yuling
@tongyuling.bsky.social
I’m drawn to abstractions & absurdities
• twt: https://x.com/tongyuling3
• i: @Soe_chimi, b: @svioress
• twt: https://x.com/tongyuling3
• i: @Soe_chimi, b: @svioress
HAPPY BIRTHDAY!!! did you know? you will have a great birthday, now and forever
October 2, 2025 at 4:27 AM
HAPPY BIRTHDAY!!! did you know? you will have a great birthday, now and forever
it can be an internal monologue spoken out loud so we can hear it or a speech from a character somehow aware of the audience. but in either case, it tends to bring the audience and the stage closer together, and they tend to be non-realist.
September 2, 2025 at 2:09 PM
it can be an internal monologue spoken out loud so we can hear it or a speech from a character somehow aware of the audience. but in either case, it tends to bring the audience and the stage closer together, and they tend to be non-realist.
perhaps that’s why ope chose topro to say it to. she calls her the “axle” because she’s the steady center of their generation, the one who connects ayb, ope and doto, rivals who otherwise pull in different directions. opera o depends on topro’s presence to keep her from spinning into isolation.
September 2, 2025 at 2:22 AM
perhaps that’s why ope chose topro to say it to. she calls her the “axle” because she’s the steady center of their generation, the one who connects ayb, ope and doto, rivals who otherwise pull in different directions. opera o depends on topro’s presence to keep her from spinning into isolation.
that’s her paradox: she cannot reveal her heart without spectacle. which means even her most personal truths are trapped in performance. and yet, by saying them in front of topro (and the others), she creates the Possibility of being understood. to bridge the gap between the stage and the person.
September 2, 2025 at 2:15 AM
that’s her paradox: she cannot reveal her heart without spectacle. which means even her most personal truths are trapped in performance. and yet, by saying them in front of topro (and the others), she creates the Possibility of being understood. to bridge the gap between the stage and the person.