#woshostoremo
I fell down on #WoShoStoReMo last month, on account of, you know, a busy and eventful month. (Doesn't help that I'm in two different book clubs. I need to stop reading.)

But, also, I didn't see a single nanowrimo post, so I think it's safe to say the short stories won.

Anyway…
December 2, 2025 at 4:26 PM
I'm running out of time for today's #WoShoStoReMo and running even lower on motivation
November 25, 2025 at 1:09 AM
for #WoShoStoReMo
"Wapnintu’tijig They Sang Until Dawn", Tiffany Morris: nature undergoing profound change and the swamp mermaid experiencing it all, both the loss and the beauty. I loved the careful, skittish POV here & vivid details of disturbing change.

podcastle.org/2023/01/24/p...
November 23, 2025 at 5:16 PM
for #WoShoStoReMo
"The Gannets", Anna Kavan (1945): her stories frequently seem to concern the absence of meaning (either it has disappeared or, as here, never actually mattered). This very brief story is a jolt of vivid irrationality.
November 22, 2025 at 10:30 PM
for #WoShoStoReMo
"Some of Us Had Been Threatening Our Friend Colby", Donald Barthelme: a re-read (but it has been well over a decade). Never getting over the exquisite tension between propriety and brutality, the way the former disciplines the latter .

