ComicTF
@comictf.bsky.social
810 followers 92 following 99 posts
Transformation comics, illustrations, and other nonsense
Posts Media Videos Starter Packs
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erininthemorning.com
I believe that we are many,
And I believe that they are few.
cristianfarias.com
This video of Chicagoans intervening to save a man from being abducted off the streets by ICE is making the rounds on Instagram.

Community action works.

Source: www.instagram.com/reel/DPZL2AL...
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kojamf.bsky.social
Dr. Jane Goodall filmed an interview with Netflix in March 2025 that she understood would only be released after her death.
comictf.bsky.social
Break out the emergency can of pineapple chunks.
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scottmccloud.bsky.social
Written 55 years ago, Schulz's heartfelt clarity cuts through the noise, even today.

h/t @tisserand.bsky.social
Scan of a typed letter from 1970, from Peanuts creator Charles Schulz, addressed to "Joel Lipton, 622 N. Foothill Road, Beverly Hills, Calif. 90210"

It reads:

"Dear Joel:

I think it is more difficult these days to define what makes a good citizen than it has ever been before. Certainly all any of us can do is follow our own conscience and retain faith in our democracy. Sometimes it is the very people who cry out the loudest in favor of getting back to what they call "American Virtues" who lack this faith in our country.

I believe that our greatest strength lies always in the protection of our smallest minorities.

Sincerely yours,
 
Charles M. Schulz"

At bottom is an illustration of Charlie Brown and Snoopy, a kite wrapped around the dog house.
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tinypigdraws.bsky.social
Will haplessly walked into the same cafe Gale (@hopehjort.bsky.social) and Damon (@evitf.bsky.social) did a few days ago.

None of them have been seen since. 🐱🐱🐱
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nocturn3bud.bsky.social
Coffee Bun's AKA "Mice Tea 2: The Squeakwel; is nearing the end of it's central story. [save for romances]

I'd say for all the TFTG centric VNs out there; CB handles it in a way that is mature, interesting and meaningful.

[play it so Billie gets more mentions in dialog in future updates...]
cinswitch.itch.io
You can read the conclusion of Coffee Buns in the latest Early Access release! We've got more development and story, but you can now read the culmination of Leo's story of self-discovery!

It's bound to be a smooth ride, right?

www.patreon.com/posts/139291...
Leo, a feminine white rabbit anthro in a playboy bunny suit leans against a door with a panicked expression while tugging the detached collar. A visual novel text box reads: I tug at the collar that seems to be tightening like a noose by the second.
Reposted by ComicTF
rylebee.bsky.social
Just make it exist first, you can make it fluffy later
>:3
#Animation #Furry #Furryart
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headfallsoff.com
i think this picture, from a public promo stream for a video games starring one of the most popular comic book characters of all time owned by the disney corporation, should be used on every single story about storefronts taking down lgbt content
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amypond.gay
Michigan's porn ban specifically bans being openly transgender as being pornographic. Don't let this one slide. It is a ban on being publicly transgender on the Internet.
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tftuesdaypod.bsky.social
On this week's ep, Gunzil and Mira from @cinswitch.itch.io are here to talk about Crossed Signals! We chat about how the idea came to be, how they developed the story, and where the character origins derive from. Somehow it all goes back to Sonic Adventures 2 😉
youtu.be/1DCIa1dlTsE
#TFTuesday
Gunzil and Mira are displayed on screen going 'Wow!' as Zil sits behind the TFTuesday desk #TFEveryday #transfur
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hal-monitor.bsky.social
✨🏳️‍⚧️ Belated Pride Comic (1/4) 🏳️‍⚧️✨
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Reposted by ComicTF
lemonfont.bsky.social
Trial and Error 2 (part 1)
Reposted by ComicTF
Reposted by ComicTF
dieselbrain.bsky.social
this petition is almost to 5.5K, let's see if we can hit at least 6k by the end of the day!

if you are a canadian citizen/legal resident, you need to sign this and verify your signature via email!
acvalens.net
House of Commons paypro censorship petition e-6695 ballooned from just a couple dozen signatures on Wednesday to over 4.4k today. Among petitions open for signature for the Canadian legislative body, it is the 6th most signed

Within the 45th Parliament, it's the 13th most signed petition for HoC
Information on the e-6695 consumer protection anti-paypro censorship petition. Full information can be read in the reply linked to this post A list of the most signed House of Commons petitions currently open for signature for Canadian citizens. e-6695, a consumer protection bill against payment processor censorship, is the 6th most popular
comictf.bsky.social
That's not a very nice thing to say about yourself.
comictf.bsky.social
Immediately saw the typo. Ughhhh. I have to get used to posting again.
Reposted by ComicTF
hampus.bsky.social
Branded, the first in a series of four-page horror comics.

This is my first attempt at rendering a whole comic in "pure" black and white linework, without shades of gray. It's a style I've always admired but never felt strong enough to do.

Enjoy! 👻

#comics, #art, #horror, #DarkArt
A black and white comic page with three panels.

