Aaron Romano
@alromano.bsky.social
170 followers 340 following 140 posts
They/Them. 30 something queer cat parent and horror obsessive. I sometimes write spooky things: WE CAN ALWAYS TELL and WYRD WEREWOLF WRANGLER. Featured in Grim & Gilded and the Headwaters Creative Arts Magazine.
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alromano.bsky.social
Maturing is thinking the movie is scary and the book is boring at 12 then re-encountering both at 30 and realizing the movie is goofy and the book is terrifying.
alromano.bsky.social
I can't say I necessarily LIKE Zombie's work but I am definitely weirdly fascinated by it. It's not always good but it's always stylish. And, say what you will about his killer redneck movies, but Richard Brake is INCREDIBLE in 31 even if the rest of the movie isn't so great around him.
Reposted by Aaron Romano
alromano.bsky.social
Yeah I cried in every single scene of The Long Walk so fucking what
alromano.bsky.social
(2 of 2) to the right. I feel like a lot of the puritans that plague modern pop culture (and the arts in general) are found in this specific community whereas we know that the puritanical posing of the Project 2025 crowd is in fact a mask for fascist hedonism - which of course is no less insidious.
alromano.bsky.social
Oh absolutely. To clarify, when I say "people who identify as left," I don't mean the actual left. I more mean the "vote blue no matter who" centrists who are more about optics than progression and tell themselves they're good people because they vote Democrat even as they consistently cave (1 of 2)
alromano.bsky.social
(2 of 2) bigotry and their own personal rape fantasies, with the genre itself providing the plausible deniabilty of "Oh but it's supposed to upset you." Though of course they forget it's also supposed to make you think and genuinely feel.
alromano.bsky.social
Exactly! Think there's also a political element at play. I think a lot of people who identify with the left are afraid of true splatterpunk and transgressive art because at heart they're essentially afraid of transgression - allowing fringe-right weirdos to flood the genre with mindless (1 of 2)
alromano.bsky.social
The bf and I were just talking about this, it seems so rare these days for transgressive art to actually, you know...transgress. I honestly don't think artists like Poppy Z. Brite and Dennis Cooper would get published if they were just starting out today.
alromano.bsky.social
Love the movie, musical and book but honestly it's kind of an all around bad time
alromano.bsky.social
Re-watched Cabaret (1972) and suddenly realized that Joel Grey's performance as the Emcee seriously delivered one of the most terrifying characters of 70s cinema.
A still of Joel Grey in character as The Emcee from the 1972 film adaptation of Cabaret. He is unnaturaly pale, wide eyed and grinning, dressed in a black suit and standing in front of red curtains.
alromano.bsky.social
My God, I am crying. I had the incredible good fortune of discovering Ms. Yarbro's work last autumn and now she's one of my favorites. Farewell to one of the true greats. If you've never read her, do yourself a favor and look her up.
alromano.bsky.social
It's serving 1984 in this Carrabbas....
A photograph of a creepy sign in the entrance to a Carrabba's Italian Grill which reads: "I slept and dreamt that life was joy. I awoke and saw that life was service. I acted and behold...service is joy."
alromano.bsky.social
A perfect fairy ring outside my apartment 💙
A photograph of a naturally occurring perfect circle of white mushrooms on a green lawn...like a clumsy van Eyck, the shadow of the photographer appears in the bottom left hand corner.
alromano.bsky.social
Post one of the most haunting shots in movie history from a film made before the year 2000
Still from Miloš Forman's 1984 classic Amadeus depicting Tom Hulce in character as Mozart on his death bed unwittingly apologizing and proclaiming eternal friendship to the man who destroyed him.
alromano.bsky.social
It's so weird to me that Barry Lyndon isn't more well known for it's humor. The the totally dry, urbane sarcasm of the narration absolutely kills me.
alromano.bsky.social
Still the best movie De Palma's ever made.
thebmovievault.bsky.social
PHANTOM OF THE PARADISE (1974)
alromano.bsky.social
All About Eve (1950)
All About My Mother (1999)
alromano.bsky.social
Let's Go!

Ten movies I'd like to see get the Criterion boutique treatment:

1. Amadeus
2. Bram Stoker's Dracula
3. Wild at Heart
4. Reform School Girls
5. The Shining (1980)
6. The Maltese Falcon
7. Joint Security Area
8. The Lady from Shanghai
9. Once Upon a Time in America
10. Mother (2009)
slimyswampghost.bsky.social
ten movies i'd like to see get the criterion boutique treatment

1. Johnny Guitar
2. Near Dark
3. Green Snake
4. Paperhouse
5. The Discarnates
6. Crime Wave (1985)
7. Gonin
8. The Shout
9. Symbol
10. The Devils
alromano.bsky.social
A great watch for Wrath Month!
praiseshadows.bsky.social
New Video!

Sleepaway Camp | Anatomy of a Franchise

youtu.be/Jn-HnOJhXLU
alromano.bsky.social
Ditto, I've always wanted to explore writing epic fantasy but have been personally intimidated for the same reason. I'm starting to think GRRM had the right idea in looking to history for plot inspiration.
alromano.bsky.social
Yeah, I might have cackled in the store when I read it on the back of the case. Only turned a few heads though.
alromano.bsky.social
Just bought Criterion's recent release of Friedkin's Sorcerer and I about lost it when I saw they included this interview in the special features