Gwenthalyn Engélibert
@gweneng.cpesr.fr
410 followers 290 following 400 posts
Associate Pr. US Studies, Eng Dpt, Uni Brest, FR. SAES, AFEA, SSAG (Am. Gothic). R. Matheson's short stories. SF, Gothic abt: cold War, paranoia, veterans & trauma, suburbs, uncanny ordinary. AU Mayanist, or medievalist. North Yorkshire lass at 💜
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nachemotion.bsky.social
Important news! We have extended our Call for Papers to 15 October - so if you were interested in submitting a proposal but didn't make the first deadline, now is your chance ✨ Email proposals to [email protected] so you can join us for our 4th biennial conference in May 2026 - & please share widely!
nachemotion.bsky.social
The Call for Papers for our next biennial conference is now open! Submit your proposals by 1 October 2025 so you can join us at the University of Arizona in Phoenix/Tempe, Arizona on 22-23 May 2026. More information can be found at the link below ✨
nachemotion.wordpress.com/conference/t...
gweneng.cpesr.fr
Un bel étui! Toute occasion est bonne pour afficher des petits renards. Par ex, dans le livre, cet ex-libris de Morgane Rospars avec un couple de renards en dégradé de orange. 🥰
Page de titre de Beowulf, édition et traduction de Wilfrid Rotgé, préface de Leo Carruthers et postface de Florence Bourgne, Sorbonne université Presses. A été ajouté un tampon ex libris de Morgane Rospars à mon nom, représentant un couple de renards assis, l'un en orange classique, l'autre en très pâle, presque transparent. Un bien beau cadeau fait par une amie.
gweneng.cpesr.fr
En route pour la présentation de la nouvelle traduction de _Beowulf_ par Wilfrid Rotgé. 🤩 Voyage sans ordinateur, avec seulement de quoi lire et écrire. Possible que je surestime largement le temps de trajet vu mon programme de lecture pour préparer une proposition de communication pour un colloque.
Tablette de train ouigo sur laquelle repose le Beowulf traduit par Wilfrid Rotgé et la tablette à encre électronique protégée par un étui en cuir de champignon représentant un petit renard devant des arbres bleus, sous une nuit étoilée.
gweneng.cpesr.fr
C'est demain ! 😊
gweneng.cpesr.fr
Unconference on Craig Santos Perez's poetry and on Aboriginal and Torres Strait Islander Literature with a special focus on the works of Ali Cobbi Eckermann and Jeanine Leane.
📅 Oct. 7th
🕖 8:30 am French Time, 1:30pm Central, 5:30pm Australia
📍B001, Brest + online.
www.univ-brest.fr/hcti/fr/actu...
Unconference Ospapik HCTI | Héritage et Création dans le Texte et l'Image
Unconference on Craig Santos Perez's poetry and on Aboriginal and Torres Strait Islander Literature with a special focus on the works of Ali Cobby Eckermann and Jeanine Leane
www.univ-brest.fr
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franceculture.fr
1,5 milliard de personnes dans le monde, 20 millions en France : pourquoi reste-t-elle si mal soulagée ? Plongée dans la recherche sur la nociception, ce système nerveux qui nous fait ressentir… et souffrir.
➡️ https://l.franceculture.fr/1LZ
Reposted by Gwenthalyn Engélibert
tetabaf.bsky.social
"DEBOUT LES FRANÇAIS, LE NOUVEAU GOUVERNEMENT VIENT D'ÊTRE NOMMÉ"
extraits du film "Un jour sans fin"
Reposted by Gwenthalyn Engélibert
juliengossa.cpesr.fr
Quelques modifications des codes législatifs depuis l'élection de M. Macron en 2017

On commence par le Code de l'éducation

44% des articles ont été conservés, les autres ont été supprimés, ajoutés ou modifiés, pour certains plus de 5 fois.