www.jessamyn.com/barth/colby....
jessamyn.com: Donald Barthelme : some of us had been threatening our friend colby
Some of us had been threatening our friend Colby for a long time, because of the way he had been behaving. And now he'd gone too far, so we decided to hang him. Colby argued that just because he had gone too far (he did not deny that he had gone too far) did not mean that he should be subjected to hanging. Going too far, he said, was something everybody did sometimes. We didn't pay much attention to this argument. We asked him what sort of music he would like played at the hanging. He said he'd think about it but it would take him a while to decide. I pointed out that we'd have to know soon, because Howard, who is a conductor, would have to hire and rehearse the musicians and he couldn't begin until he knew what the music was going to be. Colby said he'd always been fond of Ives's Fourth Symphony. Howard said that this was a "delaying tactic" and that everybody knew that the Ives was almost impossible to perform and would involve weeks of rehearsal, and that the size of the orchestra and chorus would put us way over the music budget. "Be reasonable," he said to Colby. Colby said he'd try to think of something a little less exacting. Hugh was worried about the wording of the invitations. What if one of them fell into the hands of the authorities? Hanging Colby was doubtless against the law, and if the authorities learned in advance what the plan was they would very likely come in and try to mess everything up. I said that although hanging Colby was almost certainly against the law, we had a perfect moral right to do so because he was our friend, belonged to us in various important senses, and he had after all gone too far. We agreed that the invitations would be worded in such a way that the person invited could not know for sure what he was being invited to. We decided to refer to the event as "An Event Involving Mr. Colby Williams." A handsome script was selected from a catalogue and we picked a cream-colored paper. Magnus said he'd see to having the invitations printed, and wondered whether we should serve drinks. Colby said he thought drinks would be nice but was worried about the expense. We told him kindly that the expense didn't matter, that we were after all his dear friends and if a group of his dear friends couldn't get together and do the thing with a little bit of eclat, why, what was the world coming to? Colbv asked if he would be able to have drinks, too, before the event. We said,"Certainly." The next item of business was the gibbet. None of us knew too much about gibbet design, but Tomas, who is an architect, said he'd look it up in old books and draw the plans. The important thing, as far as he recollected, was that the trapdoor function perfectly. He said that just roughly, counting labor and materials, it shouldn't run us more than four hundred dollars. "Good God !" Howard said. He said what was Tomas figuring on, rosewood? No, just a good grade of pine, Tomas said. Victor asked if unpainted pine wouldn't look kind of "raw," and Tomas replied that he thought it could be stained a dark walnut without too much trouble. I said that although I thought the whole thing ought to be done really well and all, I also thought four hundred dollars for a gibbet, on top of the expense for the drinks, invitations, musicians, and everything, was a bit steep, and why didn't we just use a tree -- a nice-looking oak, or something? I pointed out that since it was going to be a June hanging the trees would be in glorious leaf and that not only would a tree add a kind of "natural" feeling but it was also strictly traditional, especially in the West. Tomas, who had been sketching gibbets on the backs of envelopes, reminded us that an outdoor hanging always had to contend with the threat of rain. Victor said he liked the idea of doing it outdoors, possibly on the bank of a river but noted that we would have to hold it some distance from the city, which presented the problem of getting the guests, musicians, etc., to the site and then back to town. At this point everybody looked at Harry, who runs a car-and-truck-rental business. Harry said he thought he could round up enough limousines to take care of that end but that the drivers would have to be paid. The drivers, he pointed out, wouldn't be friends of Colby's and couldn't be expected to donate their services, any more than the bartender or the musicians. He said that he had about ten limousines, which he used mostly for funerals, and that he could probably obtain another dozen by calling around to friends of his in the trade. He said also that if we did it outside, in the open air, we'd better figure on a tent or awning of some kind to cover at least the principals and the orchestra, because if the hanging was being rained on he thought it would look kind of dismal. As between gibbet and tree, he said, he had no particular preferences and he really thought that the choice ought to be left up to Colby, since it was his hanging. Colby said that everybody went too far, sometimes, and weren't we being a little Draconian? Howard said rather sharply that all that had already been discussed, and which did he want, gibbet or tree? Colby asked if he could have a firing squad. No, Howard said, he could not. Howard said a firing squad would just be an ego trip for Colby, the blindfold and last-cigarette bit, and that Colby was in enough hot water already without trying to "upstage" everyone with unnecessary theatrics. Colby said he was sorry, he hadn't meant it that way, he'd take the tree. Tomas crumpled up the gibbet sketches he'd been making, in disgust. Then the question of the hangman came up. Pete said did we really need a hangman? Because if we used a tree, the noose could be adjusted to the appropriate level and Colby could just jump off something -- a chair or stool or something. Besides, Pete said, he very much doubted if there were any free-lance hangmen wandering around the country, now that capital punishment has been done away with absolutely, temporarily, and that we'd probably have to fly one in from England or Spain or one of the South American countries, and even if we did that how could we know in advance that the man was a professional, a real hangman, and not just some money-hungry amateur who might bungle the job and shame us all, in front of every body? We all agreed then that Colby should just jump off something and that a chair was not what he should jump off of, because that would look, we felt, extremely tacky -- some old kitchen chair sitting out there under our beautiful tree. Tomas, who is quite modern in outlook and not afraid of innovation, proposed that Colby be standing on a large round rubber ball ten feet in diameter. This, he said, would afford a sufficient "drop" and would also roll out of the way if Colby suddenly changed his mind after jumping off. He reminded us that by not using a regular hangman we were placing an awful lot of the responsibility for the success of the affair on Colby himself, and that although he was sure Colby would perform creditably and not disgrace his friends at the last minute, still, men have been known to get a little irresolute at times like that, and the ten-foot-round rubber ball, which could probably be fabricated rather cheaply, would insure a "bang-up" pro duction right down to the wire. At the mention of "wire," Hank, who had been silent all this time, suddenly spoke up and said he wondered if it wouldn't be better if we used wire instead of rope -- more efficient and in the end kinder to Colby, he suggested. Colby began looking a little green, and I didn't blame him, because there is something extremely distasteful in think ing about being hanged with wire instead of rope -- it gives you sort of a revulsion, when you think about it. I thought it was really quite unpleasant of Hank to be sitting there talking about wire, just when we had solved the problem of what Colby was going to jump off of so neatly, with Tomas's idea about the rubber ball, so I hastily said that wire was out of the question, because it would injure the tree -- cut into the branch it was tied to when Colby's full weight hit it -- and that in these days of increased respect for the environment, we didn't want that, did we? Colby gave me a grateful look, and the meeting broke up. Everything went off very smoothly on the day of the event (the music Colby finally picked was standard stuff, Elgar, and it was played very well by Howard and his boys). It didn't rain, the event was well attended, and we didn't run out of Scotch, or anything. The ten-foot rubber ball had been painted a deep green and blended in well with the bucolic setting. The two things I remember best about the whole episode are the grateful look Colby gave me when I said what I said about the wire, and the fact that nobody has ever gone too far again.
www.jessamyn.com
November 21, 2025 at 8:49 PM
for #WoShoStoReMo : "The New Atlantis", Ursula K. Le Guin. While some specific details about the world (three-part harmony ad jingles, "Sammy's-dot", equating Birchers with Weathermen) were too goofy for me, the core of this, its dual POVs, is remarkable.

