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populuxe.bsky.social
populuxe 🍂
@populuxe.bsky.social
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sperate miseri, cavete faelices (they/them) — now in my crone-in-the-woods era — tonstant weader
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had a lot of fun / had a little money
had a little son / thought we’d call
him sonny
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This Missal (Texts for the Mass), written in Gothic textualis script, contains a few large red and blue initials with penwork, and a full-page miniature of the Crucifixion. The binding is very early; it may even be original. Northern Italy, 1375-1425 (UPenn Ms. Codex 2053)

🔗: https://bit.ly/4qbm2A9
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𝗧𝗢𝗥𝗧𝗢𝗜𝗦𝗘 with the 𝗖𝗛𝗜𝗖𝗔𝗚𝗢 𝗣𝗛𝗜𝗟𝗛𝗔𝗥𝗠𝗢𝗡𝗜𝗖 Tuesday November 11th at 𝗧𝗛𝗘 𝗔𝗨𝗗𝗜𝗧𝗢𝗥𝗜𝗨𝗠 and this amazing (!!!) screenprint poster by Mark Rice Goatmother Industrial will be available at the show.
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apropos of nothing, i’ve been fascinated by how much curtis sliwa looks like walter koenig these days
first, the trials are held there
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The American Railroad project sheds light on the profound yet often-overlooked contributions of Indigenous and African Americans, as well as Chinese, Irish, Japanese, and other immigrant communities, to construction of the U.S. Transcontinental Railroad and connecting railways across N. America. 🚂 🎶
i think it’s extremely rude to walk around while looking at your phone — stop if you need to use it! if you’re walking & looking at your phone, you’re telling me it’s my responsibility to look where you’re going bc you can’t be bothered to
Do you have any extremely niche, but serious, ethical stances?
to my mom’s dog when i’m taking her out — “my dog likes to potty all the time, potty all the time, potty all the time”
over on insta porochista khakpour has shared the news that one-time new yorker employee & author, alison rose has died. i once thought of trying to build a new yorker collection — books about the magazine & memoirs by people associated with it — i didn’t but rose’s *better than sane* was a favorite
pretty much my position on the usefulness of the mass protests, for whatever it’s worth
In social movement studies, we talk about how marches and protests expand the threshold of acceptable risk so that people take more and bigger social risks IN PUBLIC, EN MASSE. This is extremely important for the bourgeois white folks holding signs and building social rapport.
Not a shitpost: #NoKings is feel-good performative activism for comfortable mostly upper and upper middle class white folks and that’s good, actually. Millions of people in the streets protesting a fascist regime is good. It is good for the normie baseline to be massive displays of public dissent.
on my way to rob the louvre
they’re such beautiful shirts, as daisy said
rode in my first tesla this weekend — an uber that couldn’t be avoided unforch — & a) the doors are as annoying as i expected b) the interior hum was also annoying & c) i lived bitch
a: look into the eyeball
q: what immediately pre-september 11th album has stayed with you the longest?
tbh, “tradcath weeb” is about as good a description of thomas merton as any
claire boothe luce would never
honan does seem like the kind of guy snake would’ve told to fuck off tho
peak genx was the pavement cover of the schoolhouse rock song — (i’m sorry, it was all downhill from there, guys)

www.youtube.com/watch?v=ppYM...
“What success they had I do not know; but I fear that they failed, as Saruman did, though doubtless in different ways”