Speed:
...but you are so
without these follies, that these follies are within
you and shine through you like the water in an
urinal, that not an eye that sees you but is a
physician to comment on your malady.
(II.1.36-40)
Speed:
...but you are so
without these follies, that these follies are within
you and shine through you like the water in an
urinal, that not an eye that sees you but is a
physician to comment on your malady.
(II.1.36-40)
Thou blind fool, Love, what doest thou to mine eyes,
William Shakespeare
Thou blind fool, Love, what doest thou to mine eyes,
William Shakespeare
"...he was literally plagued by this sense of them as children in adults' bodies."
I often get the feeling that serious people are "playing" at the things they're doing, rather than earnestly doing them...lawyers, parents, chefs, gang members (don't ask).
"...he was literally plagued by this sense of them as children in adults' bodies."
I often get the feeling that serious people are "playing" at the things they're doing, rather than earnestly doing them...lawyers, parents, chefs, gang members (don't ask).
Day 55
"'But you can't stop people coming in,' he said, 'and you can't ask what's in it for you when they do.'"
Day 55
"'But you can't stop people coming in,' he said, 'and you can't ask what's in it for you when they do.'"
#2Gents_2025
Speed:
Ay sir: I, a lost mutton, gave your letter to her,
a laced mutton*, and she, a laced mutton, gave me, a
lost mutton, nothing for my labour.
(I.1.97-99) Arden 3rd
* mutton - a promiscuous woman; a prostitute.
#2Gents_2025
Speed:
Ay sir: I, a lost mutton, gave your letter to her,
a laced mutton*, and she, a laced mutton, gave me, a
lost mutton, nothing for my labour.
(I.1.97-99) Arden 3rd
* mutton - a promiscuous woman; a prostitute.
Day 54
"'Well, it's true, isn't it,' he said, somewhat petulantly."
This line seems emblematic of many (if not all) of the characters Faye interacts with. They assert, then sulk.
Day 54
"'Well, it's true, isn't it,' he said, somewhat petulantly."
This line seems emblematic of many (if not all) of the characters Faye interacts with. They assert, then sulk.
Intro in Arden 3rd
Intro in Arden 3rd
"...I have to conclude that Shakespeare cheerfully and knowingly travesties love and friendship alike, thus clearing the ground for the greatness of his high romantic comedies, from Love's Labour's Lost through Twelfth Night."
Harold Bloom, Shakespeare: The Invention of the Human
"...I have to conclude that Shakespeare cheerfully and knowingly travesties love and friendship alike, thus clearing the ground for the greatness of his high romantic comedies, from Love's Labour's Lost through Twelfth Night."
Harold Bloom, Shakespeare: The Invention of the Human
Day 52
"...a curious feature was moulded into the white plaster, a human face. All the houses had them: each face was different, some female and some male; their eyes looked down slightly, as though interrogating the person standing on the threshold."
Day 52
"...a curious feature was moulded into the white plaster, a human face. All the houses had them: each face was different, some female and some male; their eyes looked down slightly, as though interrogating the person standing on the threshold."
Day 50
"Her large, slack body had an unmistakable core of violence..."
"His skin had the blue-grey colour of breathlessness..."
"The house on either side stood as though in feigned ignorance of the squalor in their midst..."
Day 50
"Her large, slack body had an unmistakable core of violence..."
"His skin had the blue-grey colour of breathlessness..."
"The house on either side stood as though in feigned ignorance of the squalor in their midst..."
#SundaySarton
#SundaySarton
Day 48
"In the distance the faint drone of the city could be heard, so that the nearby silence seemed somehow man-made. This feeling, I said to Gerard, of the very air being constructed, was to me the essence of civilisation."
Day 48
"In the distance the faint drone of the city could be heard, so that the nearby silence seemed somehow man-made. This feeling, I said to Gerard, of the very air being constructed, was to me the essence of civilisation."
Kent:
He hates him
That would upon the rack of this tough world
Stretch him out longer.
(V.3.385-387)
Thank you, Christina, and everybody, for another rewarding read.
Kent:
He hates him
That would upon the rack of this tough world
Stretch him out longer.
(V.3.385-387)
Thank you, Christina, and everybody, for another rewarding read.
Day 47
"...the once-sordid building (pub) now a refurbished allusion to its own non-existent history."
Spaces and buildings in Transt are a kind of shorthand for people’s inner lives — not exactly personified, but compressed metaphors.
Day 47
"...the once-sordid building (pub) now a refurbished allusion to its own non-existent history."
Spaces and buildings in Transt are a kind of shorthand for people’s inner lives — not exactly personified, but compressed metaphors.
Day 45
"...a city was a decipherable interface, a sort of lexicon of human behaviour that did half the work of decoding the mystery of self, so that you could effectively communicate through a kind of shorthand."
Day 45
"...a city was a decipherable interface, a sort of lexicon of human behaviour that did half the work of decoding the mystery of self, so that you could effectively communicate through a kind of shorthand."
Day 44 (a day behind)
"...whose striking views were expressive of the descent from the salubrious to the squalid, a dichotomy Gerald had seemed at the time either to be presiding over or imprisoned in."
Day 44 (a day behind)
"...whose striking views were expressive of the descent from the salubrious to the squalid, a dichotomy Gerald had seemed at the time either to be presiding over or imprisoned in."
Cordelia:
Mine enemy’s meanest dog,
Though he had bit me, should have stood that night
Against my fire.
(IV.7.42-44)
Cordelia:
Mine enemy’s meanest dog,
Though he had bit me, should have stood that night
Against my fire.
(IV.7.42-44)
Gloucester:
The king is mad. How stiff is my vile sense,
That I stand up and have ingenious feeling
Of my huge sorrows. Better I were distract—
So should my thoughts be severed from my griefs,
And woes by wrong imaginations lose
The knowledge of themselves.
(IV.6.308-314)
Gloucester:
The king is mad. How stiff is my vile sense,
That I stand up and have ingenious feeling
Of my huge sorrows. Better I were distract—
So should my thoughts be severed from my griefs,
And woes by wrong imaginations lose
The knowledge of themselves.
(IV.6.308-314)
"...whatever we might wish to believe about ourselves, we are only the result of how others have treated us."
"...whatever we might wish to believe about ourselves, we are only the result of how others have treated us."
Gloucester:
O you mighty gods,
This world I do renounce, and in your sights
Shake patiently my great affliction off.
If I could bear it longer and not fall
To quarrel with your great opposeless wills,
My snuff and loathèd part of nature should
Burn itself out.
(IV.6.44-60)
Gloucester:
O you mighty gods,
This world I do renounce, and in your sights
Shake patiently my great affliction off.
If I could bear it longer and not fall
To quarrel with your great opposeless wills,
My snuff and loathèd part of nature should
Burn itself out.
(IV.6.44-60)
How fearful
And dizzy 'tis to cast one's eyes so low!
The crows and choughs that wind the midway air
…
The fishermen that walk upon the beach
Appear like mice, and yond tall anchoring bark
Diminish'd to her cock
…
The murmuring surge,
That on th' unnumber'd idle pebble chafes,
1+
How fearful
And dizzy 'tis to cast one's eyes so low!
The crows and choughs that wind the midway air
…
The fishermen that walk upon the beach
Appear like mice, and yond tall anchoring bark
Diminish'd to her cock
…
The murmuring surge,
That on th' unnumber'd idle pebble chafes,
1+
Doctor:
Our foster nurse of nature is repose...
(IV.4.13)
(My last two days after a gruelling month.)
Doctor:
Our foster nurse of nature is repose...
(IV.4.13)
(My last two days after a gruelling month.)