www.lightspeedmagazine.com/fiction/the-...
The New Atlantis - Lightspeed Magazine
Coming back from my Wilderness Week, I sat by an odd sort of man in the bus. For a long time we didn’t talk; I was mending stockings and he was reading. Then the bus broke down a few miles outside Gre...
www.lightspeedmagazine.com
November 20, 2025 at 2:56 PM
today's #WoShoStoReMo story: "The Ghost of Cerrera Orbital Station Makes Herself Known", Laila Amado. Quite vividly detailed/envisioned.

psychopomp.com/deadlands/is...
The Ghost of Cerrera Orbital Station Makes Herself Known - PSYCHOPOMP.COM
The ghost has always been here. You just didn’t notice her before.
psychopomp.com
November 18, 2025 at 8:40 PM
For #WoShoStoReMo, "Her Old Home", Can Xue: so eerie and deeply difficult to fix its meaning. A woman returns to her old house & coworkers after 20 years away.
November 17, 2025 at 4:17 PM
For #WoShoStoReMo, "Night and the Loves of Joe Dicostanzo", Samuel R. Delany: frantically strange, the jerk that wakes you before your dreamself, falling, hits the pavement. A story that doesn't explain itself, only whirls & scurries through a psychic castle chockfull of repression & imagination.
November 16, 2025 at 1:24 PM
For #WoShoStoReMo, "House Traveler", Thomas Ha: some nice creepy touches here but pretty heavy-handed with (for lack of a better term) the meta structural elements

www.bourbonpenn.com/issue/34/hou...
Thomas Ha > House Traveler > Bourbon Penn
The five of us were gathered on the floor of one of the last houses, trying to decide which of the group would be the one to go outside. Sitting around an electric camping lantern, our legs crossed li...
www.bourbonpenn.com
November 15, 2025 at 3:42 PM
today's #WoShoStoReMo piece:
"The Institute", Carol Emshwiller. She has such a deft touch with the absurd; like _Carmen Dog_'s Academy of Motherhood, this story's Old Ladies Institute of Higher Learning is the ridiculous ground for some serious, moving work.

Cliché to say but I want more of this
November 15, 2025 at 12:27 AM
“L’Alchemista” by N.K. Jemisin is a delight 👩‍🍳👌✨ #WoShoStoReMo
November 14, 2025 at 3:33 AM
For #WoShoStoReMo
"The Woman Who Loved the Moon", Elizabeth A. Lynn (1979): a very solid lesbian sword & sorcery tale, well-told and engaging w/some marvelous touches.

It's in the delightful anthology AMAZONS!, ed. Jessica Amanda Salmonson
November 13, 2025 at 8:01 PM
Ted Chiang’s “Anxiety is the Dizziness of Freedom” is what happens when people peek into other timelines… they need therapy afterward. #WoShoStoReMo
November 13, 2025 at 2:22 AM
today's #WoShoStoReMo: "Current Events", Tom R. I must've read this 10x already. It's not just that it's eerie-weird-freaky, but also how it builds images that refer to each other but don't (against all expectation) mean anything outside themselves. I can't let this one go.