github.com/juliengossa/...
Reposted by Gwenthalyn Engélibert
Reposted by Gwenthalyn Engélibert
nytimes.com
“I cannot stress enough that he does not know he is in a movie.” The director Ben Leonberg wants to make sure that when discussing the lead actor in “Good Boy,” there are quotes around the word “performance.”
In ‘Good Boy,’ a Retriever Is the Breakout Star in a Horror Film
The director and producer enlisted their family pet and filmed in their home for more than 400 days to meet the challenges of working with a pooch.
nyti.ms
gweneng.cpesr.fr
Unconference on Craig Santos Perez's poetry and on Aboriginal and Torres Strait Islander Literature with a special focus on the works of Ali Cobbi Eckermann and Jeanine Leane.
📅 Oct. 7th
🕖 8:30 am French Time, 1:30pm Central, 5:30pm Australia
📍B001, Brest + online.
www.univ-brest.fr/hcti/fr/actu...
Unconference Ospapik HCTI | Héritage et Création dans le Texte et l'Image
Unconference on Craig Santos Perez's poetry and on Aboriginal and Torres Strait Islander Literature with a special focus on the works of Ali Cobby Eckermann and Jeanine Leane
www.univ-brest.fr
Reposted by Gwenthalyn Engélibert
ssag.bsky.social
Proposals for our Biannual conference in Salem, MA, "American Nightmares II: Return to Salem" are due Oct. 1st, 2025. Please check our website for details:

americangothicsociety.com/symposium/
#SSAG #CFP #Conference #GothicLiterature
American Nightmares II: Return to Salem – Society for the Study of the American Gothic
americangothicsociety.com
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dataesr.bsky.social
Note sur les boursiers sur critères sociaux en 2024-2025 📊
Les plus fortes proportions de boursiers par #académie :
👉 #Outremer | Guyane : 52% | La Réunion : 63 %
👉 #Metropole | Corse : 48 % | Montpellier : 45 %, ▶️ bit.ly/4gZEIPn #ESR #HelloESR #Vieetudiante #bourse
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dj-acid-reflux.bsky.social
I hand over an invisible ‘Tree Of The Day’ award to the most charismatic tree I see on each of my walks. Here are just a few past winners of this esteemed but still largely unknown prize.
An angry man with branch hands pretending to be two conjoined Sycamore trees. A tree on Exmoor which has some fucking stories to tell even though it doesn't go around shouting about it. A tree on Dartmoor which, though old, is still quite cheeky, and likes using its branches to sneakily tickle cattle, ponies and people when they pass it. A tree which is so endlessly proud of the village where it lives that it stands constantly at the edge of it, constantly welcoming everyone who arrives, with a wave and a smile.
gweneng.cpesr.fr
AaC "Le genre et l’argent, le genre de l’argent et l’argent du genre", colloque international interdisciplinaire, Université de Bretagne Sud, Lorient, HCTI & TEMOS. 12-13 mars 2026.
Propositions pour le 14 novembre (300 à 500 mots).
www.univ-brest.fr/hcti/fr/page...
Le genre et l’argent, le genre de l’argent et l’argent du genre | Héritage et Création dans le Texte et l'Image
www.univ-brest.fr
Reposted by Gwenthalyn Engélibert
achatenetc.bsky.social
L' #ESR subit actuellement un gigantesque plan social dont personne ne parle hors des intéressés. Les seniors partent, les postes de titulaires sont gelés, blanchis et ne seront pourvus qu'au compte-goutte sur de longues années . Beaucoup seront supprimés.
jostavodebauge.bsky.social
Le fait est qu'il y aura de moins en moins de postes de titulaires et de financements : on assiste à un démantèlement à bas bruit de l'ESR, les jeunes chercheuses et chercheurs précaires deviendront vieilles et vieux, la titularisation ne viendra pas.
Reposted by Gwenthalyn Engélibert
maxvonthun.bsky.social
“We studied more than 70 different elections that took place in 12 western European countries over several decades, and found that when mainstream parties take more anti-immigration positions, it leads to more support for the radical right, not less.”
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clairezagorski.bsky.social
From a transcript of a faculty meeting discussing this:

Faculty are being told to not teach on gender and sexuality at all, regardless of their field, and the Dean isn’t even sure if the faculty *can accept papers from students that discuss these topics*.
FACULTY: But if a student were to take a research
topic that they wanted to research... and they wanted to address something that doesn't fit into the binary composition, are we to tell them, 'you may not write on this topic?' Or are we to treat it just like any other
topic, because we didn't bring it up and we're not talking about it in class?
DEAN: Good question. You were not allowed to discuss that, nor allow that in the classroom setting.
Period.
FACULTY: So a student could not submit a paper about a research topic about transgender?
DEAN: As part of the curriculum setting; correct.
FACULTY: So they cannot submit that paper, and we
vould have to tell them '
vou need to do a diftereni
paper.'
DEAN: That second part I don't know about, but ! need to get back to you.