Panel 1: A bedroom, seen from above, mostly shrouded in darkness. There is a big bed, and a poster above the bed featuring a demonic band called Beelzebabes. There is a bedside table with a lamp, spreading a circle of light around it. A young woman lies curled up on the bed, clutching a pillow. A rectangle of light falls from an off-panel doorway over the bed, and the shadow of a person appears in the light.

The title of the comic: "Branded", appears in the top left corner.
The shadowy figure says "You should go outside.""

Panel 2:
Closeup of the young woman's face. She looks haggard and frightened. The rectangle of the doorframe, with the shadowy figure within it, appears behind her in the darkness.

The young woman says: "I... I can't. That..."

Panel 3:
A slightly abstract rendition of a window with venetian blinds drawn. Insects buzz in the light filtering through the blinds, and something that resembles smoke rises across the panel.

The young woman says: "That thing is still out there." A black and white comic page with six panels.

Panel 1: A white void, in which sits a rectangular stairway framed by a low brick wall, apparently leading down underground. A crooked sign post stands next to the stairs.

Narration boxes: "It followed me from the subway station. At first, I thought it was just a beggar, but..."

Panels 2-4: In a sequence of three panels, a pale, deformed humanoid figure emerges from the darkness, its arms abnormally long, its fingers long with claw-like nails. The figure seems to twist and bend in unnatural ways, and keeps poking at its own eyelids with its nails, as if its trying to force its own eyelids open.

Narration boxes: "With every step it took, it changed. I could hear its bones snap and slot into place. And somehow, I was trapped with it. Like a bird in an oil spill."

Panel 5: The young woman, now wearing an overcoat and hat, and a long scarf sustained on the wind, clasps her face in horror. Her face and hands have been blacked out with rough pencil strokes, but the whites of her eyes can still be seen, staring in terror. Her purse is flying through the air, spilling its contents as it goes: a set of keys, a book, a pencil, a smartphone.

Narration boxes: "And something passed from it to me. I can't get rid of it."

Panel 6: A closeup of the creature's eye, being pried open by two long, cracked fingernails. The pupil in the eye resembles a twisted reflection of the young woman.

Narration boxes: "You know how smoke sticks to your collar? Or when a sick baby puts its fingers in your mouth." A black and white comic page with six panels.

Panel 1: The young woman is peeking out her window, parting the venetian blinds with her fingers. Her face is brightly lit, and her eyes look astonished with disbelief.

Narration boxes: "Ever since then, little by little... the world has fallen apart."

Panel 2: A bizarre view of the street outside the young woman's house. A gigantic dog is being walked by a tiny person, who appears to be much farther away than the dog, despite walking in front of it. The dog is intersected by lamp posts which appear to be at different distances from the viewer, and in each section the dog is much larger than the last. The curb itself appears to be a smartphone, and a broken clock is floating among some rubble in the void.

Narration boxes: "Pieces disappear, or appear elsewhere. Things change size without moving. Nothing is the same when you look again."

Panel 3: In a white void, a deformed figure, distinct from the one we saw on the previous page, is shambling around. It is dressed in a blouse and skirt, and its neck is long, snaking away from its body, head lolling.

Narration boxes: "There are others like it, shambling about. I can see them clearly now. Maybe they were always there."

Panels 4-6: Three panels of the young woman sitting on her bed, clutching her pillow, first seen as a white silhouette over pitch black, then straight from the front, then in closeup as she turns her head toward the figure in the doorway.

The young woman says: "There is no outside anymore. My room is the only place I feel safe."
The figure in the doorway says: "You should go outside."
Irritated, the young woman says: "Weren't you listening? I said–"
The figure in the doorway interrupts: "Outside."
Now suddenly anxious, the young woman says: "What..."
The figure in the doorway interrupts, this time with a scratchy, deformed word balloon: "You should go outside." A black and white comic page with two panels.

Panel 1: The young woman is sitting up in her bed, clutching her sheet as it wraps around her lower body. She is looking over her shoulder, toward the doorway. Concentric circles with hatched patterns inside them frame her head.

The young woman says: "M... mom?"

A word balloon at the bottom of the panel extends into the next panel, with the letters spilling out of it as if entering the same physical space as the characters themselves, spelling out the words "Go outside".

Panel 2: In a big panel, seen from the young woman's point of view, a monstrous humanoid creature emerges from the darkness, reaching its long, clawed hands toward us. Its neck is crooked, head lolling, eyes apparently clawed open, with fresh scratch wounds running down its cheeks. The mouth is open, with worm-like appendages dangling from its lips. The young woman's hand reaches into frame, fingers spread, as if trying to ward off the monster in fear.

A small box in the bottom right corner informs us that this is the end of the story. Thank you for reading!
Reposted by ComicTF
badambulist.bsky.social
the left and centre-left Big Tent is for housing under one broad coalition people who have differing policy positions on transport or budget allocation or clean energy or where to build a library, not for including people who believe other people shouldn’t be allowed human rights :)
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thegreatmisternibs.bsky.social
Thanks to everyone at @wechange.me! You can now find all my finished stories on wechange.me !

To celebrate everything is on sale! A buck off Minor CATastrophe and 25% off everything else! I hope you'll make an account and help make this TF and TG centered platform a success!