hexliterary.com?p=2915
Current Events by Tom R
The newspaper delivery boy turns his face to the wind and pedals up the tall hill by the bay, that one dotted with thin white trees and torn rope swings and bulging suitcases with the bodies of newspa...
hexliterary.com
November 12, 2025 at 10:20 PM
For #WoShoStoReMo , they can't all be winners ig.
"Seder in Siberia", Louis Evans. First-person as a shortcut for a hell of a lot of info dumping is one of my pet peeves & I prefer far less on-the-nose climate fiction.

grist.org/climate-fict...
A Seder in Siberia
From the Imagine 2200 climate fiction contest: The arrival of a surprise visitor at a family’s Passover celebration reveals the true story of how they came to be climate exiles.
grist.org
November 11, 2025 at 11:37 PM
For #WoShoStoReMo : "Ernst in Civilian Clothes" by Mavis Gallant (on a rec from the great Bill Richardson). This story slips around in its tenses, just as the protag slithers through history; he's barely human, just a knot of selfishness & subsistence:
"It is a way of living, not quite a life.”
November 11, 2025 at 12:25 AM
For #WoShoStoReMo today I read Le Guin's "Old Music and the Slave Women". What she does in this story with spatiality and self, silence and speech, is incredible.
November 9, 2025 at 4:52 PM
today's #WoShoStoReMo story:
"The Cloud", Tomás Downey (trans. Sarah Moses): the familiar & domestic grow stranger & more painful as a cloud descends. This is eerie & acutely described; when the end comes, it's no relief, no break in tension, at all.

invisiblepublishing.com/product/divi...
Diving Board · Invisible Publishing
by Tomás Downey Translated by Sarah Moses 192 pages / 8" x 5" Forthcoming 7 October 2025 FICTION / World Literature / Argentina / Hispanic & Latino / Science Fiction / Short Stories
invisiblepublishing.com
November 8, 2025 at 10:42 PM
got so worked up about that shitty novella that I nearly forgot to post today's read for #WoShoStoReMo:
"The Saddest Fuckers of All", Kathy Fish (on a rec from @thecorlew.bsky.social ): a headlong rush in the present continuous through utterly precise imagery

ghostparachute.com/issue/octobe...
The Saddest Fuckers of All — Ghost Parachute
I am needing a prescription for the Pill. I can no longer use Student Health due to living in a new town and not being a student anymore. I am telling this to the kid as he is rolling out pizza dough ...
ghostparachute.com
November 8, 2025 at 1:18 AM
#WoShoStoReMo:
"Auspicium", Diana Dima. Wonderful concept (one which will stay with me, and not just because it resembles my flop of a microfic from September), maybe rendered a little too flatly for my taste
psychopomp.com/deadlands/is...
Auspicium, by Diana Dima - PSYCHOPOMP.COM
There has always been a sparrow inside me. At first it was just an egg, something I felt in my belly before I even had the words for it. I remember asking my mother about it, the way she hugged me and...
psychopomp.com
November 7, 2025 at 1:03 AM
Today's short story for #WoShoStoReMo:
"Day Ten Thousand", Isabel J. Kim. I am still making my mind up about this one, but the first line is perfect & some passages are wonderful.

clarkesworldmagazine.com/kim_06_23/
November 5, 2025 at 10:33 PM
You don't have to argue in good faith with people arguing in bad faith may be relevant today or may be the title of a Flannery O'Connor collection of short stories. The latter being an excellent author for #WoShoStoReMo
November 5, 2025 at 3:28 PM
Today's short story for #WoShoStoReMo:
"The Thin Queen of Elfhame", James Branch Cabell: a cynical & ironic quest through a magic wood populated by deeply weird, unsettling allegorical figures that are grounded by great, evocative description. I loved this.
November 4, 2025 at 11:12 PM
#WoShoStoReMo story 2: “The Ones Who Stay and Fight” by N.K. Jamisin. So glad I stayed till the end 😱 I might have whiplash though, what a journey
November 4, 2025 at 6:26 AM