Postdoc @QMULSLLF *Victorianist* 21st c 🎭 & livecasting * co-editor of Studies in Travel Writing*🌈
https://www.uni-frankfurt.de/136371678/Heidi_Liedk
www.bloomsbury.com/transmedia-t...
www.bloomsbury.com/transmedia-t...
Researching for + writing it @qmul.ac.uk
as a @humboldt-foundation.de fellow between 2018-2020 was a formative period for me and has shaped my thinking about theatre.
Researching for + writing it @qmul.ac.uk
as a @humboldt-foundation.de fellow between 2018-2020 was a formative period for me and has shaped my thinking about theatre.
www.intellectbooks.com/new-queer-te...
www.intellectbooks.com/new-queer-te...
www.sueddeutsche.de/politik/deut...
www.sueddeutsche.de/politik/deut...
- Who’s there?
- Tobie.
- Tobie who?
- Tobie or not tobie, that is the question.
- Who’s there?
- Tobie.
- Tobie who?
- Tobie or not tobie, that is the question.
For more info and programme: anglistik1.phil-fak.uni-koeln.de/abteilungen-...
For more info and programme: anglistik1.phil-fak.uni-koeln.de/abteilungen-...
www.degruyter.com/document/doi/10.1515/zaa-2024-2008/html
The Politics of Queer Be-longing and Acts of Hope in Peter McMaster’s Solo Performance A Sea of Troubles and Split Britches’ “Zoomie” Last Gasp (WFH) -
www.degruyter.com/document/doi...
The Politics of Queer Be-longing and Acts of Hope in Peter McMaster’s Solo Performance A Sea of Troubles and Split Britches’ “Zoomie” Last Gasp (WFH) -
www.degruyter.com/document/doi...