The SunBreak
@thesunbreak.bsky.social
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Seattle-based website covering movies and stuff
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Announcing the nominees for the Seattle Film Critics Society's 2025 Best Pacific Northwest Film award with a screening series at @siffnews.bsky.social
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📽️ Is it Worth it to Pay Attention to HIM? - Tony dives into Justin Tipping's assault on professional sports and toxic masculinity, a dark stylized fable set in the world of American football.

thesunbreak.com/2025/09/24/h...
Is it Worth it to Pay Attention to Him? - The SunBreak
This Jordan Peele-produced sports horror movie wears its flaws, topicality, and ambition on its jersey sleeve.
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thesunbreak.bsky.social
At this point, we'd be flabbergasted if the Orcas Island Film Festival lineup was anything other than astonishingly good. Today they revealed the full list and it's a dizzying array of the best movies of the year, and probably more than a few Oscar winners. thesunbreak.com/2025/09/23/o...
Orcas Island Film Festival reveals astonishing lineup of cinematic riches - The SunBreak
At this point, in their eleventh year, it barely counts as surprising when the Orcas Island Film Festival quietly drops one of the most astonishingly complete and compelling film festival lineups of…
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josh-c.bsky.social
POETIC LICENSE. A mom with no boundaries befriends two buddies with attachment issues. Almost nothing makes sense in Maude Apatow's collegiate comedy of terrible choices except that Cooper Hoffman and Andrew Barth Feldman have a lifetime of buddy comedies in their future. #TIFF
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josh-c.bsky.social
NO OTHER CHOICE. Expected this downsizing comedy to go much differently, but Park Chan-wook digs deeper and deeper into daffy darkness. Not entirely my cup of tea, but have to appreciate the commitment to the bit. #TIFF
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josh-c.bsky.social
NOUVELLE VAGUE. But of course Richard Linklater made a movie about the making of BREATHLESS a rangy hangout pic populated by a comically absurd array of bold-faced names. Zoey Deutch is suitably perplexed as Seberg; Sunglasses/ Marbeck are convincingly iconoclastic as Godard. Appealing vibe. #TIFF
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josh-c.bsky.social
BLUE HERON. A filmmaker interrogates events of a tumultuous summer from her childhood on Vancouver Island. Using tools of her trade, she constructs layers of artifice to attempt to find truths she was too young to understand, conveying to the audience a small sense of empathetic confusion. #TIFF
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josh-c.bsky.social
ORWELL 2+2=5. Drawing on writings from the last year of Orwell's life, Raoul Peck crafts a tapestry of outrageous prescience from film clips, quotations, and present-day imagery. A call to collective action before forcefully prophetic warnings become elegies as we grow deaf to their accuracy. #TIFF
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josh-c.bsky.social
WAKE UP DEAD MAN. My god, Josh O'Connor is good at this!

My fraying wits could be a culprit, but Rian Johnson's hilariously plotted, elegantly structured mystery's warm embrace in a world of wolves is the most moved I've felt at #TIFF. Keep making these as long as Daniel Craig will do them!
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josh-c.bsky.social
TUNER. Amid so many "prestige" ambitions, a welcome jolt when a fun movie executes on a clever concept and is impeccably entertaining from top to bottom. Dustin Hoffman charms, and Leo Woodall hits all the right notes as a hardscrabble piano tech whose acute ears get him into safecracking. #TIFF
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josh-c.bsky.social
NUESTRA TIERRA. Questions spiral from a case adjudicating a murder captured on film. Testimony within the courtroom gives way to personal narratives of surviving family, personal histories, a legacy of colonialism, and a discovery of indigenous identitIes buried in centuries of paperwork. #TIFF
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josh-c.bsky.social
THE CHRISTOPHERS. Felt more sputtering and searching than I expect from Soderbergh, but Michaela Cole and Ian McKellen make magnificent sparring partners. As far as people talking in rooms go, can't ask for better than these two talking about art and trying to pull one over on his idiot kids. #TIFF
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RENTAL FAMILY. Wait. Is this really a Japanese remake of a Werner Herzog movie starring Brendan Fraser as an American actor abroad who gets into the surrogate relative business? HIKARI takes it far more sentimental and comedic; Fraser's big soft vulnerability demands sweet and tidy endings. #TIFF
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josh-c.bsky.social
DEAD MAN'S WIRE. Aggrieved borrower bound to a slippery lender by loaded shotgun might be too on the nose a metaphor if it hadn't really happened. With Bill Skarsgård as self-righteous captor, Gus Van Sant makes wry hay of the 1977 Indianapolis hostage situation that minted a minor folk hero. #TIFF
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THE LOST BUS. Impossible to capture the enormity of the Paradise wildfire, but Greengrass does what he can with a limited budget. Filming the flames like a monster, he puts us inside the dark belly of the beast alongside McConaughey. Ample bravery abounds, but no heroics can rescue this one. #tiff
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josh-c.bsky.social
MIROIRS NO. 3. With something always just out of reach, Christian Petzold's films have a certain rigor of academic riddles populated by characters brimming with curiosity and nursing quiet tragedies. The great pleasure is in the final piece falling into place to reveal a richer, fuller whole. #TIFF