- containing a visit to the court of Venus, a translation of Bandello’s Lady of Chabry, and Rich’s wholesale pilfering from multiple military manuals.
mercurysdialogue.wordpress.com
(“Ay, José, do that again.
Ay, José, that’s not the way!
Ay, José, now the other way!”)
(“Ay, José, do that again.
Ay, José, that’s not the way!
Ay, José, now the other way!”)
- tonight in REP we read John Webster’s The Duchess of Malfi, as performed by the King’s Men in 1613.
- tonight in REP we read John Webster’s The Duchess of Malfi, as performed by the King’s Men in 1613.
They deleted the line in which I describe Donald Trump as “the most openly corrupt president in American history.” /1
They deleted the line in which I describe Donald Trump as “the most openly corrupt president in American history.” /1
The BBC and André Bazin, Penda's Fen and Blossoms Shanghai, Hilma af Klint and Echo Delay Reverb, pity and fear, Gertrude Stein and Iris Murdoch.
And Joan Baez.
With a detail of a painting I wanted to steal from the Courtauld.
www.illuminationsmedia.co.uk/the-sunday-d...
The BBC and André Bazin, Penda's Fen and Blossoms Shanghai, Hilma af Klint and Echo Delay Reverb, pity and fear, Gertrude Stein and Iris Murdoch.
And Joan Baez.
With a detail of a painting I wanted to steal from the Courtauld.
www.illuminationsmedia.co.uk/the-sunday-d...
Cosied up to authoritarian powers & traded principles for payoffs. Reform's leadership laughably claimed they barely knew Gill.
Will all this be on tomorrow's front pages?
Cosied up to authoritarian powers & traded principles for payoffs. Reform's leadership laughably claimed they barely knew Gill.
Will all this be on tomorrow's front pages?
I know there's a *lot* going on to care about at the moment, but this one really is significant, and matters well beyond the US.
I know there's a *lot* going on to care about at the moment, but this one really is significant, and matters well beyond the US.
- the classic theatrical nightmare, via the paratexts of “The Devil’s Elixir” (1829)
- the classic theatrical nightmare, via the paratexts of “The Devil’s Elixir” (1829)
Rather than tackle inequality - they've gone for pensioners, disabled people and now it's people fleeing war and persecution.
They can't get away with this.
Join.greenparty.org.uk
Rather than tackle inequality - they've gone for pensioners, disabled people and now it's people fleeing war and persecution.
They can't get away with this.
Join.greenparty.org.uk
Sharpie, a letterform recognition game for beginner #EarlyModern #palaeography
gjhilton.github.io/Sharpie/
AKA What I Did Over Reading Week.
#skystorians I’d be so grateful if you had time to share or take a look and tell me what sucks and needs fixing.
Love g 🗃️
Sharpie, a letterform recognition game for beginner #EarlyModern #palaeography
gjhilton.github.io/Sharpie/
AKA What I Did Over Reading Week.
#skystorians I’d be so grateful if you had time to share or take a look and tell me what sucks and needs fixing.
Love g 🗃️
(Police described the wanted man as “unexpectedly short.”)
(Police described the wanted man as “unexpectedly short.”)
www.english.cam.ac.uk/research/slo...
And so it ends... Branagh carried off, and in his coffin in the 1996 film; Andrew Scott in a publicity image for the Almeida production in 2017.
www.english.cam.ac.uk/research/slo...
And so it ends... Branagh carried off, and in his coffin in the 1996 film; Andrew Scott in a publicity image for the Almeida production in 2017.
- available to stream in the UK on @talkingpicturestv.bsky.social until 8th November
⬆️🔉🔊⬆️
- available to stream in the UK on @talkingpicturestv.bsky.social until 8th November
⬆️🔉🔊⬆️
#AmWriting
#CunningFlorentines
#VeryFirstDraft
#AmWriting
#CunningFlorentines
#VeryFirstDraft
can't even pull out a favorite part til I sign my separation letter lol, just read the whole thing.
can't even pull out a favorite part til I sign my separation letter lol, just read the whole thing.
- unclear who the actors are playing Hamlet & Ophelia. Does anyone recognise them?
- unclear who the actors are playing Hamlet & Ophelia. Does anyone recognise them?
This Wednesday in REP we read three masques for the Lady Elizabeth’s Wedding in 1613.
- written by Chapman & Beaumont, designs by Inigo Jones, music by Johnson, Coprario & Confesse
No Farthingales May Be Worn
This Wednesday in REP we read three masques for the Lady Elizabeth’s Wedding in 1613.
- written by Chapman & Beaumont, designs by Inigo Jones, music by Johnson, Coprario & Confesse
No Farthingales May Be Worn