited friend sent me this photo of the ‘From Toga to Robe’ catalogue. Last year’s exhibition in Slovenia featured the official dress of supreme court judges from 14 courts in the EU. An intriguing piece of classical reception. Has anyone else read it yet? #ClassicsBluesky #AncientBluesky
A hand clutches the From Toga to Robe catalogue.
Reposted by Simon Bralee
sarahebond.bsky.social
Alright classicists and ancient historians, do you have someone you wish to nominate for the @scsclassics.bsky.social outreach prizes? The deadline is coming up on October 31, 2025, so please take a look at both the Forum and The Mary-Kay Gamel Outreach Prizes to see if your fav should be nominated.
Awards, Fellowships, and Grants | Society for Classical Studies
Awards Teaching and Advising Awards
www.classicalstudies.org
simonbralee.com
I am imagining a foghorn leghorn style southern belle here 😹
simonbralee.com
A temptress in the desert, but be careful. Check out those feet! The Temptation of St Antony by Master Girard (c.1470-1500) on display in Sam Fogg Gallery, London. #LateAntiquityBluesky
A 15th century painting depicting a grey bearded man in brown and black monk’s robes looking at a most comely woman in richly adorned contemporary fashions. The feet peeking out beneath the hem of her dress are birdlike talons, the feet of a devil in disguise.
simonbralee.com
I see it as an adornment, although it has been suggested the statuette could have been an amulet, but feels too heavy for this.

I sometimes like to think he’s a Roman era precursor to Jacob Marley 😸
simonbralee.com
Perfect little Roman period silver statuette of the Egyptian god Harpocrates with a tiny dog (or pard), hawk and tortoise, important animals possibly representing his powers over death. Found near London Bridge. 🏺 #AncientBluesky #Egyptology
A silver statuette of a young child with wings. His right hand is placed to his mouth. There’s a gold chain around his body. On the statuette base are three animals, now worn away: a dog or leopard, perhaps reflecting Anubis or Dionysus, a tortoise, the symbol of eternity, and a hawk, the traditional animal of the god’s Egyptian form.
simonbralee.com
Relief from Corinium Museum depicting a horned god holding two friendly snakes in each hand, identified as the Celtic god Cernunnos. Possibly related to fertility or just Iron Age / Roman British rock n roll
🏺 #AncientBluesky
A worn stone relief depicting a human sat down with two large writhing serpents either side. Details on the face are just visible, including eyes and .
simonbralee.com
Japanese figurine (Japan House, London) and ancient Egyptian figurine (Louvre).
A brightly painted clay figurine of a cat wearing traditional Japanese clothes on a white horse. A terracotta figurine of a child riding on the back of a dog.
simonbralee.com
No one makes a milk jug look quite as muddy and teeming with squirmy, slimy creatures as the Martin Brothers. (Currently on display in the Gallery of Everything.)
A small clay jug painted with an image of fish, eels and weeds in earthy hues.
Reposted by Simon Bralee
durotrigesdig.bsky.social
A goddess for #FindsFriday

In 1882 antiquary Edward Cunnington dug at the #Roman temple at Maiden Castle hillfort in #Dorset

Sadly his excavations were never published although one important find was this copper alloy plaque with repoussée figure, possibly Minerva

Now in @dorsetmuseum.bsky.social
Thin copper alloy sheet with a lightly hammered image of a female figure wearing an archaic Greek helmet and holding a spear in her right hand, the left resting on a shield
Reposted by Simon Bralee
partialhistorians.bsky.social
🏛️Funerary Relief Depicting a Gate🏛️

This gorgeous relief is in commemoration of the wife and children of a husband and father whose name is now lost. The gate is thought to symbolise the entrance into Hades’ realm.

#ReliefWednesday #AncientRome #AncientGreece
Inscription reads: “[this tomb was built by ...] 
for his wife Aurelia Domitia and his children [...
[if anyone...] takes it upon himself and buries another (in it), he shall pay the most exalted [...
...] city to repentance [...
and the trading venue the same share.”

Description from the Kunsthistorisches Museum, Vienna: “In contrast to many other funerary monuments from the Greco-Roman period, what is visible here is not the image of the deceased, but rather an architecture in the form of a gate. In the background, masonry with large ashlars is indicated, as is also documented for real architecture, such as temples. The gate is framed by two columns with foliate capitals, above which lies a crossbeam, a so-called architrave, with a tripartite structure and a Greek inscription. Ornamental stripes adorn the gate, which is accessible via three steps and symbolizes the entrance to the underworld, Hades. The Greek inscription names the owners of the tomb, mentions a prohibition against the use of the burial site by strangers, and specifies the associated fine. At the end, a greeting is written, addressed to passersby.“
simonbralee.com
They are very deco, but even more intriguing are the medieval lions and sphinges, they may have inspired…
Sphinx | Echoes of Egypt | Yale Peabody Museum
echoesofegypt.peabody.yale.edu
simonbralee.com
One of the two lions of Pharaoh Nectanebo I (360-343 BCE), taken from the Nile delta to Rome in antiquity. They became an important inspiration for church art in medieval Rome. #Egyptology
A statue of a reclining lion with its face pointed to the side. The statute base has hieroglyphs.
simonbralee.com
True. Part of my research is on this and it can get a little confusing I.e. Hermes can be associated with both Anubis and Thoth for different reasons. Very interesting though.