In “Battle for the Museum,” Rachel Spence argues that art’s relationship to capital, climate, and politics in the 21st century is more important and insidious than ever.
In “Battle for the Museum,” Rachel Spence argues that art’s relationship to capital, climate, and politics in the 21st century is more important and insidious than ever.
As a right-wing network has kicked into overdrive to push the Dallas HERO Initiative amendments, the Observer has uncovered new details about a California-based publicity firm key to the foundation and operation of some of these groups.
As a right-wing network has kicked into overdrive to push the Dallas HERO Initiative amendments, the Observer has uncovered new details about a California-based publicity firm key to the foundation and operation of some of these groups.
In the late 90’s I was a lo-fi 4 track basement songwriter. I was Bumblepuppy, writer of strange, beautiful indie pop. I would draw the artwork cover image, dupe In cassettes and mail them snail mail to friends and unsuspecting labels. I did eventually sign a publishing contract.
October 20, 2024 at 7:13 PM
In the late 90’s I was a lo-fi 4 track basement songwriter. I was Bumblepuppy, writer of strange, beautiful indie pop. I would draw the artwork cover image, dupe In cassettes and mail them snail mail to friends and unsuspecting labels. I did eventually sign a publishing contract.